The Oscars award ceremony is a night for the stars of Hollywood to gather together and celebrate cinema, while also looking incredibly glamorous is lavishly expensive and immaculately presented couture. And yet no one at last nights awards—no one—could beat the hottest look of the night: a soft vinyl monster toy spray…
Fans of Zack Snyder’s Rebel Moon: Part One – A Child of Fire are counting the days until the release of Rebel Moon: Part Two – The Scargiver, touching down on April 19, 2024. Today, Empire brings a new image of Sofia Boutella’s Kora primed and ready for action to get people excited about the follow-up to Snyder’s Star Wars-like sci-fi action spectacle. In the new image, Kora swings into an explosive firefight with guns blazing. Behind her, there looks to be tendrils of some kind emitting a glowing blue light. Is it possible Rebel Moon 2 has some Matrix vibes to go with its sinister Star Wars motif?
“It’s a war film, 100 per cent,” Snyder told Empire about the anticipated sequel. “It’s got way more action than the first movie, very intense and crazy action.” In addition to off-the-wall action sequences, Snyder says plenty of character drama and emotional beats bring the cast closer together. “It’s absolutely an emotional rollercoaster you’re going to be on with these cats,” Snyder promises. “We discover the backstories of our heroes, and there is an interesting correlation between what’s happened to most of them to make this battle cathartic and symbolic.”
Boutella appears differently in the sequel, with a fresh haircut to keep things high and tight. Snyder says the new ‘do informs aspects of her journey and where fans can expect her to go next. “She’s shielding us from her real involvement, and there’s a bit of conflict around what she’s done,” Snyder says while feeding us breadcrumbs about the plot. “But in the end, what she offers the group, her skill set, and her desire to redeem herself makes her a powerful asset.”
While Rebel Moon: Part Two – The Scargiver is rated PG-13, an R-rated Snyder Cut of the first film arrives this summer. The Snyder Cut of Rebel Moon is an hour longer than the film’s original version. Snyder says the idea was always that there would be a second version. He maintains that this never happened on his previous director’s cuts. “All my other director’s cuts are me just reacting to the studio like getting noted and then freaking out and then running to home video to save me.”
What do you think of the new Rebel Moon: Part Two – The Scargiver image? Are you excited for the second chapter of Zack Snyder’s sci-fi epic? Let us know in the comments section below.
Soon after the release of M3GAN in January of 2023, it was announced that the team behind the film – Universal Pictures, Blumhouse Productions, and James Wan’s production company Atomic Monster – were aiming to replicate M3GAN‘s January theatrical success by setting a January 2024 release date for their supernatural thriller Night Swim. The movie didn’t manage to go over as well or get as much attention as M3GAN did, and was given a VOD release by the end of January. Now it’s set to receive a Collector’s Edition digital release tomorrow, March 12th, with a Blu-ray and DVD release to follow on April 9th – and these releases of Night Swim will be accompanied by featurettes and a commentary.
Bryce McGuire wrote and directed Night Swim, which is based on a short film he made with Rod Blackhurst back in 2014. The feature version of the story is built around the hidden source of terror found in an iconic backyard swimming pool. The film has the following logline: No running. No diving. No lifeguard on duty. No swimming after dark.
Here’s the synopsis: Ray Waller, a former major league baseball player forced into early retirement by a degenerative illness, moves into a new home with his concerned wife Eve, teenage daughter Izzy, and young son Elliot. Secretly hoping, against the odds, to return to pro ball, Ray persuades Eve that the new home’s shimmering backyard swimming pool will be fun for the kids and provide physical therapy for him. But a dark secret in the home’s past will unleash a malevolent force that will drag the family under, into the depths of inescapable terror.
The feature version of Night Swim stars Wyatt Russell (The Falcon and the Winter Soldier), Kerry Condon (The Banshees of Inisherin), Amélie Hoeferle (The Hunger Games: The Ballad of Songbirds and Snakes), and Gavin Warren (Fear the Walking Dead).
