Month: March 2024

Poolman, trailer, Chris Pine

Our own Chris Bumbray caught Chris Pine’s Poolman at the Toronto International Film Festival last year and absolutely loved the movie, calling it “desperately unfunny,” “grating,” “and “one of the worst movies I’ve ever reviewed.” High praise indeed. The first trailer for Poolman was recently released, giving audiences the chance to check out this cinematic triumph for themselves.

Poolman tells the story of “Darren Barrenman (Pine), a native Los Angeleno who spends his days looking after the pool of the Tahitian Tiki apartment block and fighting to make his hometown a better place to live. When he is tasked by a femme fatale to uncover the truth behind a shady business deal, Darren enlists the help of his friends to take on a corrupt politician and a greedy land developer. His investigation reveals a hidden truth about his beloved city and himself.” In addition to starring in Poolman, Pine also made his directorial debut with the film and co-wrote the script with Ian Gotler.

When it came to stepping behind the camera for the first time, Pine told Entertainment Weekly that he “hadn’t thought about directing until I happened upon this idea. It was the idea that really wouldn’t let go of me and wouldn’t let me wiggle out of directing duties. I loved having ownership of this creation from top to bottom. The ability to fully express myself was deeply satisfying.” Pine also managed to gather quite the stacked cast for Poolman, with DeWanda Wise, Annette Bening, Danny DeVito, and Jennifer Jason Leigh starring alongside him. “I love actors and there I was working with some of the best actors in our business,” Pine said. “It was a marvel to watch them discover and create right in front of my eyes. And whatever anxiety I may have had directing Oscar winners evaporated quite quickly under the heat of ‘no money, no time.’

You likely don’t need more convincing to place Poolman in your best movies of the year list, but I’ll let Chris Bumbray seal the deal. “A movie like this lives and dies by its central character, and Pine is never convincing as a down-and-out hippie Poolman,” Bumbray wrote in his review. “He’s trying to stretch beyond his leading man comfort level, and while his roguish charm was funny in Dungeons & Dragons, he’s not able to make Darren anything more than a joke, and a bad one at that… You never invest in the mystery because Pine is nothing less than grating in the lead role… This desperately wants to be the next Big Lebowski or Kiss Kiss Bang Bang, but it would be better for all involved if Poolman comes and goes without much fuss.” You can check out the rest of Bumbray’s glowing review right here.

What did you think of the Poolman trailer? Will you be watching when it hits theaters on May 10th?

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On the eve of its Disney+ debut on March 20,  X-Men ’97 showrunner Beau DeMayo exited the project unceremoniously. Questions surrounding DeMayo’s departure started circulating immediately when the news reached social media and other outlets. Nowadays, the stewards of marque projects for top-of-the-food-chain studios like Disney and Marvel don’t simply “disappear” without people assuming the worst. Today, Brad Winderbaum, the head of streaming television and animation at Marvel Studios, commented on DeMayo’s exit, though his remarks are somewhat vague.

“I can’t talk about the details,” Winderbaum tells Entertainment Weekly, “but I can say that Beau had real respect and passion for these characters and wrote what I think are excellent scripts that really the rest of the team were able to draw inspiration from [to] build this amazing show that’s on screen.”

When asked if he would call DeMayo’s departure a “firing,” Winderbaum said, “I don’t. ‘We parted ways’ is the best way I could say.” Meanwhile, DeMayo’s reps did not respond when EW asked for a comment.

Amazingly, DeMayo completed work on Season 1 and Season 2 of X-Men ’97 before his exit. He’s been at the head of the revival since 2021 and is an integral part of the series. Oddly, someone wiped DeMayo’s social media presence from the internet around his departure from the series. The accounts are active again, making the brief radio silence even more bizarre. Maybe DeMayo didn’t feel like being swamped with questions until he was ready to share his story.

“He did excellent work writing seasons 1 and 2, and I can’t wait for fans to see the series,” Winderbaum told Variety. “The entire team came together to create a revival worthy of the X-Men’s 60-year legacy. From Stan and Jack, to Claremont, to the Lewalds, we all truly were standing on the shoulders of giants.”

Regarding hiring a new showrunner, Winderbaum says it’s too early to talk about such things but wants fans to know the show is in good hands.

“I’ve now seen versions of animatics for the entire second season,” Winterbaum says. “Obviously, when you’re in that stage, there’s a lot of work to do. It’s editorial, but it’s also still iterative because there’s still story to be worked out when you put it on its feet in that way. We’re going to start development on the third season very soon. And, yeah, we’re trying to figure out who is going to be that voice on the page, but luckily — that’s going to come as a surprise — there’s many talented X-Men fans, excellent writers.”

