Palworld players have fought against one Raid Boss (and some variations) before, but the June 27, 2024 Sakurajima update brought a new Pal to go up against. Blazamut Ryu is an imposing beast with a lot of health and only 10 minutes of playtime. It can be a challenge, to say the least. But fret not, I’ve got you…
The fourth Captain America movie is the first with Anthony Mackie’s Sam Wilson, previously the flying Avenger known as Falcon, taking up the shield after Steve Rogers retired in Avengers: Endgame, and after the epic fail of John Walker (yes, Kotaku’s freelance editor) to take up the mantle. But that’s not the only big…
The fourth Captain America movie is the first with Anthony Mackie’s Sam Wilson, previously the flying Avenger known as Falcon, taking up the shield after Steve Rogers retired in Avengers: Endgame, and after the epic fail of John Walker (yes, Kotaku’s freelance editor) to take up the mantle. But that’s not the only big…
From the 1930s into the ‘50s, Universal brought the horror genre some of its greatest icons. Dracula. Frankenstein’s Monster. The Wolf Man. The Creature from the Black Lagoon. The Invisible Man. The Mummy. The studio has returned to these characters multiple times over the decades. But the one that has had the most successful revival was the Mummy, who was brought back to the screen in a family friendly adventure film in 1999. A film that mixed monsters with Indiana Jones style action… and became a blockbuster that’s now seen as a beloved classic. So let’s take a look back at the making of The Mummy ‘99 and find out What the F*ck Happened to This Horror Movie.
To properly cover The Mummy, we first have to flash back to 1922. That’s when the discovery – and the opening – of Egyptian pharaoh Tutankhamun’s tomb captured the world’s imagination. The unearthing of the mummy caught so much attention at the time… and got so many people talking about the tomb being cursed… that it lingered in the minds of Universal executives a decade later. Looking for a good follow-up to the success of Dracula and Frankenstein, producer Carl Laemmle Jr. focused on finding an Egyptian-themed horror story. Story editor Richard Schayer and writer Nina Wilcox Putnam instead delivered a short treatment inspired by Italian occultist Cagliostro, who they envisioned as a three thousand year old magician causing trouble in 1930s San Francisco, terrorizing women who remind him of his ex-lover. Laemmle was satisfied enough with the story to hire John L. Balderston to expand it into a screenplay. And Balderston, who had covered the opening of Tutankhamun’s tomb as a newspaper journalist, was the one who worked in Egyptian elements.
Balderston moved the setting to Egypt and replaced Cagliostro with Egyptian high priest Imhotep. He gave this fellow a tragic back story: thousands of years ago, Imhotep was in love with the princess Ankh-es-en-Amon, who passed away at a young age. The distraught Imhotep tried to use a spell from the Scroll of Thoth to resurrect his lost love. But he was caught and mummified alive for this sacrilege. When his tomb is unearthed by archaeologists in 1921, the Scroll of Thoth is found with him. And when the spell on it is read aloud, Imhotep’s mummy is returned to life. For the next decade, Imhotep passes himself off as a historian named Ardath Bey while searching for Ankh-es-en-Amon’s tomb. Then he meets a young woman who resembles the princess and comes to believe she has been reincarnated. So Imhotep intends to fully bring back Ankh-es-en-Amon by killing, mummifying, and resurrecting her doppelganger.
The 1932 version of The Mummy was a box office success that launched a franchise, but it went dormant in the ‘50s, and Universal didn’t think about reviving it until the late ‘80s. That’s when producers James Jacks and Sean Daniel talked the studio into putting a new take on the concept into development. At first, Universal was only willing to put up a budget of ten to fifteen million dollars, and many filmmakers attempted to come up with an idea that would meet the studio’s approval. As The Mummy made its way through development hell, it passed through the hands of Creepshow director George A. Romero. Hellraiser creator Clive Barker. Frequent Stephen King collaborator Mick Garris. Gremlins director Joe Dante. Screenwriters Abbie Bernstein, Alan Ormsby, and John Sayles. Romero again. Garris again. Some drafts had an unstoppable, Terminator-like mummy seeking an ancient device that can destroy all life on the planet. Another had an Egyptian tomb recreated in modern Beverly Hills. Some were a ‘90s update of the original film that featured not only Imhotep, but also the mummy Kharis, the star of the original sequels. For one reason or another, Universal was never satisfied. For example, they felt Barker’s version was too perverted. And when Dante wanted to raise the budget in hopes of casting Daniel Day-Lewis as Imhotep, that was a no-go. Then the idea came about to make the movie a 1920s period piece, and suddenly Universal decided that it shouldn’t be a low budget horror movie after all. It should be a big budget adventure film.
