Let me be clear: I have never played a Final Fantasy game. Final Fantasy VII Rebirth may be out very soon, and the series may be one of the most influential in the history of video games, but I have never touched one. Aside from tangential knowledge gleaned against my will via the internet and coworkers, and what I’ve…
Let me be clear: I have never played a Final Fantasy game. Final Fantasy VII Rebirth may be out very soon, and the series may be one of the most influential in the history of video games, but I have never touched one. Aside from tangential knowledge gleaned against my will via the internet and coworkers, and what I’ve…
After adding impressive viewership numbers to CBS‘s broadcast presentation of Yellowstone, Taylor Sheridan’s Tulsa King is making a similar move this summer. The acclaimed original Paramount+ drama Tulsa King, starring Sylvester Stallone, will air its first season on CBS ahead of its Season 2 premiere this fall exclusively on Paramount+.
The move to bring Tulsa King to CBS hails from Paramount Global. Like Yellowstone’s CBS screenings, Paramount hopes to rope more people into watching Tulsa King. The original crime drama plays exceptionally well with Paramount+ subscribers, and expanding to CBS should increase the show’s power and influence before Season 2. The goal is to whet viewers’ whistles with the first season and hopefully entice them to subscribe to Paramount+ for the second. Hey, it worked for Yellowstone.
“I think it just speaks to that the company is working across all different parts right now as much as possible, and we’re all looking for those wins together,” CBS Entertainment President Amy Reisenbach told Deadline about expanding the reach of its original programming across other platforms.
Sylvester Stallone stars in Tulsa King as Dwight “The General” Manfredi, a New York mafia capo. After he’s released from prison, Dwight is unceremoniously exiled by his boss to set up shop in Tulsa, Oklahoma. Realizing that his mob family may not have his best interests in mind, Dwight slowly builds a crew from a group of unlikely characters to help him establish a new criminal empire in a place that might as well be another planet.
“Tulsa King scored as the #1 new series of the year, topping all others including the Game of Thrones prequel House of the Dragon, with its preview on Paramount Network, and on Paramount+, it shattered records, driving us to our biggest new sign-up day in history – which is why we instantly greenlit season two,” said Chris McCarthy, President/CEO, Paramount Media Networks & MTV Entertainment Studios in 2022 after Tulsa King’s outstanding launch. “Tulsa King together with Mayor of Kingstown, 1883 and the upcoming 1923, undeniably confirm the success of our strategy to franchise Yellowstone and use it to supercharge streaming growth – none of which would be possible without the creative mastermind of Taylor Sheridan.”
Does Tulsa King‘s move to CBS encourage you to check it out? Let us know in the comments section below.
A couple months ago, we learned that Alexander Skarsgard of Succession, The Legend of Tarzan, and The Northman had signed on to star in the ten-episode sci-fi series Murderbot, which is set up at Apple TV+. (Despite sharing a title with a recently released movie from Full Moon and director Jim Wynorski, this project is actually based on Martha Wells’ bestselling, Hugo and Nebula Award-winning book series The Murderbot Diaries.) Now Deadline reports that David Dastmalchian of The Suicide Squad, the Ant-Man series, and the upcoming horror film Late Night with the Devil is joining Skarsgard in the cast. Dastmalchian will be playing a character named Gurathin.
The sibling duo of Chris and Paul Weitz (About a Boy) are writing, directing, and executive producing Murderbot under their Depth of Field banner. Andrew Miano is also executive producing for Depth of Field, while David S. Goyer executive produces alongside Keith Levine for Phantom Four. Wells is on board as consulting producer.
Coming our way from Paramount Television Studios, Murderbot is aiming to be action-packed. The 10-episode series will introduce viewers to a self-hacking security android (Skarsgard) who is horrified by human emotion yet drawn to its vulnerable “clients.” Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.
Wells’ The Murderbot Diaries series currently consists of seven novels and a few short stories. The novels have the following titles: All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, Network Effect, Fugitive Telemetry, and System Collapse.
