Month: May 2024

The Garfield Movie (2024)

PLOT: After Garfield’s unexpected reunion with his long-lost father, ragged alley cat Vic, he and his canine friend Odie are forced from their perfectly pampered lives to join Vic on a risky heist.

REVIEW: Hollywood has been in this phase for a while now where they’re afraid of new IP. So they’re scouring past properties to see if they can breathe new life into them. Attach a popular actor and just see what happens. But after the controversy surrounding Chris Pratt‘s casting in The Super Mario Bros. Movie, I don’t think any of us expected him to take the voice role for another famous character. But here we are in 2024 and Chris Pratt is voicing Garfield and it’s every bit of the mess that you would think.

The Garfield Movie is part origin story, part heist film, and part family comedy. But it hardly ever knows what it wants to be. We see early on that Garfield is abandoned by his father, but it’s pretty clear right away that this wasn’t intentional. So the entire crux of the film is a misunderstanding that you’re privy to from minute one. When things switch to heist mode, the clunkiness of the storytelling rears its ugly head. Scenes feel completely disconnected from one moment to the next, leaving a rather disjointed viewing experience. And as soon as you think it’s completely targeted at very young kids, they throw in a random sex joke. I’m really not sure who this is supposed to be for.

Jon Arbuckle (Nicholas Hoult), Garfield (Chris Pratt), and Odie (Harvey Guillen) in The Garfield Movie (2024).

The problem isn’t outright with Pratt as the character but rather the character of Garfield himself. Anyone who knows Garfield knows at least two things: he likes to eat (with a particular love for lasagna) and he’s extremely lazy. So to see Garfield being so proactive, instead of Odie having to prod him along, felt really disconnected from the 45 years of the character that came before. It also felt weird to see him going such long periods without eating or even bringing up food. He should constantly be getting distracted on the heist with temptation yet he manages it fine. His abandonment defines him more than anything.

I didn’t have a problem with Pratt’s version of Mario but there’s just nothing to his Garfield. It just sounds like Pratt. I get it, not everyone needs to sound like Bill Murray to embody the character but he doesn’t have the right brand of sarcasm. There were some lines that could have worked with different delivery but fell flat with Pratt’s overly enthusiastic energy. Feels very anti-Garfield. Samuel L. Jackson is practically sleepwalking through his role as Vic. Go watch The Incredibles if you want to hear Jackson actually giving it his all in animated form.

Odie (Harvey Guillen), Vic (Samuel L. Jackson), and Garfield (Chris Pratt) in The Garfield Movie (2024).

Ving Rhames as Otto provided the only few chuckles of the movie, as we finally get that right tone of dry humor perfect for a Garfield movie. I liked both Harvey Guillen‘s Odie and Nicholas Hoult‘s Jon Arbuckle but they both feel underutilized. Heck, I would say Jon is a complete footnote in the story, and seemingly replaced by Vic. I’m not sure why they would mess with the dynamics in the first film, but that’s just one of many reasons why this doesn’t work. The animation itself feels dated and boring. Not everything needs to look like Spiderverse but a little bit of creativity would have gone a long way. Nearly every frame is lacking in energy and it makes the whole movie feel rather lifeless.

To no one’s surprise, The Garfield Movie is a boring mess that completely misses the point of the character. I was surprised this got a theatrical release as it feels like a streaming movie in every sense. The animation feels cheap, and most of the performances fall flat. When done right, animation can transport you into a world of wonder and magic. And when they’re done wrong, they look like this. Pratt haters will be feasting on this one. Which is good, because Garfield sure as hell isn’t.

THE GARFIELD MOVIE IS PLAYING IN THEATERS ON MAY 24, 2024.

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PLOT: Atlas Shepherd, a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence, joins a mission to capture a renegade robot with whom she shares a mysterious past. When plans go awry, her only hope of saving the future of humanity from AI is to trust it

REVIEW: Jennifer Lopez has been in five films over the last two years, and another, Unstoppable, is still on the way. After her acclaimed 2019 performance in Hustlers, Lopez has starred in two romantic comedies, two action films, and a bizarre music video-slash-biopic monstrosity linked to her latest album. Now, her second Netflix feature in as many years, Atlas, aims to be J.Lo’s Marvel-esque blockbuster but falls short in every conceivable way. Directed by San Andreas helmer Brad Peyton, Atlas is a special effects-laden foray into the most cliched science fiction genre offering I have seen in a long time. With what is supposed to be a timely tale about artificial intelligence, Atlas throws every trope from the last fifty years of scifi movies as it aims to be Netflix’s attempt at a summer tentpole picture. Underwhelming in every way, Atlas is a directionless and limp mess that wastes the talents of everyone involved.