Tombstone writer Kevin Jarre was hired to write the period piece adventure version of the concept. Jarre did get a story credit on the finished film, alongside Lloyd Fonvielle, who had also written a non-Universal version of The Bride of Frankenstein in the ‘80s. But the final draft of the screenplay was written by Stephen Sommers, who had been a fan of the original Mummy since he first saw it at the age of eight in the early ‘70s. Sommers was aware that Universal had been pushing a new Mummy through development hell for ten years, and he was interested in getting involved, but it always had a different filmmaker attached, so he couldn’t get close to it. Sommers was best known at the time for writing Disney productions like The Adventures of Huck Finn, Tom and Huck, and The Jungle Book, but he also directed a creature feature called Deep Rising that was released in ‘98. When he saw a window of opportunity to get involved with The Mummy as writer/director, he took his pitch to Universal. And they gave him the job.
Sommers told Starlog that he was interested in The Mummy because, “Frankenstein made me sad—I always felt sorry for him. Dracula was kind of cool and sexy. But the Mummy just plain scared me.” As for his vision for the film, he has described it as “a kind of Indiana Jones or Jason and the Argonauts with the Mummy as the creature giving the hero a hard time.” He wanted to take what he loved about the original film and recreate it on a larger scale, while also working in elements from the 1940 film The Mummy’s Hand. And he wanted to bring the world a mummy that was faster, meaner, and scarier than ever before. As he said to Cinefantastique, “I wanted to do an epic, romantic adventure. And I also suggested we had to have Industrial Light and Magic create our Mummy. I didn’t want a guy wrapped in bandages. I wanted to take a real human being and turn him into a corpse, then turn him from a corpse back into a human being.” He was bored with the limitations of practical effects and wanted to dazzle viewers with what CGI could do.
The story Sommers crafted for The Mummy begins three thousand years ago, when Imhotep was high priest to Pharaoh Seti the First… and in love with the Pharaoh’s mistress, Anck-su-namun. When their forbidden love was discovered, they killed Seti. Faced with punishment by the Medjai, the Pharaoh’s bodyguards, Anck-su-namun then killed herself. A minor inconvenience for Imhotep, who can resurrect her with the Book of the Dead. Problem is, he is caught in the middle of the process. He was mummified alive and covered with scarabs… but if his tomb is ever opened, this undead mummy will be released as an invincible being with the power to control the sands. Jump ahead to the 1920s. Treasure hunting thief Jonathan Carnahan and his klutzy librarian sister Evie are seeking the City of the Dead, Hamunaptra, a necropolis that also happened to be the place where the Pharaohs would hide away the wealth of Egypt. So they hire American adventurer Rick O’Connell, who found the city while fighting with the French Foreign Legion years earlier, to lead them there. Another group of fortune hunters, led by Beni Gabor, is also heading to the city. And the Medjai, including Ardeth Bay, try to thwart their progress. No one lets the Medjai deter them. Hamunaptra is located. Imhotep’s tomb is unearthed. He is resurrected and unleashed… and he sets out to resurrect Anck-su-namun by sacrificing Evie. A plan that doesn’t go over well with Evie and Jonathan, or with Rick, who has fallen in love with Evie during their time together.
So Rick does his best to rescue the damsel in distress, kill the bad guy, and save the world. And viewers get to witness comedy-tinged horror action. That involves deadly scarabs, the walking dead, a massive sandstorm, and the ten plagues of Egypt. Water turns to blood, fiery hail falls on Cairo, and those infected with the plague of boils and sores become mindless zombies. Sommers packed so much CGI-enhanced action into his film, Universal had to boost the budget all the way up to eighty million dollars. Fifteen million of that went into the special effects.
