Month: March 2024

Baywatch, Fox, reboot

Slow-motion isn’t just for Zack Snyder films anymore! A Baywatch reboot is in the works at Fox, and the beach will never be the same again! Fox is requesting a sizable script and a penalty deal for the time-honored (and arguably horny) lifeguard drama, with Fremantle and Fox Entertainment co-producing. 

We’ve known about a Baywatch reboot since April when Deadline reported Fremantle’s desire to bring fun in the sun back to televisions. At the time, Fox was developing another lifeguard drama, Rescue: HI-Surf, from John Wells Productions. Rescue, a co-production between Warner Bros. TV and Fox Entertainment, is still going forward, with a fall 2024 launch as the project’s window. Regardless of prepping Rescue: HI-Surf, Fox is ready to hit the sands with more than one lifeguard drama, hence the Baywatch reboot.

The new “action-packed” Baywatch reboots hails from writer and showrunner Lara Olsen. According to Deadline‘s description, the reboot focuses on “daring ocean rescues, pristine beaches, and iconic red bathing suits are back, along with a whole new generation of Baywatch lifeguards, who navigate complicated, messy personal lives.” So, you know, Baywatch.

In addition to writing and showrunning the series, Olsen executive produces alongside Batwatch creators Michael Berk, Greg Bonan, and Doug Schwartz.

The original Baywatch series starred David Hasselhoff, Pamela Anderson, David Charvet, Yasmine Bleeth, Jeremy Jackson, and Nicole Eggert, to name a few. The mega-popular show occurred at a Los Angeles beach and focused on a team of lifeguards led by Lieutenant Mitch Buchannon (Hasselhoff). C.J. Parker (Anderson), Caroline Holden (Bleeth), Hobie Buchannon (Jackson), and Summer Quinn (Egghert) join Lieutenant Mitch Buchannon in his quest to save lives, fight crime, and participate in over-the-top adventures daily. Baywatch is the definition of “fun in the sun,” with plenty of slow-motion to keep audiences focused on what matters most… personal lifeguard drama. What did you think I was going to say? Get your head out of the gutter!

When the show was on the air, Baywatch was a phenom in television spaces. The show paved the way for the Baywatch spin-off, Baywatch Nights, and the two-hour reunion movie Baywatch: Hawaiian Wedding. There’s also the 2017 Baywatch movie starring Dwayne Johnson, Zac Efron, and Alexandra Daddario, which is a not-so-guilty pleasure of mine.

Are you excited about Fox returning to the beach for a Baywatch reboot? Let us know in the comments section below.

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It’s about time! Thirteen years have gone by since the release of Final Destination 5, but we’ve been hearing rumblings that another sequel was on the way for years. A while back, Jon Watts, director of Spider-Man: Homecoming, Spider-Man: Far from Home, and Spider-Man: No Way Home, came on board to produce the sixth film in the Final Destination franchise alongside Dianne McGunigle, Sheila Hanahan Taylor, and Craig Perry. Back in September of 2022, we learned that the duo of Zach Lipovsky and Adam B. Stein, who previously directed the 2018 film Freaks (starring Emile Hirsch and Bruce Dern) and the 2019 live-action Kim Possible movie, would be directing Final Destination 6. Last October, it was revealed that the film will be called Final Destination: Bloodlines… and now cinematographer Christian Sebaldt has shared an image that indicates Final Destination: Bloodlines will be heading into production soon! (If it hasn’t already.)

The image, which can be seen on Instagram, simply shows Sebaldt with a sign that names him as the director of photography on Final Destination: Bloodlines. His previous credits include Feardotcom, Starship Troopers 2, Resident Evil: Apocalypse, Species III, Desperation, multiple episodes of Lucifer, Addams Family Reunion, a couple Casper movies, and much more.

According to entertainment industry scooper Daniel Richtman, Final Destination: Bloodlines has the following synopsis: Just as she’s about to leave home for college, 18 year old STEFANI, who’s been having horrific nightmares about dying in a tower accident in the 1960s, discovers that her dream is actually a premonition that happened to her grandmother, Esther, who thwarted death fifty years ago but is now running out of time. Stefani learns that though her grandmother thwarted Death (until she died in her 80s), and Death has been going after the would-have-been victims of that long-ago catastrophe, killing them off and then going after their children. Stefani and her family realize that their bloodline isn’t safe from Death, who will take them violently and gruesomely, in order, unless someone like Stefani figures out a way to stop it.

We’ve previously heard that Tony Todd will be reprising the role of mortician Bludworth in this film.

