Month: April 2024

Zack Snyder, Wonder Woman 1854

The first Wonder Woman movie found Diana Prince fighting in World War I, but the original idea would have found the Amazonian fighting in a much earlier conflict: The Crimean War of the 1800s. Zack Snyder previously shared an image from that possible project, known as Wonder Woman 1854, but the director recently spilled more details while speaking with Empire.

The Wonder Woman 1854 image Snyder shared over three years ago was rather brutal, showcasing Diana surrounded by various soldiers and holding three severed heads. “The idea of that was an early riff we were doing: once Wonder Woman left the island in search of Ares, what happened to her in her different incarnations?” Snyder said. “My idea for it was that she would travel around the world looking for Ares and she would go to every place where there was conflict.

Snyder continued, “On those battlefields she found these lovers, warriors, and they would age out because she is immortal. They would be her lover for ten years or they might die in battle, and it was probably sad for a lot of the guys because they would see her starting to be nice to the next young soldier and be like, ‘Oh, I’m being replaced.’ But all the guys that she had with her were those loyal warriors she found on the battlefields all over the world.” Chris Pine’s Steve Trevor would have eventually come into the story, but the project moved in a different direction. “It was never a screenplay, but we talked about it so much that it kind of had its own life,” Snyder said.

Wonder Woman director Patty Jenkins objected to the plans for the character and bumped heads with the studio early in development. “They wanted to hire me like a beard; they wanted me to walk around on set as a woman, but it was their story and their vision. And my ideas? They didn’t even want to read my script. There was such mistrust of a different way of doing things and a different point of view,” Jenkins said. “So that was definitely happening, even when I first joined ‘Wonder Woman’ it was like, ‘uhh, yeah, ok, but let’s do it this other way.’ But I was like, ‘Women don’t want to see that. Her being harsh and tough and cutting people’s heads off, that’s not what— I’m a ‘Wonder Woman’ fan, that’s not what we’re looking for. Still, I could feel that shaky nervousness [on their part] of my point of view.

As Wonder Woman 3 has been shelved and DC Studios reportedly isn’t interested in revisiting the character at the moment, it could be a while before we catch up with Diana Prince.

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Wolf Creek

Greg McLean, the director of the horror films Wolf Creek, Wolf Creek 2, Rogue, The Darkness, and The Belko Experiment (as well as the survival thriller Jungle), has lined up his next genre project. Deadline reports that McLean will be directing the action horror movie Graveyard Smash from a screenplay by Old Henry and Would You Rather writer Gus Krieger.

Coming our way from Film finance and sales company Concourse Media and production company CinemaWays, Graveyard Smash is expected to start filming later this year. It has the following synopsis: Desperate to find her missing sister, a young woman and her three best friends find themselves trapped inside a virtual-reality game where every level forces its players to survive a different genre of a horror movie. When they learn that dying in the game means dying in real life, the friends are forced to hack, slash and battle their way to the toxic mastermind behind it all. Sounds like it could be fun, and makes me think of a few different horror stories we’ve seen before, including the ’90s Full Moon movie Arcade and a season 4 episode of the Shudder series Creepshow.

McLean provided the following statement: “As a lifelong horror fan, Graveyard Smash is our love letter to the genre that’s given us so much joy, fun and pure terror. As a director, I’m so excited to be working with Gus on bringing this story to life, one that allows audiences to playfully and scarily experience a narrative that combines gaming, technology, nostalgia and horror fans’ deep connection as a community. Graveyard Smash is a horror roller coaster, and we can’t wait to take audiences around the world on the thrilling and unforgettable ride with us.

Krieger added: “From the first moment director Greg McLean came to me with the idea for Graveyard Smash, I was absolutely hooked. As a lifelong gamer and horror fan, I could think of no better or more imaginative way to dive headlong into all aspects of our favorite genre. Drafting this twisty, spooky and very contemporary adventure has been an absolute pleasure, and there’s no one better than McLean to bring this story to terrifying life.

Are you a fan of Greg McLean’s work, and are you looking forward to Graveyard Smash? Let us know by leaving a comment below.

The Belko Experiment

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The Fall Guy, stunt designer credit

The first-ever credit of stunt designer has been approved by the Screen Actors Guild and Directors Guild of America, and it’s only fitting that it will be used for David Leitch’s upcoming love letter to stunts and stunt performers — The Fall Guy.

Chris O’Hara will be the first to receive the stunt designer credit for his work on The Fall Guy, which “better encompasses the multifaceted nature of the profession [and] accurately reflect the work of stunt teams who are tasked with designing, creating and coordinating stunt sequences in movies.” The traditional title has been stunt coordinator, but the new title was championed by David Leitch and Kelly McCormick’s 87North production company.