Online trivia claims the producers were interested in casting Tom Cruise, Brad Pitt, Matt Damon, or Ben Affleck as Rick O’Connell. Maybe even Sylvester Stallone. But none of those were options as far as Sommers was concerned. While he was still writing the script, his editor Bob Ducsay suggested Brendan Fraser, and the suggestion stuck. Fraser got the offer and accepted it, bringing Rick to life as a man of action who is equal parts tough guy and goofball. The studio was hoping an American actress would be cast as Evie. Ashley Judd was on their wish list. But Sommers felt the character should be British, so Rachel Weisz got the job. John Hannah was cast as her brother Jonathan, with Kevin J. O’Connor as Beni. Sommers had envisioned Ardeth Bay as being an older Black man, someone like James Earl Jones or Roscoe Lee Browne. But that vision changed when he met 20-something Israeli actor Oded Fehr. Patricia Velásquez was cast as Anck-su-namun. Erick Avari and Jonathan Hyde landed supporting roles. The title villain Imhotep was played by Arnold Vosloo, who had previously worked with the producers on the Jean-Claude Van Damme classic Hard Target. While this take on The Mummy has a sense of humor that sometimes leans toward being cartoony, Vosloo’s approach was to play his role entirely straight. He said that, “From Imhotep’s point of view, this is a skewed version of Romeo and Juliet.”
When Imhotep first rises from his tomb, he’s a dried-out corpse… but he regenerates as he kills, sucking the life force out of his victims. Soon enough, it’s Vosloo in the flesh – and he shows so much flesh, the actor had to slim down before filming began.
Some sequences of The Mummy were shot in England, including at Shepperton Studios, where the scenes that take place in the City of the Dead were filmed. It took the construction crew sixteen weeks to put those sets together. A large portion of the production took place in Morocco and out in the Sahara desert – which wasn’t an easy location to deal with. Filming would frequently be shut down by sandstorms that cast and crew had to endure while wearing earplugs and goggles. Some crew members had to be airlifted to medical care after being stung or bitten by the local wildlife. And Sommers admits that they beat the crap out of Brendan Fraser with the stunts and action.
There was a major scare when Fraser performed the scene where Rick is nearly executed by hanging. As Sommers described it to The Hollywood Reporter, “Usually when somebody gets hung, it’s a dummy, and that’s why they put bags over people’s heads. Brendan was always gung-ho, and he was like, ‘Make the noose really tight on me.’ Then he decided to let his knees sag a little bit. But what he forgot is that the minute you put that much pressure on your carotid arteries, it knocks you out. We all looked, and he’s completely unconscious. It was fine, and he recovered in ten seconds. But he woke up like, ‘What happened?’” Thankfully, Fraser came out of it okay. And willing to come back for sequels.
Universal ended up pumping more money into The Mummy than they expected to, but it paid off in the long run. While some horror fans might be put off by the film’s silly sense of humor, it seemed to go over very well with the average movie-goer. Released in May of 1999, Stephen Sommer’s version of The Mummy became a global blockbuster. The title character had been the laughing stock of the Universal Monsters for years. A lot of people would joke about the mummy not being scary, shambling along in his bandages. But while there is some bandage-wrapped mummy action in this movie, that’s not all there is to Imhotep. He is an extremely powerful being – and audiences enjoyed watching Rick O’Connell try to take him down while overcoming everything Imhotep throws his way.
Any one of the filmmakers who were attached to this project before Sommers could have made an interesting, potentially great Mummy movie. But Universal backed Sommers’ vision – and there’s no denying it was a success. The Mummy earned over one hundred and fifty-seven million dollars at the domestic box office, with another two hundred and sixty-one million coming from international screenings, bringing its total haul to just over four hundred and eighteen million. A franchise was born. The sequel The Mummy Returns followed in 2001, and that launched a spin-off franchise with The Scorpion King, which got multiple follow-ups. Another Mummy sequel, The Mummy: Tomb of the Dragon Emperor, came along in 2008… And for a while, Universal was developing a fourth Rick O’Connell mummy adventure that would have been called The Mummy: Rise of the Aztec. But that idea was scrapped in favor of rebooting the franchise with a new film that would kick off a cinematic universe, a series of interconnected Universal Monsters reboots where the monsters would share the screen. The Dark Universe. But that universe fell apart when the 2017 version of The Mummy, which starred Tom Cruise, was a box office disappointment. It actually made about the same amount of money as The Mummy 1999 did. Problem was, the budget was substantially higher.
