Month: February 2024

PLOT: The love story between Rick and Michonne. Changed by a world that is constantly changing, will they find themselves in a war against the living or will they discover that they too are The Walking Dead?

REVIEW: It is hard to believe that it has been fourteen years since The Walking Dead debuted, changing the landscape of zombies on television as well as comic book adaptations on the small screen. After eleven seasons on the air, the flagship series in AMC’s franchise ended in 2022 but not before revealing three successor series featuring members of the original The Walking Dead cast. With Dead City and Daryl Dixon having debuted last year, fans have found the spin-offs to be a mixed bag. Anticipation for the return of Michonne and Rick Grimes has been high since Andrew Lincoln left in season nine and Danai Gurira departed in season ten, but the premiere of The Walking Dead: The Ones Who Live felt muted in the weeks leading up to its premiere. Now, with the first episode having debuted on AMC, fans have gotten a taste at the return of the fan-favorite couple. The Ones Who Live opens with an episode that is underwhelming in its familiarity as it sets the table to answer questions posed by The Walking Dead showrunners in other series but does not do much to reignite what made the early seasons of the zombie show such a mainstream hit.

Picking up after the bridge explosion that left Rick Grimes a memory for the main series characters, five years have elapsed and Rick is living in the thriving city of the Civic Republic, formerly Philadelphia. Run by the military known as the CRM, Rick is repeatedly recruited by Donald Okafor (Craig Tate) to join as a soldier. Rick spends much of the early part of the episode pining after Michonne and his family he left behind and plots multiple escapes. In a depressed spiral and unable to escape from the Civic Republic, Rick considers suicide and makes a brash escape attempt that results in an act using an axe that leaves the former sheriff in a physical situation that replicates something from the early run of the comic. Nevertheless, Rick learns again that he may not be able to get away unless he plays by the rules. That is when he decides to join Okafor and the CRM. Rick then spends the next months training as a soldier under the watchful eye of Okafor and CRM Major General Beale (Terry O’Quinn). O’Quinn, who always seems to be playing the same character with slightly different facial hair, is always a welcome addition to any series but does not bring anything new to The Ones Who Live.

Over the season premiere, much of the time is spent orienting us to the Civic Republic and its structure. So much of the story is spent with Andrew Lincoln reprising his gruff Southern accent as Rick talks about wanting to find Michonne. When Rick isn’t spouting expository narration, the various characters are telling us tons about how and why the CRM is the way that it is. Whether it be Rick’s friend Esteban or his fellow CRM recruit Pearl (Lucifer‘s Lesley-Ann Brandt), everyone just talks about the superficial good of the Civic Republic while others talk about the hidden underbelly of the closed city. It gets tiring and repetitive after a while culminating in a fight sequence that gives the episode some much-needed energy. The entire episode goes by with the only appearance from Danai Gurira in the form of dream sequences between Rick and Michonne meeting cute at a park bench in a wonderful what could have been setting. Danai Gurira finally makes her true entrance in the close of the episode which sets up the true direction for where this series is going to go.

Things finally begin to heat up in the closing minutes of the episode as a character dies, setting up a new path for where the rest of this truncated season will go. We have yet to spend much time with Pollyanna McIntosh, returning as Jadis Stokes from the main series and a role in World Beyond, nor have we gotten time with Andrew Bachelor, Breeda Wool, or the other new members of the cast. This first episode is centered on Andrew Lincoln who seems to be a shell of the leader he was for nine seasons. I don’t know if this is just a daze that Rick Grimes needs to awaken from but I was left disappointed by how he appears in this premiere chapter. I was also underwhelmed by yet another story about a group in control who have become corrupt battling against the upstart rebels who want to rebuild society via utopian ideals. The zombie element remains secondary to the human drama even though the corpses should be all but gone after a decade of the undead.