Final Destination is my favorite horror franchise of the last 25 years, and it’s ridiculous that we’ve gone so long without a new sequel. I’m very glad to see that Final Destination 6 / Final Destination: Bloodlines is finally heading into production.

Are you looking forward to Final Destination 6 / Final Destination: Bloodlines? Let us know by leaving a comment below.

Final Destination 5

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When the great George A. Romero (my personal favorite of the “masters of horror”) passed away in 2017, he left behind an unfinished manuscript for a zombie novel called The Living Dead. Daniel Kraus was the author chosen to finish what Romero started, and the completed novel was published back in 2020. Now it has been revealed that Kraus has completed another unfinished Romero manuscript, resulting in a novel called Pay the Piper, which will be published on September 3rd! Copies are available for pre-order on multiple sites, including on Amazon.

Publisher Union Square & Co. gives the back story on how Pay the Piper came to be: In 2020, while sifting through University of Pittsburgh Library’s System’s George A. Romero Archival Collection, novelist Daniel Kraus turned up a surprise: a half-finished novel called Pay the Piper, a project few had ever heard of. In the years since, Kraus has worked with Romero’s estate to bring this unfinished masterwork to light.

And here’s the description: A terrifying tale of supernatural horror set in a cursed Louisiana bayou, from the minds of legendary director George Romero and bestselling author Daniel Kraus.

Alligator Point, Louisiana, population 141: Young Renée Pontiac has heard stories of “the Piper”—a murderous swamp entity haunting the bayou—her entire life. But now the legend feels horrifically real: children are being taken and gruesomely slain. To resist, Pontiac and the town’s desperate denizens will need to acknowledge the sins of their ancestors—the infamous slave traders, the Pirates Lafitte. If they don’t… it’s time to pay the piper.

Our friends at Bloody Disgusting were able to get a statement from Kraus: “It has been the highest honor of my life to shepherd Romero’s incomplete novels to a finished state. Romero’s work helped raise me since the age of five and I see this as going a small way toward repaying that favor. I’m especially excited about Pay the Piper because it expands our understanding of what interested Romero and what he was capable of. It’s most assuredly a horror novel but it has nothing to do with zombies! He loved zombies, of course, but they also boxed him in. Pay the Piper, which includes some of the finest writing of his career, gave him a blank canvas on which he could paint a character-focused, atmosphere-drenched, utterly surprising tale of terror. My job was to pick up his brush and fill in the missing pieces. Maybe put a nice frame around it too.

Romero had a lot of ideas that he wasn’t able to bring into the world. He left behind treatments and scripts that never became movies, and apparently a couple unfinished novels. It’s great to see some of his “lost works” being revived so we can hear some of the stories he wanted to tell us but wasn’t able to during his lifetime.

Will you be picking up a copy of Pay the Piper? Let us know by leaving a comment below.

Pay the Piper George A. Romero Daniel Kraus

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Dick Wolf, the creator of the beloved police procedural drama Law & Order, is partnering with Netflix for his next project, Homicide: New York. Debuting on March 20, today’s Homicide: New York trailer depicts the first chapter of a true-crime docuseries built with franchise potential. The next installment of the presentation, Homicide: Los Angeles, will launch later this year. Each series is five episodes long, with the project hailing from Wolf Entertainment, Dan Cutforth, and Jane Lipsitz’s Alfred Street Industries.

Homicide: New York explores the Big Apple’s most notorious murder cases by following the detectives and prosecutors who solved them. Wolf’s Homicide franchise is not part of his deal with Universal Studio Group.

Dick Wolf, Homicide: New York, Netflix

In the Homicide: New York trailer, law enforcement individuals share first-hand accounts of some of their gruesome cases. As the footage continues, we hear tales of murder, deception, and depravity happening in the City That Never Sleeps. The images conjured for each case are not for the faint of heart, with detailed descriptions digging deep into the horror humans are capable of. Don’t be surprised if the Homicide: New York trailer sends shivers down your spine as you learn about execution-style killings, Central Park slayings, and how solving extreme cases “takes a piece of your soul.”

Homicide: New York is Wolf Entertainment’s first series for Netflix. Dick Wolf is a titan in the true-crime television space. Wolf has nine current series across three franchises, including the Chicago and Law & Order franchises on NBC and the FBI dramas on CBS. You’d be hard-pressed to walk into any home in the United States and not find one of Wolf’s series playing on the television. I recall going to my friend Mish’s house throughout the week. Her mom always had an episode of Law & Order playing in the background as she constructed crafts between tending to her Farmville farm.