The digital, Blu-ray, and DVD versions of Night Swim come with the following bonus features:
MASTERS OF FEAR – Horror legends Jason Blum and James Wan discuss why they chose to collaborate on this project, what drew them to this story and why first-time director, Bryce McGuire, was the perfect man for the job. DEMONS FROM THE DEPTHS – Dive into the world of special effects and learn how the creatures in NIGHT SWIM were created to withstand the trials of filming underwater. INTO THE DEEP – Go beneath the surface and hear from cast and crew on the physical and technical work that went into creating a movie that contains so many underwater sequences. MARCO POLO – Director Bryce McGuire breaks down the pivotal scare scene and how the film took a simple children’s game and turned it into a nightmare. FEATURE COMMENTARY WITH CO-WRITER/DIRECTOR BRYCE MCGUIRE
James Wan and Blumhouse founder Jason Blum produced Night Swim while working on merging their companies. Atomic Monster’s Michael Clear and Judson Scott serve as executive producers alongside Blumhouse’s Ryan Turek. Alayna Glasthal is overseeing the project for Atomic Monster.
Will you be buying a digital, Blu-ray, or DVD copy of Night Swim? Let us know by leaving a comment below.
We all know that with great power comes great responsibility. And it turns out that original Spider-Man trilogy director Sam Raimi is ready for both, candidly revealing that there is absolutely a chance of continuing his spin on the series.
Appearing at a convention over the weekend, Sam Raimi revealed to one excited fan (via his X account) the following: “He told me that there are chances of this happening simply because he has the same desire as we do. But if it is to happen, it will be at the right time.” There’s a bit of optimistic speculation within that statement, but we’ll take it at this point.
It’s been 17 years since the last time Sam Raimi stepped behind the camera for a Spider-Man movie. Surely a Spider-Man 4 would have been on the table considering the original trilogy grossed more than $2.5 billion worldwide. And it was – but that’s a story best analyzed in video form:
Much speculation has been made as to whether Spider-Man 4 could ever happen with Raimi and Tobey Maguire. While we did get our OG Peter Parker fill with 2021’s Spider-Man: No Way Home, there’s really no matching the nostalgia of that original pairing, which showed once again the legs (eight or not) that superhero movies had. As of late, Thomas Haden Church – who played Sandman in 2007’s Spider-Man 3 – also gave some hope as to a potential fourth Spidey. “I think Sam is gonna do another Spider-Man with Tobey [Maguire], and that’s the one that … They had an option for me to do Spider-Man 4 when there was going to be a Spider-Man 4. They had an option on me to come back. So if it happens, that would be fantastic. I’m getting a little old.”
Age would definitely be playing a factor here. Raimi is now in his mid-60s but Maguire nearing 50 might be the real problem. Sure, he suited up nicely for No Way Home but could he handle an entire movie?
Do you fully anticipate Sam Raimi and Tobey Maguire will re-team for Spider-Man 4? Is this a worthwhile effort at this point in time? Share your thoughts in the comments section below.
After winning a staring contest against Danny DeVito and Arnold Schwarzenegger at the 96th Academy Awards ceremony, Michael Keaton is opening up about his bizarre cameo in Sony’s 2022 Spider-Man spin-off film Morbius. Among the film’s many cinematic crimes is Keaton’s post-credits guest spot as Adrian Toomes, aka The Vulture. Despite the opinion that adding Michael Keaton to any film makes it better, fans scratched their heads in confusion when Toomes appeared. Some fans suggest this scene is another attempt to tease a Sinister Six film in Sony’s live-action Spider-Verse franchise, but we’ve heard that song before. Eventually, you must either clarify your intentions or scrap the project entirely.
On the Happy, Sad, Confused podcast, Keaton admitted he’s just as confused as everyone else about his Morbius cameo, saying, “No, no idea. None. Zero,” Keaton said. “I mean, they said ‘Okay’… and even they couldn’t quite explain it. They said, ‘Look, let me just kind of tell you,’ and I go, ‘I really don’t quite know what you’re talking about or even who some of these people are,’ and he said, ‘Okay, let me explain,’ but it was complicated because, obviously, they were looking down the road…”
Michael Keaton’s Morbius cameo implies that, at some point, Adrian Toomes recruits Jared Leto’s Michael Morbius for a version of the Sinister Six, a team of Spider-Man’s rogues hellbent on pulling the legs off the friendly neighborhood wall-crawler. When you consider the horrific reception of Morbius, it’s doubtful that Leto’s character will appear in any of Sony’s future Spider-films. With the box office failure of Morbius and, even worse, Madame Web, Sony’s live-action Spider-Verse desperately needs re-webbing. The studio’s Kraven the Hunter, starring Aaron Taylor-Johnson as the project’s title character, has yet to pounce into theaters, but the outlook appears bleak.