Other Mummy movies have come and gone since, but The Mummy 1999 wasn’t just a summer hit that then faded away. It has a legion of fans that, over the decades, have come to see it as an enduring classic. People remember having fun seeing it when it was first released. There’s a generation of kids who grew up watching it. For many, this was the gateway movie that got them into the horror genre. And a lot of fans are hoping we’ll get to see Brendan Fraser play Rick O’Connell again, even if it’s just for one more time. That may or may not happen, but in the meantime we can still go back and watch his first Mummy adventure again and again. And while some of the CGI effects look dated now, the movie is still as entertaining as it was in the summer of ‘99.
A couple of the previous episodes of WTF Happened to This Horror Movie? can be seen below. To see more, head over to our JoBlo Horror Originals YouTube channel – and subscribe while you’re there!
The post The Mummy (1999) – WTF Happened to This Horror Movie? appeared first on JoBlo.
Even as the manslaughter trial is underway, Alec Baldwin maintains that he did not pull the trigger on the gun which killed cinematographer Halyna Hutchins on the set of western Rust. This has been a key stance from Baldwin since the very beginning. On day two of the trial, however, the manufacturer of the guns themselves took to the stand to testify that it is not possible for the weapons to go off without the trigger being pulled.
Alessandro Pietta, the manufacturer of the gun in question used on the set of Rust, told the court on Thursday, June 11th, that you “cannot fire without a pull of trigger because the mechanics and design of trigger was made to work in this way.” He added, “If you want to release the hammer, you need to pull the trigger.” FAP F.li Pietta states on their website that they are a leading company for gun replicas, especially when it comes to the Old West.
This claim was pushed back by Baldwin’s attorney, who said that since Pietta wasn’t on the set of Rust, he couldn’t know how this gun functioned. At another point, another representative for FAP F.li Pietta suggested it was virtually impossible for a gun to simply go off by itself.
Back in March, Rust armorer Hannah Gutierrez-Reed was found guilty of involuntary manslaughter, later being sentenced to 18 months in prison. It’s anticipated that Gutierrez-Reed – who, despite some troubling claims and evidence that came out following the shooting, is still considered to be an expert on guns – will testify this week, potentially giving one more blow to Baldwin in the Rust case.
The accidental death of Rust lenser Hutchins after a gun discharged, killing her in October 2021, has been one of the most high-profile and important entertainment stories in recent memory. Not only did it lead to an eye-opening awareness from those within Hollywood as to how weapons are used – or shouldn’t be used – on sets but it also called for proper accountability, even with accidents. Whether or not Baldwin will receive a guilty verdict remains to be seen but testimonies from the gun manufacturer are trying to ensure at least that they are not at fault.
How do you think the Rust trial will shake out for Alec Baldwin? Will he take any legal accountability or will he walk free? Give us your predictions in the comments section below.
The post Gun manufacturer says one that killed Rust cinematographer couldn’t have fired by itself appeared first on JoBlo.
Osgood Perkins continues to be a talent to watch as he follows up films like The Blackcoat’s Daughter and Gretel & Hansel with the highly-praised Longlegs. The marketing for the film has been incredibly intriguing and audiences couldn’t turn away as they flock to Thursday night showings. In the review from our own Chris Bumbray, the film certainly made an impression as he says, “Once the credits rolled, I found myself surprisingly shaken up by what I’d just seen, and it’s a film I’ll need to chew on in the coming weeks. Expect this one to make major waves among horror fans when it opens on July 12th. Will it be considered a new classic? Time will tell, but for me, this was a pretty dazzling piece of work.”
According to Deadline, the Maika Monroe/Nicolas Cage serial killer film set a record for the NEON studio with early Thursday preview showings, which pulled in almost $3 million at the box office. The studio’s biggest weekend opening to date, which belonged to another moody, atmospheric film, Immaculate with Sydney Sweeney, ran away with $5.3 million after Thursday previews didn’t even break the $1 million mark. Longlegs has to contend with lighter films like Inside Out 2 and the newly released comedy Fly Me to the Moon, and while the buzz is taking it far, the film that earns its R-rating certainly has an uphill battle to win the weekend.
As for Fly Me to the Moon, it’s actually an Apple Studios movie, and audiences are getting savvier over the fact that a movie like this will be streaming within weeks on AppleTV+. Those glorified streaming films don’t always pay off at the box office, with Argylle another recent flop.
Deadline also reports that Longlegs is staging an interesting promotional Friday night premiere stunt in New York as NEON partners with Alamo Drafthouse for a screening exclusively for teens without their parents and the chaperones will be dressed up as bloody nuns. The mysterious horror film is also a critical darling with Rotten Tomatoes showcasing a certified fresh 92% for the film.