With no shortage of devastating cases to explore, it will be interesting to see which stories Wolf chooses to share for the docuseries. Will some of them sound familiar? Will people feel safe visiting the Concrete Jungle after hearing what Wolf’s series has to say? We’ll find out beginning on March 20 exclusively on Netflix. 

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More than two years have gone by since we heard that photographer Caitlin Cronenberg, daughter of legendary filmmaker David Cronenberg, would be making her feature directorial debut with a thriller called Humane. Now, more than a year after the project wrapped production, we finally know when we’re going to have the chance to see it: Variety reports that IFC Films and the Shudder streaming service have picked up the U.S. distribution rights, with IFC planning to give the film a theatrical release on April 26th. It will then move to Shudder at a later date. Elevation Pictures will be handling Canadian distribution.

Written and produced by Michael Sparaga of Victory Man Productions, Humane is described as a “dystopian satire” takes place over the course of a single day, months after a global environmental collapse has forced world leaders to take extreme measures to reduce the earth’s population. In a wealthy enclave, a recently retired newsman invites his four grown children to dinner to announce his intentions to enlist in the nation’s new euthanasia program. But when the father’s plan goes horribly awry, tensions flare and chaos erupts among his children.

The film stars Emily Hampshire (Chapelwaite), Jay Baruchel (Random Acts of Violence), Peter Gallagher (Grace and Frankie), Sebastian Chacon (Emergency), Alanna Bale (Cardinal), and Sirena Gulamgaus (Transplant).

Humane was executive produced by Martin Katz and Karen Wookey of Prospero Pictures, Todd Brown and Nick Spicer of XYZ Films, and Adrian Love and Laurie May of Elevation Pictures.

Scott Shooman, head of AMC Networks’ Film Group, provided the following statement: “Caitlin has crafted a provocative directorial debut exuding a timeliness and evocative social critique that highlights one of the most assured and exciting new voices to contend with. We are honored to distribute Caitlin’s first full-length feature for its theatrical release and presence on our streaming platform, Shudder.

Emily Gotto, Shudder’s VP of global acquisitions & co-productions, added: “With Humane, Caitlin has delivered a wickedly smart, humorous and socially relevant thriller with exceptional performances from its outstanding cast. We can’t wait to share this chilling, prescient satire with Shudder members.

And Caitlin Cronenberg had this to say: “It’s thrilling that my directorial debut is being released by IFC Films and Shudder, two of the most fearless and supportive distributors out there. Scott Shooman and his team have such a keen understanding of horror films, and are the perfect partners to bring this genre-bending film to audiences.” More from Cronenberg can be found at the Variety link.

A few years ago, Caitlin collaborated with her father on a short film called The Death of David Cronenberg.

Are you looking forward to seeing what Caitlin Cronenberg has done with Humane, and are you glad to hear the film is getting a theatrical release before going to Shudder? Let us know by leaving a comment below – and while you’re scrolling down, take a look at this image from the film:

Humane Caitlin Cronenberg

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Code 8 was a crowd-funded flick that debuted on the big screen in 2019 before COVID-19 shut down movie theaters. Netflix picked up the rights to the movie featuring Arrow star Stephen Amell and The Flash actor Robbie Amell, who also served as producers on the movie and the short film that inspired it. A solid genre offering, Code 8 almost immediately was on pace for a Quibi sequel series before that platform went belly up. Director Jeff Chan and the Amell cousins joined forces for a feature sequel titled Code 8 Part II (check out our review here).

Picking up five years after the first, Code 8 Part II follows Connor (Robbie Amell) after his release from prison after taking the fall for criminal friend Garrett. Garrett (Stephen Amell), is the leader of a drug ring that sells with the support of the Lincoln City Police, namely King (Alex Mallari Jr). In this world, a minority population is gifted with superpowers ranging from harnessing fire and electricity to shapeshifting and telekinesis. When young Pav (Sirena Gulamgaus) loses her brother to the cops, she seeks the help of Connor to protect her. What follows is an action-packed thrill ride that explores this fictional world in new ways. Code 8 Part II, already a big hit on Netflix, is far superior to the first film.

I got the chance to chat with the stars of the film. Robbie Amell talked about the new direction for his character, Connor, and working with Sirena. Sirena talked about joining the cast and what it was like being a part of this world as well as her favorite scene as Pav. Stephen Amell talked about whether his character is an anti-hero and where this franchise could go in Part III and beyond. Alex Mallari Jr talked about the influence for his character, King, and how it felt coming back in an expanded role for this second chapter. Check out all the interviews in the embed above.

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