Month: May 2024

labyrinth 1986

You remind me of the babe? What babe? The babe with the massive cult following! Nearly 40 years since its release, Labyrinth has endured as one of the most beloved fantasy movies ever. While it was a flop at the box office, the movie would go on to embody so much of what makes the genre what it is, not to mention it being a charming – and sometimes frightening – representation of the brilliance of cinematic puppetry.

Like so many of our favorite movies, when it comes down to it, the box office numbers never mattered. That’s definitely the case with Labyrinth, which took in just under $13 million domestically on a budget reportedly around double that. Jennifer Connelly remembered “hearing rumblings” of it being poorly attended at the multiplex but that it eventually found its fandom. “People’s affection has grown over the years. People talk to me about it in a way that seems outsized to the response when it was first released.”

Connelly had already worked with iconic directors like Sergio Leone (Once Upon a Time in America) and Dario Argento (Phenomena) but collaborating with Jim Henson was a completely unique experience for her. “Jim was a genius. And we don’t really make movies like that anymore. All those practical, wonderful puppets working together on those beautifully crafted sets. It feels different than the way we make a lot of films now; it feels kind of special.”

Indeed, Labyrinth is special. In a time when practical effects and puppetry is few and far between, it’s films like Labyrinth – and any others that seek to honor the artistry – that stand out. Really, how fantastic are the designs of Hoggle, Ludo, the Fierys, and pretty much every other character inside of the titular maze?

Sequel discussion for Labyrinth has been around for several years now, with Brian Henson saying as recently as this winter that it was still a possibility. Although The Dark Crystal’s TV continuation didn’t stick, the fanbase for a similar approach to Labyrinth could prove successful.

What is your favorite scene from Labyrinth? Which character design and set stands out the most to you? Let us know in the comments section below!

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In this new ongoing series, a revival of our old C’Mon Hollywood op-eds, we will examine the current political climate surrounding all things “woke” when it comes to the cinematic arts. Are Hollywood studios pushing an agenda or is this idea overblown? Is this creating a division among us peasants? Is it even possible to critique or watch a film without politics coming into play anymore? 

Our hot shot team of dedicated researchers may have found out that things might not be so black and white… Pun intended? Who knows anymore?! It is an exciting and scary time to be making and watching movies but that type of chaotic environment allows this medium to experiment and grow. Controversy can always inspire conversation and that’s what we are hoping to do with this new show. 

I believe it was the Disney+ flick Peter & Wendy that responded with a “So!?” when asked why The Lost Boys were not exactly Boys. And I believe it was South Park’s Cartman who, while poking fun at Kathleen Kennedy said, “Put a chick in it and make her lame and gay.” Sooooo…. What did she mean by “So?” and what did Cartman mean by “Put a chick in it and make her lame and gay.’? I don’t exactly understand all of that but do I understand LAME. Trust me, I identify as lame.

Like it or not, in the minds of many, the definition of “woke” has changed to mean “lame”. It used to be cool. “Stay woke” was seen as a battle cry to fight injustice and bring equality to the people. But the phrase got overused to the point of parody and social justice morphed into a business and even almost a religion. Wokeness began with the best of intentions but evolved/mutated/transitioned into something well…lame. The definition of the word lame is “uninspiring and dull”. That is what many of these new films and characters have been feeling like… uninspiring and dull. Unfortunately, many of these new dull sources of art and entertainment fall under the category of “Woke”. This unfortunately creates a connection in our collective minds that “woke” content equals “lame” content. This word “lame” also means “unable to walk without difficulty” which is what’s happening to Disney and other studios, who seem to be doubling down on the pandering of “wokeness” in their content, rather than quality entertainment. 

Context is key when a film is labelled “woke” and it depends on who is doing the labelling and if the movie is good or not. “Lame Wokeness” is very forgivable when the film offers other “cool” cinematic aspects. You got Good Woke, Bad Woke and Ugly Woke and somehow the Good Woke is overshadowed by the abundance of Bad Ugly Woke… which is lame…. and confusing… but that’s why we are trying our best to tackle these issues. Cinema is still a relatively new tool for artistic expression and we are still making mistakes when it comes to how to tell the best story in the most effective way possible. This new call to arms for our content to be more woke or less woke is the next frontier to explore and who knows what we will find in this new wild west of wokeness. 

At first, “Woke Cinema” was all about telling new stories from new points of view from people who may not have had their stories told in the past due to actual hate and discrimination and racism or sexism or any-ism you wanna ism. But maybe those good intentions went too far, lost focus and began to feel forced, done out of fear and almost hateful themselves; potentially creating enemies out of lifelong allies and supporters. Was it intentional or an accident? Is this argument overblown? Watch the embedded video above and let us know in the comments!

The post C’Mon Hollywood: What Exactly Is WOKE CINEMA?! (And Why Do Some People Hate It?) appeared first on JoBlo.

jason statham, black bear

Jason Statham is someone who is admirably unpretentious and genuinely grateful for his success, and within that, he has a definite preference of films that can predominantly define his career. Earlier this year, Statham was seen in The Beekeeper, a seemingly usual action B-movie fare with the star, but the movie from Suicide Squad director David Ayer would throw in some bold conceptual curve balls to the normal vengeance tale. Deadline has now reported that Statham will be working with director Baltasar Kormákur for his next action film.

Kormákur’s resume features such credits as Contraband, 2 Guns, Everest and the recent Idris Elba lion attack film, Beast. According to Deadline, “In the currently untitled pic, Statham will play Mason who lives in isolation in a remote Scottish island. When he rescues a young girl from the ocean in a terrible storm, he sets a chain of events in motion that brings a violent attack to his hideaway, forcing him back into the world to confront the ghosts of his past.” The movie will come from the company Black Bear and they will be introducing the film to buyers this week in Cannes and co-representing the U.S. rights alongside Range Select.

Ward Perry penned the script to the film. The producers on board will include Statham, who has produced Levon’s Trade, for Punch Palace Productions, Kormákur for RVK Studios, John Friedberg, who worked on the recent Guy Ritchie film The Ministry of Ungentlemanly Warfare, for Black Bear and Jon Berg, whose credits include Wonder Woman, and Greg Silverman, who is the former President of Creative Development and Worldwide Production for Warner Bros. They are all producing the movie for Stampede Ventures, who developed the film. Teddy Schwarzman and Michael Heimler are also on board to serve as executive producers for Black Bear.

The production of the untitled action film is scheduled to commence in November in the UK and Kormákur’s native Iceland. Production services and filming will take place at Kormákur’s RVK Studios facility in Reykjavik.

There hasn’t been confirmation yet, but Staham has also been set up in the last Fast & Furious movie to appear in the next installment as his character, Deckard Shaw, has been shown to gear up for a mission that involves Jason Momoa’s Dante and his ties to the Shaw mother played by Helen Mirren.

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