No one knows Rick and Michonne better than Andrew Lincoln and Danai Gurira, so it is refreshing to see they are both credited as co-creators of the series alongside Scott M. Gimple, the longtime head of The Walking Dead universe. Gimple is credited as the lone writer on the premiere episode which was directed by Hawkeye helming duo Bert & Bertie. Future episodes are credited to writers Nana Nkweti, Channing Powell, Gabriel Llanas, Matthew Negrete, and Danai Gurira herself while directing duties also fall to Michael Slovis. Despite the shifted location to Philadelphia, The Ones Who Live rarely feels different from any other Walking Dead shows. We have seen the city setting before in Dead City and we have seen characters go up against organized enemies in World Beyond and Daryl Dixon. In the early going, The Ones Who Live feels like just another entry in The Walking Dead despite focusing on two of the most interesting characters in the franchise. Maybe the problem comes from the fact none of the other characters are remotely as intriguing.

I want to like The Ones Who Live, but I have felt so let down by the repetitive nature of The Walking Dead in the last five or six years that it was hard for me to feel much during the first episode of this series. As much as I enjoy seeing Andrew Lincoln and Danai Gurira reunite on screen, I cannot help but feel it is a few years too late for this show. Regardless of how exposition-heavy this premiere episode is, there is still something great about seeing zombies on screen, and the make-up work by The Walking Dead crew never disappoints. I just hope that this first episode was a requisite recap on the way to bigger and better storytelling in the chapters to follow. For now, I am lukewarm on The Ones Who Live, and that is being generous.

The Walking Dead: The Ones Who Live airs Sundays on AMC and AMC+.

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Sorting through America’s history is a Herculean task. Humans built the nation with blood, sweat, and tears, watering the soil with memory, pain, and perseverance. Today, Kevin Costner’s Horizon: An American Saga trailer explores the settlement of America’s Western frontier from the Indigenous groups who blessed the land to those who occupied it by force. Horizon will be Kevin Costner‘s first time directing a movie since Open Range in 2003. He also busted out his directing chops for The Postman and Dances with Wolves, the latter of which earned him an Academy Award for Best Director.

Kevin Costner’s Horizon will “span 15 years in the settlement of America’s Western frontier, and focus on both the settlers as well as the Indigenous groups that first occupied the land.”

Sienna Miller, Sam Worthington, Giovanni Ribisi, Jena Malone, Abbey Lee, Michael Rooker, Danny Houston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, and Jamie Campbell Bower join Kevins Coster as primary cast members.

Horizon: An American Saga Chapter 1 and Horizon: An American Saga Chapter 2 will open in theaters on June 28, 2024, and August 16, 2024.

Horizon: An American Saga, Kevin Costner, trailer

Costner directs both chapters of Horizon: An American Saga from a script he co-wrote with Jon Baird. Costner leads the cast with Sienna Miller, Sam Worthington, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, Jamie Campbell Bower. Producers are Costner, Howard Kaplan, and Mark Gillard.

Updating…

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ebon-moss bachrach, the thing, fantastic four

With multiple attempts to adapt Marvel’s first family for the big screen, the casual Valentine’s Day news drop of the casting for The Fantastic Four has fans buzzing. As the Fantastic Four finally get the MCU treatment, there is a natural excitement that the superhero team will get the faithful translation that fans have been waiting for. The casting announcement was made with a simple illustrated photo that features the likenesses of the cast actors in their respective roles in a very retro picture. This also led to speculation that the movie may take place in the 60s.

One thing that seems obvious with larger-than-life characters in the MCU is how The Thing will be integrated. As we’ve seen in the past with the Hulk and Thanos, Marvel has been a champion for using motion capture for certain characters. Ebon Moss-Bachrach, who has been cast as Ben Grimm aka The Thing has confirmed that he will not be using a practical suit, but will be doing motion capture for The Thing. Variety reports that Moss-Bachrach appeared on Jimmy Kimmel Live when he said, “In the past, I think they’ve done a suit. Michael Chiklis wore a suit that apparently was really uncomfortable, and it’s kind of… we’re past that. It’s a little kind of cosplay, kind of amateur that kind of stuff now with the technology we have.” 