It’s a shame that Keaton’s Vulture will unlikely appear in future Spider-Man films. Keaton delivers a fantastic performance as the scorned villain in 2017’s Spider-Man: Homecoming, with opportunities to increase his hatred for Spider-Man during an extended prison sentence. I could see Keaton bringing Vulture to new heights if given the chance, but I won’t hold my breath.
PLOT: A hitman, Knox (Michael Keaton), discovers he has a fast-acting form of dementia and only has weeks of lucidity left. Shortly after this diagnosis, in a moment of confusion, he botches a hit, killing both his partner and a civilian. As if that weren’t bad enough, his estranged son (James Marsden) shows up on his doorstep needing help covering up a murder.
REVIEW: Knox Goes Away has a premise that’s becoming increasingly popular: an aging killer develops dementia and must put things right while he can. Liam Neeson played a similarly afflicted killer in Memory last year (itself a remake), and Nicolas Cage played another character like this in The Dying of the Light. Neither of those films was great because they focused on everything but the protagonist’s condition. Knox Goes Away is different. Michael Keaton, who also directs (from a script by Gregory Poirier), focuses on Knox and his ever-diminishing faculties. Knox knows he only has a little time left where he’s still the man everyone thinks he is, and the film follows him as he puts to work a desperate plan to save his son.
Keaton could have played Knox as aloof and cold, but perhaps sensing this is a cliche, the character is instead shown to be urbane and sophisticated. He gets along well with his killer partner (a terrific Ray Mckinnon) and is so valued by his former handler (Al Pacino) that when he loses focus, he has people to rely on whom he knows won’t cross him.
While the movie may go a little overboard in establishing Knox’s killer bonafides (he’s a Gulf War Vet with not one but two PhDs), Keaton’s so charismatic a star that it all works. There’s probably an action movie version of Knox Goes Away that could have been made, but I prefer the moody drama that Keaton crafted. He’s supported by a slick cast, which includes an engaged Al Pacino, who works in enough quirks (such as eating Chinese food in his bathtub) to keep what could have been a stock character interesting. Keaton does this with pretty much the whole cast, in that the people chosen are less obvious but inspired choices, such as Cold War’s Joanna Kulig as a prostitute Knox sees every week and Suzy Nakamura as the acid-tongued cop investigating the murders Knox is connected to.
Meanwhile, James Marsden plays Knox’s estranged son in an uncharacteristically intense role. He’s always been highly likable. We’re on his side even before we find out that the guy he killed is a white supremacist pedophile (in a darkly humorous moment, Knox jokes that if his son had already buried the body, he would have dug him up just to kill him again). You get that Knox has an extended family worth protecting, and as opposed to a Liam Neeson movie where the hero would use brute force, Knox uses cunning and intelligence.
Through it all, Keaton keeps the pacing tight, never going overboard with the tricks he uses to depict Knox’s failing memory. As this is an actor’s showcase, he doesn’t need to present the star at the top of his game (similar to the recent Dopesick). While a more action-driven movie might have made it an easier sell commercially, Keaton’s made an intelligent, tough-guy noir that would make the genre icons proud.
The press cycle for Amazon’s upcoming Fallout TV show is in full swing, and a side effect is that we’re already getting some morsels of information about upcoming games. Co-creator Jonathan Nolan recently claimed that the upcoming series was essentially “Fallout 5,” which set off some alarms for folks for some reason.
The press cycle for Amazon’s upcoming Fallout TV show is in full swing, and a side effect is that we’re already getting some morsels of information about upcoming games. Co-creator Jonathan Nolan recently claimed that the upcoming series was essentially “Fallout 5,” which set off some alarms for folks for some reason.