Opening with a montage of news clips summarizing how the world reached the point it has, Atlas explains that humanity is at war with an A.I. android named Harlan (Simu Liu), who was created by Dr. Val Shepherd (Lana Parrilla), Atlas’ mother. After leaving our solar system and hiding for over a decade, Harlan sends an android named Casca Decius (Abraham Popoola) to Earth. General Jake Boothe (Mark Strong) enlists analyst Atlas Shepherd (Jennifer Lopez) to join a team led by Colonel Elias Banks (Sterling K. Brown) to travel to the planet where Harlan is hiding and bring him to justice before he destroys the Earth. Atlas, who harbors a deep hatred for technology and AI, is reluctant to join the mission as Banks’ soldiers rely on mech-suits known as ARCs, which also require syncing the human and machine via a device worn around the ear. Sure enough, the mission is compromised, and Atlas is left alone on the hostile planet aboard an ARC with an A.I. known as Smith (Gregory James Cohan).

After thirty minutes of quick intro, the next hour of Atlas is spent forcing Jennifer Lopez to begrudgingly ally with Smith. Pulling every genre conceit ranging from Terminator 2: Judgement Day, Enemy Mine, and even The Iron Giant, Atlas must learn to trust the machine in her suit even though she knows Harlan and his kind are the reason her mother is dead. Having Jennifer Lopez try to feel an emotional connection to a machine is challenging, and it is even more difficult for the audience as we spend almost the entire film with Lopez inside a mech suit, talking in a disembodied voice. The filmmakers try to make it cute by having Smith adopt characteristics of Atlas’ personality as they slowly sync, which means we hear a robot casually use profanity and begin to blend emotion with intelligence that feels more like Mr. Spock getting drunk than anything a machine would do. A few battle sequences are peppered in as Atlas shuffles through the getting-to-know-you stages to properly bond with Smith and take down Harlan and his army of androids.

If Atlas had been at least superficially invested in developing any of the characters aside from the main character, I could have invested in this story. Sterling K. Brown, Mark Strong, and Simu Liu collectively appear for all ten minutes of screen time each. With Simu Liu set to be the equivalent of a Terminator-esque nemesis, his screen time is limited to a few scenes with little dialogue, followed by a massive battle that pits Harlan against Atlas within her mechsuit. This fight sequence is meant to be the film’s centerpiece, but it looks so bad that it would never hold up on the big screen. Simu Liu looks like he is making virtually the same movements as he did in Shang-Chi and the Legend of the Ten Rings, to the point I am not sure they didn’t just pull footage from the Marvel Studios film and use them here with some updated rendering. The wasted talent of all actors involved is made much worse by the ham-handed dialogue that never once feels like it would come out of the mouth of a human being.

Director Brad Peyton has worked with big-budget special effects projects before, mostly with Dwayne Johnson involved. Journey 2: The Mysterious Island made the silly CGI feel fun, while both San Andreas and Rampage took the destruction porn to new heights while still managing to create realistic tension. The entirety of Atlas looks to have been filmed on a green screen, with virtually nothing tangible. The mech suits are laughable compared to similar suits seen in James Cameron’s Avatar films, with the movements and mechanics paling compared to even the most mediocre video game cutscenes. The script by Leo Sardarian, along with rewrites by Aron Eli Coleite, rushes to establish the rules of this near-future society and yet still feels the need to put a title card on the screen stating the action is taking place in Los Angeles despite the massive Hollywood sign in the middle of the frame. The entirety of Atlas features dialogue as superficial as this, including an emotional question meant to resonate with the audience regarding whether Atlas prefers cake or pie.