Stunt designers are the creative architects behind fight scenes, high falls, and more, and deserve to be recognized for the creative leadership of their contributions,” Leitch said. “Universal’s decision to allow Kelly and me to add ‘Stunt Designer’ to Chris’ credit on ‘The Fall Guy’ marks a groundbreaking move for a major studio. We hope this will pave the way for the stunts industry to get the recognition it deserves.

McCormick added: “Generally, it’s the stunt department’s job to be invisible on screen, but during a production, it literally touches all other departments on set. David and I felt it was crucial to highlight the artistic and technical aspects of this craft. We proposed the addition of the word ‘designer’ to the role to properly define the job and reflect Chris’ creative contribution on ‘The Fall Guy’ production, which he wields on every production when he is hired at the current stunt industry title of ‘coordinator.’

O’Hara said that the new title “is a long-overdue correction to what this production head position in stunts entails. This is a step toward setting a new standard for recognizing the creative contributions of stunt professionals across the industry.” Hopefully this new title proves to be a stepping stone to finally getting that stunt category at the Academy Awards.

Gosling stars in The Fall Guy as Colt Seavers, “a battle-scarred stuntman who, having left the business a year earlier to focus on both his physical and mental health, is drafted back into service when the star of a mega-budget studio movie—being directed by his ex, Jody Moreno. While the film’s ruthless producer, maneuvers to keep the disappearance of star Tom Ryder a secret from the studio and the media, Colt performs the film’s most outrageous stunts while trying (with limited success) to charm his way back into Jody’s good graces. But as the mystery around the missing star deepens, Colt will find himself ensnared in a sinister, criminal plot that will push him to the edge of a fall more dangerous than any stunt.

Our own Chris Bumbray recently reviewed The Fall Guy and had a lot of fun with the movie. “The Fall Guy really is a terrific summer action movie and a throwback to a different (better) time in genre movie-making,” Bumbray wrote. “More than anything, it’s a tribute to the stunt industry and a demand that it gets the recognition it deserves, with the point made over and over that CGI action is lame and can’t hold a candle to the old ways. I’m inclined to agree.” You can check out the rest of Bumbray’s review right here. The Fall Guy will hit theaters on May 3rd.

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the accountant, daniella pineda

The numbers are crunching for the sequel to Ben Affleck’s 2016 film The Accountant. The film, which is on the Amazon MGM slate, has announced some new actors that have been added to the cast. Among them is Allison Robertson, Robert Morgann and Grant Harvey. According to Deadline, Daniella Pineda, known for her roles on Cowboy Bebop, Jurassic World: Fallen Kingdom and Jurassic World: Dominion. She was also seen recently in the Gerard Butler/Mike Colter action film Plane. It is not yet known what role that Pineda or the other new actors will be taking.

As for the plot of The Accountant 2“The film follows Treasury Agent Marybeth Medina (Addai-Robinson), who after her boss is murdered by unknown assassins is forced to contact Christian Wolff (Affleck) to solve the murder. With the help of his estranged but lethal brother Brax (Bernthal), Chris applies his brilliant mind and less-than-legal methods to piece together the unsolved puzzle. As they get closer to the truth, the trio draws the attention of some of the most ruthless killers alive — all intent on putting a stop to their search.” (via Deadline)

In 2021, O’Connor appeared on the CinemaBlend podcast, revealing that he had just closed the deal for the sequel. He stated, “We literally just closed that deal. We’re doing The Accountant again…I’ve always wanted to do three because what, the second one’s going to be more with — we’re going to integrate his brother into the story. So there’ll be more screen time for [Jon] Bernthal in the second one. And then the third movie’s going to be, I call it, ‘Rain Man on steroids.’ The third movie is going to be the two brothers, this odd couple. The third one is going be a buddy picture.”

Affleck reveals it was also tossed around as a TV series. The Boston native said, “We’ve talked about it. There seems to be a debate whether or not to do a TV series version of it. The scriptwriter [Bill Dubuque] has become quite successful and busy, so he’s off doing his thing. And somebody said to me, ‘Well if we could find a script that we could retrofit and make into a sequel… But that’s sort of tricky because the personality of the character is so specific, that doesn’t really work to just say, ‘Well, we used call this script Action Movie Shootout, and now we’re going to call it The Accountant 2′.”

The Accountant grossed $155 million worldwide during its theatrical release and became the most-rented digital film of the subsequent year. Affleck and O’Connor would work together again on the basketball drama The Way Back.

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