People online have speculated that DeMayo’s exit could have stemmed from his non-explicit OnlyFans account, though its existence is well known and has been for some time.

What do you think about Beau DeMayo’s exit from X-Men ’97? While you’re mulling that over, be on the lookout for our interview with X-Men ’97 supervising director and producer Jake Castorena closer to the show’s two-episode launch on Disney+ on March 20.

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Tonight, Shudder and AMC+ will be airing a special edition of The Last Drive-In with Joe Bob Briggs that serves as a tribute to legendary producer Roger Corman – so it seems fitting that we have some Corman news to report today. Deadline has revealed that Corman and Brad Krevoy, CEO of MPCA, are teaming up to produce a reboot of Corman’s 1960 classic The Little Shop of Horrors called Little Shop of Halloween Horrors, with Joe Dante on board to direct!

Dante’s previous directing credits include Piranha, The Howling, Gremlins, Innerspace, The ‘Burbs, Gremlins 2: The New Batch, Matinee, Small Soldiers, and Looney Tunes: Back in Action.

Gremlins 2 and Matinee writer Charles S. Haas has written the screenplay for Little Shop of Halloween Horrors, but plot details have not been revealed. The Little Shop of Horrors, which received a very popular musical adaptation (that was turned into a film in 1986) told the following story: Seymour Krelboined works in the Skid Row flower shop owned by Mr. Mushnik. In his spare time, Seymour creates a new plant species he names Audrey Junior in honor of his girlfriend Audrey. Audrey Junior begins speaking and demands to be fed human blood and flesh, convincing Seymour to kill a railroad detective, a sadistic dentist and a trollop. Seymour’s guilt over the deaths forces him to confront Audrey Junior in a final confrontation.

The hope is that Little Shop of Halloween Horrors will launch a new franchise. Corman shot the original Little Shop of Horrors in just two days. As Deadline notes, Corman – who turns 98 on April 5th – has directed more than 70 films and produced more than 300 over the course of his seven-decade career.

I love The Little Shop of Horrors and its musical adaptation, and I’m a fan of director Joe Dante, so I’m excited to see how Little Shop of Halloween Horrors is going to turn out.

Are you a fan of The Little Shop of Horrors, and are you interested in Little Shop of Halloween Horrors? Let us know by leaving a comment below.

By the way, if you’re wondering which Corman movies are going to be shown during the Joe Bob Briggs special, it sounds like it’s going to be A Bucket of Blood and Deathstalker. A Deathstalker remake was announced just last week.

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Leaving Las Vegas, Nicolas Cage

People say what happens in Vegas stays in Vegas, but Nicolas Cage could be spilling beans about his time in Sin City. In 2022, Cage said he likely never got paid for his role as the suicidal alcoholic screenwriter Ben Sanderson in the Mike Figgis-directed drama Leaving Las Vegas. The film was an Academy Awards powerhouse in 1996, earning top prizes for Best Actor (Nicolas Cage), Best Actress (Elizabeth Shue), Best Director (Mike Figgis), and Best Adapted Screenplay. The thought of Cage not getting paid for such a monumental role seems ridiculous, but it could be true.

While walking the red carpet at the SXSW Film & TV Festival on Monday, promoting his new film Arcadian, Cage spoke with Business Insider about his earnings confusion. While many of us would be livid about not getting paid for such a significant role, Cage says he remains unbothered by the circumstances.

“But I haven’t been thinking about it,” Cage said. “I got to play a part that I absolutely had to play. There was no doubt in my mind that it would be an experience and a great movie. I wasn’t going to stop — whether they paid me or not, I was making the movie.”

In Leaving Las Vegas, Ben Sanderson (Nicolas Cage), a Hollywood screenwriter who lost everything because of his alcoholism, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera (Elizabeth Shue).

Following his role in Leaving Las Vegas, Nicolas Cage’s Hollywood cache increased, allowing him to ask for more money for future acting roles. Previously, Leaving Las Vegas director Mike Figgis said he never got his $100,000 pay for directing the Oscar-winning drama. He said as much in 2022 on the It Happened In Hollywood podcast, presented by The Hollywood Reporter.

“They said the film never went into profit,” Figgis said about Lumiere Pictures, which financed Leaving Las Vegas, a $4 million-dollar production.

Could you imagine not getting paid for directing or acting in an Oscar-winning film? I’d like to know if there’s been any repercussions for Lumiere. I’d be banging their door down, demanding my money if it were me. Filmmakers should be paid for their work, full stop. The thought of Lumiere Pictures getting away with stiffing their cast and crew is madness if that’s indeed what happened.

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