The post Longlegs kills it with nearly $3 million in Thursday previews appeared first on JoBlo.
While it’s still eight months away from its theatrical release, Disney and Marvel have given us an early look at Captain America: Brave New World with a teaser trailer and poster promoting a fan-favourite character’s arrival. That character, of course, is Red Hulk, who, as most Marvel fans know, is actually Thaddeus ‘Thunderbolt’ Ross, played here by the great Harrison Ford (filling in for the late William Hurt).
In this outing, Ross has been elected president and is keen to bring the new Captain America, Anthony Mackie’s Sam Wilson, back into the government fold. However, it looks like their shaky alliance doesn’t last too long, with him foiling an attempt on the president’s life by his Falcon and the Winter Soldier ally Isaiah Bradley, played by Carl Lumbly (whose show – M.A.N.T.I.S we just did a Gone But Not Forgotten episode about).
The trailer largely consisted of footage Marvel’s Kevin Feige showed exhibitors at CinemaCon in Vegas this spring. In the presentation, he teased Brave New World as a smaller-scale Marvel film, in the vein of Captain America: The Winter Soldier, which remains a fan favourite. However, the film has seemingly had a major amount of reshoots, even for Marvel’s standards, with a lot riding on Mackie’s first solo outing as the new Cap.
However, one thing bound to excite fans is that Harrison Ford is going full-Hulk in the movie, something everyone expected but has only just now been confirmed. The movie also sees the return of several other MCU regulars, including Danny Ramirez as the new Falcon, Tim Blake Nelson as Samuel Sterns, aka The Leader, and Liv Tyler as Ross’s daughter, Betty.
The trailer also teases an action-packed new role for Giancarlo Esposito, although it’s too early to tell if he’s playing a good guy or a bad guy (or perhaps some mix of both).
Captain America: Brave New World is directed by Julius Onah, who previously helmed The Cloverfield Paradox and the acclaimed Sundance movie, Luce.
Here’s Marvel’s official synopsis:
After meeting with newly elected U.S. President Thaddeus Ross, played by Harrison Ford in his Marvel Cinematic Universe debut, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
Captain America: Brave New World hits theaters on February 14th, 2025. Check out the teaser poster below and let us know in the comments what you think of the trailer!
The post Captain America: Brave New World gets a teaser trailer and poster! appeared first on JoBlo.
We here at JoBlo.com love us some movie pooches. And while Dogpool probably wouldn’t be allowed anywhere near the Cannes Film Festival or considered for its coveted Palm Dog honor, she has won our hearts over as both Britain’s ugliest dog and the co-star of one of the most anticipated movies of the year.
Dogpool (real name Peggy) took to the red carpet at a sneak peek event of Deadpool & Wolverine alongside Ryan Reynolds and Hugh Jackman, basking in the glow of the glitz and glamor that comes with being a star. Ahead of the screening, Reynolds affectionately held the Chinese Crested/Pug mix and addressed the audience. “Guys, this is Peggy, AKA Mary Poppins, AKA Dogpool. Get a good look. Her nipples are the size of children’s fingers. She won ugliest dog in Britain but we’re not telling her that because she is a 10 in our hearts.”
On Dogpool’s distinct look, Reynolds added, “And that tongue by the way is real…And I have tasted it and I’m sorry about that. Yeah, she loves to lick, loves to just get right in there. She is really truly amazing.”
It has been a long journey to get this third Deadpool movie – the first officially part of the Marvel Cinematic Universe – to the big screen. Whether it was getting Hugh Jackman back on board after having sworn off the character or waiting out the SAG-AFTRA strike, the cast and crew had plenty of hurdles in the way to get where they are now. But when it finally does open on July 26th, Deadpool & Wolverine will no doubt be one of the biggest movies of the year. Right now it is projected to take in around $160 million on opening weekend, which would be a record for an R-rated movie.
If you’re wondering who won world’s ugliest dog in 2023, that honor went to Scooter, also a Chinese Crested. Also of note, both Ryan Reynolds and Hugh Jackman were previously both named People’s Sexiest Man Alive, which didn’t exactly help Dogpool’s case on the red carpet.
Will you be checking out Deadpool & Wolverine on opening weekend?
The post Dogpool aka Peggy steals show on Deadpool & Wolverine red carpet appeared first on JoBlo.