Atlas delivered a solid teaser trailer that intrigued me enough to check out the movie, but I have not been this disappointed by a feature film in a long time. I should learn to keep my Netflix expectations very low, but having enjoyed Brad Peyton’s work in the past and assuming the cast could pull this one off, I was foolish in thinking this would be anything more than another filler effort. The production values look good but the subpar CGI offsets any positives this movie has. Jennifer Lopez has two brief scenes that almost rescue her performance, but they cannot overcome the ChatGPT caliber dialogue spouted in this two-hour exercise in boredom. I never thought I would see a day when a movie featuring robots battling mech suits would be boring, but Atlas has sadly proven me wrong.


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Kraven the Hunter, release date delay

Kraven the Hunter has been delayed several times already, but the release was pushed back yet again last month. The film is now set to hit theaters on December 13th. While speaking with Collider, Kraven the Hunter producer Matt Tolmach explained the reason behind the delay, saying it’s a sign of how highly Sony Pictures thinks of the film.

Kraven moved to Christmas because we’re excited about it and Christmas is the best release period there is, when you get people with time to go back to the movies over and over again,” Tolmach said. “That was a real reflection of how the studio felt about the movie. We’re really excited. But that’s a great move that reflects just the feeling about the movie.

While I don’t know if Kraven the Hunter is really going to be a movie people will see “over and over again,” Sony must hope that some distance from the bomb that was Madame Web will be beneficial. The Spider-Man spinoff does have a lot to prove, but with an R-rated edge, it could just turn the tide.

Some fans have brought up another possible reason for the studio to want to push back the release of Kraven the Hunter: James Bond. Aaron Taylor-Johnson has long been rumoured to be a top contender for the role of the secret agent. Past 007 actors such as George Lazenby and Pierce Brosnan have given Taylor-Johnson their approval. “I think the man has the chops, the talent, and the charisma to play Bond, very much so,” Brosnan said.

Director J.C. Chandor has previously described the movie as a tragedy. “Sony probably doesn’t want me to lead with this. but the story is a tragedy,” Chandor said last summer. “When the final credits roll on this film, if you’ve been paying attention, you won’t have the feeling that this is all going to end great.” In addition to Aaron Taylor-Johnson as the title character, the film also stars Ariana DeBose, Fred Hechinger, Christopher Abbot, Alessandro Nivola, and Russell Crowe.

The next film to be released in Sony’s Spider-Man Universe will be Venom: The Last Dance, the third and supposedly final installment of the franchise. The film will hit theaters on October 25th.

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Vertical has dropped the new trailer for A Sacrifice, a thriller starring Eric Bana as a social psychologist who begins investigating a cult in Berlin as his rebellious daughter (Sadie Sink) gets drawn into its clutches.

The official synopsis reads, “A Sacrifice is an emotionally turbulent story that follows American social psychologist Ben Monroe (Bana), who is investigating a local Berlin cult connected to disturbing events. While he immerses himself in his work, his rebellious teenage daughter, Mazzy (Sink), becomes embroiled with a mysterious local boy who introduces her to the city’s underground party scene. As their two worlds head toward a dangerous intersection, Ben will need to race against the clock in order to save his daughter.

In addition to Eric Bana and Sadie Sink, A Sacrifice also stars Sylvia Hoeks, Jonas Dassler, Sophie Rois, Stephan Kampwirth, and Lara Feith. Based on the novel Tokyo Nobody by Nicholas Hogg, the film was written and directed by Jordan Scott, daughter of Ridley Scott.

Vertical landed the North American rights to the movie earlier this month, and Scott said she was “delighted to be partnering with Vertical on the release of A Sacrifice. Their passion and appreciation for the film has been steadfast throughout, and I couldn’t be more excited for audiences to see the film in theaters and beyond.” Ridley Scott, who produces the movie through his Scott Free Production banner, added, “I’m thrilled to be back in business with our friends at Vertical. Their commitment to great filmmakers and storytelling, as well as the theatrical experience, makes them the perfect home for A Sacrifice.A Sacrifice will hit theaters on June 28th.