Does this Murderbot series sound interesting to you, and have you read any of The Murderbot Diaries? What do you think of Alexander Skarsgard and David Dastmalchian sharing the screen in a show about an android who takes dangerous assignments and likes to watch soap operas? Let us know by leaving a comment below.
David Dastmalchian is one of my favorite actors, so I count it as good news anytime I see his name come up in connection to a new project.
Paramount is polishing its crystal ball today and looking ahead at some of the films from the studio in the next few years. At least, that’s how it feels when Paramount earnings day comes along. The studio announced a 0.6% increase in stock today, with various release date announcements to whet investor’s whistles. Among the titles mentioned during today’s report, Paramount put dates on projects like Liam Neeson’s Naked Gun reboot, a sequel to 2023’s Teenage Mutant Ninja Turtles: Mutant Mayhem, and more.
The Naked Gun reboot pratfalls into theaters on July 18, 2025, with Liam Neeson starring in the comedic role made famous by the late Leslie Neilsen. Akiva Schaffer directs, and executive produces the Naked Gun reboot, with Dan Gregor and Doug Man writing the script draft alongside Schaffer. One of the reasons this is exciting is that the trio partnered for the way-better-than-anticipated Chip n’ Dale: Rescue Rangers film. If you’ve not seen the Rescue Rangers film, it’s like a spiritual successor to Who Framed Roger Rabbit and worth your attention. The Naked Gun films and Police Squad TV series inspire the Naked Gun reboot.
A sequel to 2023’s Teenage Mutant Ninja Turtles: Mutant Mayhem arrives to shell-shock audiences in theaters on October 9, 2026, with Jeff Rowe returning to direct. While the sequel is years away, it’s important to remember that quality animation takes time, and since Mutant Mayhem was the best TMNT movie we’ve gotten since Secret of the Ooze, they should take their time.
PAW Patrol 3 woofs in theaters on July 31, 2026, from Spin Master and Nickelodeon Movies.
Elsewhere, the Robbie Williams original musical feature, Better Man, comes to theaters on Christmas Day, with an expanded release over MLK weekend on January 17, 2025. The project hails from The Greatest Showman director Michael Gracey, with the story inspired by Williams’s life and career.
Paramount looks to put Novocaine in theaters on March 14, 2025. The action-packed project comes from Robert Olsen and Dan Berk, with Jack Quaid and Amber Midthunder leading the cast. Described as a high-concept action film, Novocaine “follows a sheltered bank executive (Quaid) with a rare genetic condition that prevents him from feeling pain. When his bank is robbed and one of his co-workers (Midthunder) is kidnapped, he is forced to act and turn his greatest liability into his greatest strength.”
Finally, Vicious, starring Dakota Fanning, comes to cinemas on August 8, 2025. Bryan Bertino directs from his own script. Here’s the official logline: After a late-night visitor leaves her with a strange present, a young woman must spend the night fighting for her existence as she slips down a disturbing rabbit hole contained inside the gift.
What do you think about Paramount’s theatrical lineup? Are you curious about Liam Neeson’s Naked Gun remake? Can a comedy like that fly in today’s climate? Let us know what you think in the comments section below.
Apple TV+ is ready to expand its science-fiction content by decrypting an adaptation of William Gibson’s award-winning novel Neuromancer. The 10-episode series comes from creators Graham Roland (Tom Clancy’s Jack Ryan, Dark Winds) and JD Dillard (Devotion, The Outsider, Sleight), with Skydance Television and Anonymous Content co-producing, and production by Drake’s DreamCrew Entertainment. The project’s showrunner is Graham Rolland, with JD Dillard directing the pilot episode.
According to the project’s official synopsis, “The series will follow a damaged, top-rung super-hacker named Case who is thrust into a web of digital espionage and high stakes crime with his partner Molly, a razor-girl assassin with mirrored eyes, aiming to pull a heist on a corporate dynasty with untold secrets.”