Josh Trank’s Fantastic 4 would first utilize CGI for The Thing’s appearance and despite the overall reception of the movie as a whole, one thing audiences weren’t critical about was the look of The Thing in the film. Details of The Fantastic Four are still yet to be announced, but one element that was teased with the illustration was the setting of the film. Jimmy Kimmel would inquire if Moss-Bachrach could confirm if the movie would indeed take place in the 60s and, in usual Marvel tight-lipped fashion, Moss-Bachrach would give a vague answer. As Kimmel pointed out the retro style of the picture, Moss-Bachrach slyly replies, “That image does seem to be ’60s themed.” 

Moss-Bachrach joins Pedro Pascal as Reed Richards, Vanessa Kirby as Sue Storm and Joseph Quinn as Johnny Storm. No word on who the team will be tangling with in the film, but there is talk that Javier Bardem is possibly being considered to play Galactus, the planet-eating villain who was portrayed as a space cloud in 2007’s Fantastic Four: Rise of the Silver Surfer.

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kenneth mitchell, captain marvel, star trek

Variety reports that Kenneth Mitchell, the actor known for his multiple roles in Star Trek: Discovery and Captain Marvel as Joseph Danvers, has passed due to ALS complications on Saturday. He was 49. Mitchell portrayed Klingons Kol, Kol-Sha and Tenavik, as well as Aurellio on Star Trek: Discovery. He also lent his voice to portray several characters in an episode of Star Trek: Lower Decks. The actor also appeared in the 2004 Olympic hockey film Miracle, starring opposite Kurt Russell. Mitchell would also appear in 27 episodes of the 2006 show Jericho.

According to Variety, a statement was released on Mitchell’s Instagram account. The statement read, “For five and a half years, Ken faced a series of awful challenges from ALS. And in truest Ken fashion, he managed to rise above each one with grace and commitment, to living a full and joyous life in each moment. He lived by the principals that each day is a gift and we never walk alone.”

Back in 2020, Mitchell went public with his condition, revealing that he had been diagnosed with ALS in 2018. The actor had been using a wheelchair since 2019. He would share, “I think it, over time, became the theme of us accepting this with grace. Trying to see the beauty in it, in a way. I’ll never forget, one of my ‘Star Trek’ co-stars told me, because they had dealt with some trying times with illnesses and stuff, and I remember them communicating to me, saying, ‘You have a choice. You can look at this in many different ways, but maybe try to look at this like a gift where you get to experience life in a way that most people don’t.’”

Mitchell revealed to People Magazine that he would give up a lead on a television series that required him to film in Newfoundland. He turned down the opportunity, saying, “Being lead of the show, I really wanted that responsibility. But in the end, it just wasn’t the right thing to continue on.”

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Madame Web has just spun Sony’s most laughably pathetic entry in its Marvel universe to date, which now has Awfully Good Movies revisiting the previously most pathetic Sony-Marvel installment starring Jared Leto as the living vampire turned Internet laughing stock… MORBIUS!

With Venom 1 & 2 overcoming the haters to rake in big box office, Sony further exploited its share of the Spider-Man rights with Marvel and Disney with a solo film for Peter Parker’s vampiric foe that no one was asking for, with Jared Leto yet again making us reconsider his Oscar playing a thankfully less obnoxious comic book bad guy than the Joker. But even his Method dedication can’t liven up this pointless Spider-Man spinoff whose only connection to the MCU is a cameo from Michael Keaton as the Vulture that could have been a Zoom call, and whose only saving grace is Matt Smith as Morbius’ foster brother turned fellow vampire having fun with this like the garbage it is.

Unless you want to see what a superhero movie from 2002 would look like in the year 2022, with entire subplots and lines of dialogue from the film’s trailers nowhere to be found in the final cut (looking at you, Tyrese Gibson!), then I’d say the cinema masterpiece that these memes are jokingly describing would probably be a far more enjoyable watch than the actual Morbius movie, no matter how many theatrical re-releases that Sony gets fooled into.

Awfully Good Movies will (probably) return in August 2024 with its review of Madame Web, now playing in theaters and coming soon to an ad-supported streaming service near you.

Previously on Awfully Good Movies

TOP 10 WORST MOVIES OF 2023

EXPEND4BLES

EXORCIST II: THE HERETIC

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