Month: May 2024

Welcome to Derry, It series, Bill Skarsgard

Deadline reports that Bill Skarsgård is set to reprise his role of Pennywise for the upcoming It prequel series, which is going by the working title Welcome to Derry.

In addition to starring in the It prequel series, Bill Skarsgård will also executive produce. When asked last year, the actor said he wasn’t involved in the series, so I think fans are relieved that he will be lending his bloodthirsty giggle to the proceedings after all. Andy Muschietti, who directed the two It movies, developed the series alongside producers Barbara Muschietti, Jason Fuchs, Roy Lee, and Dan Lin.

The story comes from Andy Muschietti, Barbara Muschietti, and Jason Fuchs. Fuchs wrote the pilot episode and served as co-showrunner alongside Brad Caleb Kane. The show started shooting last year, with Andy Muschietti directing four of the nine episodes. In addition to Skarsgård, the It prequel series also stars Taylour Paige, Jovan Adepo, Chris Chalk, and James Remar.

More to come…

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Brad Peyton, Predator

Brad Peyton is a big fan of Predator. In fact, he once told THR that he’d seen the original movie over 365 times. Given his passion for the movie, it’s only natural that he’d like his own shot at directing an installment of the sci-fi franchise. While speaking with THR about his recent Netflix movie Atlas, Peyton said he has a take on a Predator story that he’d like to make… assuming he gets the invite.

I also have a version of Predator that I would really like to see.” Peyton said. “I obviously can’t talk about it, because no one’s inviting me to go do a Predator movie yet.” He added that he also enjoyed the most recent movie in the franchise, Prey. “I really liked it. I thought it was super cool,” Peyton said. “I actually really liked [Prey]. It was really fresh and innovative and interesting, and anytime someone can come in and reinvent a franchise — but also keep the great elements that we love from the original — you have to applaud that person. So I think [Dan Trachtenberg] did that in spades.

Prey took place in 1719 and followed a young Comanche woman (Amber Midthunder) who sought to protect her people from a vicious alien who was hunting humans for sport. The film was a big success, with some even calling it the best installment of the franchise since the original. Director Dan Trachtenberg will be back for more, as it was announced earlier this year that he would be helming Badlands, which is said to bring the Predator action into a more futuristic setting.

Brad Peyton’s Atlas recently premiered on Netflix. The sci-fi action movie stars Jennifer Lopez as a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence who joins a mission to capture a renegade robot with whom she shares a mysterious past. Unfortunately, the film hasn’t received the best reviews, and our own Alex Maidy wasn’t impressed. “Atlas is a special effects-laden foray into the most cliched science fiction genre offering I have seen in a long time,” Maidy wrote. “With what is supposed to be a timely tale about artificial intelligence, Atlas throws every trope from the last fifty years of scifi movies as it aims to be Netflix’s attempt at a summer tentpole picture. Underwhelming in every way, Atlas is a directionless and limp mess that wastes the talents of everyone involved.” You can check out the rest of Maidy’s review right here.

Would you like to see Brad Peyton direct a Predator movie?

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George R.R. Martin

Adapting the work of anyone’s favorite book, comic, etc. is always a damning task. So rarely will the writer nail everything that a fan loves about the work…and that’s just what fans want: everything to be right. But that’s virtually an impossible feat – and George R.R. Martin is sick of writers even trying, saying they “never make it better.”

In a new blog posted titled “The Adaptation Tango”, George R.R. Martin took adaptations to task, calling their scribes out for feeble attempts at making the project their own. “No matter how major a writer it is, no matter how great the book, there always seems to be someone on hand who thinks he can do better, eager to take the story and “improve” on it.   “The book is the book, the film is the film,” they will tell you, as if they were saying something profound.   Then they make the story their own. They never make it better, though.   Nine hundred ninety-nine times out of a thousand, they make it worse. Once in a while, though, we do get a really good adaptation of a really good book, and when that happens , it deserves applause.” With this, George R.R. Martin went on to name this year’s miniseries Shōgun – based on James Clavell’s novel – as a strong example of an adapted work, which was first brought to the screen via a stellar version in 1980.

George R.R. Martin also cited a 2022 Variety piece where he was quoted as saying, “There are changes that you have to make — or that you’re called upon to make — that I think are legitimate. And there are other ones that are not legitimate.” While that’s vague, almost certainly there is at least one example that came to mind for you as a “not legitimate” choice from the person behind the keyboard.

On the adaptation front, George R.R. Martin tackled a handful of Game of Thrones episodes including the stellar “Blackwater” and “The Lion and the Rose.” He, too, took on the fairy tale Beauty and the Beast for the TV series, which he called a “smart show” so must have been quite proud of his own adaptation.

What do you think makes a good adaptation? Where do you think most writers mess up?

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Dungeons & Dragons TV series, Paramount+

A live-action Dungeons & Dragons TV series was in development for Paramount+ and had even been given an eight-episode, straight-to-series order by the streaming service, but Deadline now reports that the project is no longer moving forward.

However, the Dungeons & Dragons series isn’t entirely dead, as Hasbro Entertainment will be shopping it to other potential buyers. It’s also said the series will receive a creative update which will be tackled by a new creative team. The version which was sold to Paramount+ was overseen by Rawson Marshall Thurber (Skyscraper), who wrote the pilot script and was going to direct the first episode. Drew Crevello (WeCrashed) was brought on to serve as executive producer and showrunner last year.

More to come…

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