For a more detailed description of the plot, here’s a synopsis of William Gibson’s award-winning novel:
Case was the sharpest data thief in the matrix—until he crossed the wrong people, and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction.
Neuromancer was the first fully realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.
Graham Roland and JD Dillard executive produce alongside David Ellison, Dana Goldberg, and Matt Thunell for Skydance Television; Anonymous Content; Drake, Adel’ Future’ Nur, and Jason Shrier for DreamCrew Entertainment; Zack Hayden and Gibson.
Beloved by science-fiction fans worldwide, Neuromancer is an awards powerhouse with a Nebula Award, Nebula Award, Philip K. Dick Award, and the Hugo Award worn as badges of literary excellence. Neuromancer is the first installment of Gibson’s Sprawl trilogy, with Count Zero and Mona Lisa Overdrive completing the series.
Today’s announcement comes not long after the release of last year’s Cyberpunk 2077: Phantom Liberty, the acclaimed expansion story for 2020’s Cyberpunk 2077 video game. Developed by CD Projekt RED, Phantom Liberty immerses players in a dystopian cyberpunk universe, with Keanu Reeves and Idris Elba as colorful and mysterious characters in the game.
Have you read William Gibson’s Neuromancer? Are you a fan of the cyberpunk genre? In the comments below, let us know if you’re excited about Neuromancer coming to Apple TV+.
Just over a year ago, the Peacock streaming service announced they were teaming up with genre filmmaker James Wan for a series adaptation of the 1988 bestseller Stinger, written by Robert R. McCammon (pick up a copy HERE) – and even at the time, it was clear that they wouldn’t be keeping the Stinger title, because the show was being referred to as the Untitled Ian McCulloch Project, since Yellowstone consulting producer Ian McCulloch was on board to write and executive produce the show. The project is now going by the title Teacup, and not only has Peacock given it a straight-to-series order (allowing it to bypass the usual pilot process), but Deadline reports that Yvonne Strahovski, whose credits include Chuck, The Predator, The Handmaid’s Tale, Stateless, Dexter, The Tomorrow War, and He’s Out There, has signed on to play the series regular role of Maggie Chenoweth. Strahovski will also be a producer on the show.
McCammon’s novel has the following description: The story takes place during a single twenty-four hour period in Inferno, Texas. Inferno is a town in trouble, driven to the brink by racial tension, gang violence, and a collapsing economy. But things can always get worse, and they do so with astonishing speed when an unidentified spacecraft crash lands in the desert outside of town, followed by a second craft bearing the alien being who will soon be known as Stinger. Stinger is a kind of interstellar hunter on a mission he intends to complete, whatever the cost. He brings with him an endless array of technological marvels and an infinite capacity for destruction that threaten the existence of Inferno, its inhabitants, and the larger world beyond.
Teacup will follow a disparate group of people in rural Georgia who must come together in the face of a mysterious threat to survive.
Wan is executive producing Teacup through his company Atomic Monster, alongside Michael Clear and Rob Hackett. As mentioned, McCulloch is also an executive producer on the show, as are McCammon, Francisca X. Hu, Kevin Tancharoen, and E.L. Katz, who will be directing the first episode. Danielle Bozzone is overseeing the project for Atomic Monster. The show is coming our way from UCP, a division of Universal Studio Group.
Have you read McCammon’s novel, and if so, what do you think of Stinger serving as the basis for a Peacock series? What do you think of the Teacup title, and the fact that Yvonne Strahovski will be playing a series regular? Let us know by leaving a comment below.
I have always been a staunch defender of Final Fantasy VIII. I love its broken junction system, the exceptional card game Triple Triad, and the central story of Squall and Rinoa. Not everybody is as enlightened as I am, though. Ever since its release in 1999, the game has been overlooked and underappreciated, often…
I have always been a staunch defender of Final Fantasy VIII. I love its broken junction system, the exceptional card game Triple Triad, and the central story of Squall and Rinoa. Not everybody is as enlightened as I am, though. Ever since its release in 1999, the game has been overlooked and underappreciated, often…