In the years since its release, Elf has become a Christmas classic, with many families making it a part of their annual holiday traditions. However, James Caan wasn’t sure Elf would work as he didn’t find Will Ferrell to be all that funny, at least at first.
While speaking on the Messy podcast (via IndieWire), Will Ferrell said the late James Caan wasn’t a fan of his performance in Elf during the production. “James Caan, may he rest in peace, we had such a good time working on that movie,” Ferrell said. “He would tease me. Christina, you know: I like to do bits but I’m not like ‘on’ all the time. In between set ups, [Caan] would be like, ‘I don’t get you. You’re not funny.’ And I’m like, ‘I know. I’m not Robin Williams.’ And he was like, ‘People ask me: ‘Is he funny?’ And I’m like, ‘No, he’s not funny.’” It was all with love but at the same time….“
It wasn’t until Caan saw the finished movie that he realized what Ferrell was doing. “And then we were walking out of the theater at the premiere, and we walk out together and I take it as the best compliment because it’s coming from James Caan,” Ferrell explained. “He was like, ‘I’ve got to tell you: I thought everything you were doing while we were filming was way too over the top. Now that I see it in the movie, it’s brilliant.’ But I love that the whole time, he’s not acting. He’s truly annoyed with me. He’s like, ‘Can this guy shut the fuck up? Jesus.’ I literally drove him crazy in that movie, just acting like that kid. But that was the funniest thing, him walking out of the theater and shaking his head and going ‘it’s brilliant.’“
As Elf was a massive success, there was obviously talk of a sequel, but Ferrell has previously said that he turned down a $29 million offer to star in Elf 2 as he didn’t believe in the rehashed script. “I would have had to promote the movie from an honest place, which would’ve been, like, ‘Oh no, it’s not good. I just couldn’t turn down that much money,’” Ferrell said. “And I thought, ‘Can I actually say those words? I don’t think I can, so I guess I can’t do the movie.’“
The post Will Ferrell says James Caan told him he wasn’t funny in Elf: “I literally drove him crazy” appeared first on JoBlo.
It’s been thirty-four years since the last Young Guns movie was released, and although the cast seems game to return for Young Guns 3, it hasn’t happened. While speaking on the Inside of You podcast hosted by Michael Rosenbaum, Lou Diamond Phillips dropped a few details about the long-awaited sequel and who is holding it up.
When asked if he would consider doing Young Guns 3, Phillips said, “Not only would I consider it, I said yes to it.” The actor explained that Emilio Estevez had written a “great script” in the last few years and had bumped the timeline forward “to put us at the age we are now.“
“Without giving too much away, those of us whose deaths were off-camera get to come back,” Phillips teased, adding that original writer John Fusco was onboard and Estevez was also going to direct it. The project actually got further ahead than you might think, with Estevez having done much of location scouting and putting together plenty of storyboards. So, what happened? Phillips said that Morgan Creek has “put the kibosh on it for the time being.“
Phillips continued, “For some reason, Morgan Creek would like to control the property, but as far as I know, they’re not doing anything with it, so it just seems really counterproductive to me.” Morgan Creek had announced a reboot of Young Guns in 2017, but as Phillips said, they haven’t done a heck of a lot with it. I’d say let the original cast return for Young Guns 3 before it gets too late.
Estevez spoke about the potential sequel last year. “It all comes down to the legal minds that work out IP. Listen, I’m ready to go. We have a terrific draft and if we can figure out the copyrights on all of this, and if Morgan Creek can sort of untangle from some of the issues that they’ve got in terms of continuing the franchise, we’re ready to go,” Estevez said. “So it’s just a question of when. Of course, I’m not getting any younger, so I think we’ll drop the ‘young’ from the title, which we’ve done. But I think that Westerns being revived certainly plays to our benefit.“
The first Young Guns movie follows a group of young gunmen, led by Billy the Kid, who become deputies to avenge the murder of the rancher who became their benefactor. Emilio Estevez played Billy the Kid, with Lou Diamond Phillips as Jose Chavez y Chavez, Kiefer Sutherland as Josiah Gordon “Doc” Scurlock, Charlie Sheen as Richard “Dick” Brewer, Dermot Mulroney as “Dirty” Steve Stephens, and Casey Siemaszko as Charlie Bowdre.
The post Young Guns 3: Lou Diamond Phillips on who is holding up the sequel appeared first on JoBlo.