Our own Alex Maidy recently interviewed Eric Bana for Force of Nature: The Dry 2, which is actually the first sequel in Bana’s career. The actor reprises his role as Aaron Falk, who investigates a money laundering scheme with the aid of insider Alice Russell (Anna Torv). But when Russell goes missing, the case spirals into a gripping mystery as flashbacks inform what happened and who was responsible. The film is now available on demand and you can read a review right here.

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The Boys, Jared Padalecki

The Boys showrunner Eric Kripke has brought several Supernatural stars over to his Prime Video superhero drama over the last few years, and now he’s got his eye on Jared Padalecki.

Given the recent cancellation of Walker, the time may finally be right for Jared Padalecki to join The Boys, even if it’s just for a single episode. “He’s been busy the last few years, so schedules haven’t worked out,” Kripke told Variety. “But now, unfortunately, [Walker] got cancelled — but the good thing is he’s free, and I feel like I have to complete my game of Supernatural Pokémon and I have my one big one — very big one — left to catch.

We’ve seen several major Supernatural stars make the leap to The Boys, including Jensen Ackles as Soldier Boy and Jim Beavers as Robert Singer. The upcoming fourth season will bring Jeffrey Dean Morgan and Rob Benedict into the fold as well.

The Boys has already been renewed for a fifth season, so Supernatural fans should keep their fingers crossed for an appearance from Moose. “The Boys could be the best job I’ll ever have. What other show allows me to write about politics, capitalism, family, and exploding genitalia, though not in that order,” Kripke said when the series was renewed. “The cast and crew are deeply grateful to Sony Pictures Television and Amazon MGM Studios for the opportunity to tell this story for another season. My only problem is that since this year promises to be free of any conflict or misinformation, we’re not sure what to write about.

The official synopsis for The Boys season 4: “The world is on the brink. Victoria Neuman is closer than ever to the Oval Office and under the muscly thumb of Homelander, who is consolidating his power. Butcher, with only months to live, has lost Becca’s son and the rest of The Boys are fed up with his lies. With the stakes higher than ever, they have to find a way to work together and save the world before it’s too late.” The new season will premiere on Prime Video on June 13th.

If Jared Padalecki joins The Boys, should be play a Supe or someone else?

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Lioness, season 2, Zoe Saldana

I’d love to know when Taylor Sheridan finds the time to sleep. Paramount+ has announced that production on Lioness season 2 is now underway in Texas. The espionage thriller series is inspired by an actual U.S. Military program and follows the life of Joe (Zoe Saldaña) while she attempts to balance her personal and professional life as the tip of the CIA’s spear in the war on terror.

Lioness, season 2 production slate

In addition to Zoe Saldaña, Lioness season 2 stars Laysla De Oliveira, Genesis Rodriguez, Michael Kelly, Dave Annable, Jill Wagner, LaMonica Garrett, James Jordan, Austin Hébert, Jonah Wharton, Thad Luckinbill, and Hannah Love Lanier. Morgan Freeman and Nicole Kidman round out the star-studded cast. The series is produced by MTV Entertainment Studios and 101 Studios exclusively for Paramount+. As you can see from the image above, Sheridan will be helming the third episode of the new season himself.

At the time of its release, the first season of Lioness set a record as the most-watched worldwide series premiere on launch day on Paramount+, with close to six million total viewers in its first week across Paramount+ globally and a linear preview on the Paramount Network.

Our own Alex Maidy was quite the fan of Lioness upon its premiere and was quickly hooked. “While I have been a fan of Taylor Sheridan for a long time, Special Ops: Lioness may be the best start to a series he has delivered since Yellowstone,” Maidy wrote. “With a fascinating concept and two very capable actors in lead roles, Special Ops: Lioness premieres with an episode that literally blows things up at the start and never lets go for a full hour. There have been a lot of military-centric series over the years, but few have been as rousing to me as this one. Zoe Saldana and Laysla De Oliveira live up to the title of this series as fierce warriors. Few series have hooked me after one episode the way Special Ops: Lioness has and I cannot wait to see more.” You can check out the rest of Maidy’s review right here.

As I mentioned at the start of the article, Taylor Sheridan is one of the most prolific creators out there. In addition to Yellowstone (the final season is now shooting), Sheridan is also juggling Mayor of Kingstown, Tulsa King, 1923, the upcoming Landman, and a handful of other projects.

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