Month: August 2024

Plot: Caught between the future and this past is a soldier sent back in time to change the fate of humanity. She arrives in 1997 to protect a scientist named Malcolm Lee who works to launch a new AI system designed to compete with Skynet’s impending attack on humanity. As Malcolm navigates the moral complexities of his creation, he is hunted by an unrelenting assassin from the future which forever alters the fate of his three children.

Review: To say the Terminator franchise has become convoluted would be an understatement. After the third film, Rise of the Machines, we have gotten a television series and three distinct feature film sequels that have altered the timeline presented in the original trilogy. Both Genisys and Dark Fate were box office failures, but they all closed the door for Arnold Schwarzenegger and Linda Hamilton to ever be involved in the series again. While James Cameron toys with a reboot of the series he began back in 1984, Skydance has partnered with animation studio Production I.G. for the first entry in the Terminator saga that is not only free of John and Sarah Connor but is not even set in the United States. Hailing from director Masashi Kudo (Bleach), Terminator Zero is a fresh perspective on the dystopian time travel series that takes the franchise back to the original films through the lens of Japanese anime.

Terminator Zero is set in 1997, which fans of the original film know is the year that Judgement Day occurred. In the first two feature films, John Connor sent protection for his mother from 2029 to 1984 and 1995, respectively. In this series, the time travel originates in 2022, where Eiko (Sonoya Mizuno) is sent by The Prophet (Ann Dowd) to stop scientist Malcolm Lee (Andre Holland) from bringing his version of Skynet online. The AI computer here is called Kokoro (Rosario Dawson), and while there are connections and parallels to Skynet, the existence of Kokoro is very different than what we have seen in the Terminator series previously. As Malcolm tries to ration with Kokoro to prevent Judgement Day, Eiko crosses paths with Malcolm’s children and their babysitter who are being pursued by the Terminator (Timothy Olyphant) sent back to kill him. Set over a short period of time, Terminator Zero unravels new elements and ideas never before explored in the saga.

The eight episodes of Terminator Zero open with an intense sequence that introduces the latest iteration of the T-800 and the resistance fighters opposing the machines. The story slows down significantly as we meet Malcolm Lee and his children and their babysitter, Misaki, and learn of the trauma that led to their current situation. It takes almost three episodes before the momentum returns, finally finding its stride in the fourth episode. On its own, the fourth episode is good enough to rival any of the Terminator film sequels. Chock is full of plot twists and unique takes on the established elements of the franchise. I found the second half of the series to be much more entertaining than the first, with the anime style working well with the subject matter. The shift to Japan is a refreshing change from the movies and could lead to this Terminator getting unique entries similar to how Prey helped refresh the Predator.

It also helps that the series sticks to the familiar formula of time-traveling resistance fighters returning to stop a Terminator from bringing about Judgement Day. While each sequel has tried to up the ante by making the android assassins more and more advanced or turning the resistance fighter into a machine or augmented human, Terminator Zero tries a different route, one you will have to watch the series to figure out. I also found most of the voice cast good in their roles, except for Timothy Olyphant. While Olyphant is one of my favorite actors, he does not sound right for the character. This could also be due to the limited dialogue this Terminator has in the series. Andre Holland and Rosario Dawson are the most recognizable throughout the series but still manage to transform themselves into their respective characters. Sonoya Mizuno is good as the resistance fighter, Eiko. Still, fans will be impressed by the actors portraying Mizaki and Malcolm Lee’s children, who get most of the screen time in this series.

While none of the creative talent from prior Terminator films or series had direct involvement with Terminator Zero, the producers wisely chose to give creative control to Mattson Tomlin. Tomlin is an accomplished comic book writer currently working on The Batman Part II with Matt Reeves. He made his directorial debut with the film Mother/Android starring Chloe Grace Moretz, which has echoes of The Terminator. Tomlin is faithful to the franchise’s mythology while allowing this series to feature a unique voice and style thanks to the shift in setting. Director Masashi Kudo does not shy away from the mature content of the Terminator franchise and lets the blood flow in this violent and stylish series. All eight episodes are heavy on character development and action, keeping the momentum moving even if the story gets convoluted in places. Any time you deal with time travel, you need to manage continuity, and Terminator Zero does the best it can not to get bogged down in circular logic and plot holes, but that does not mean it isn’t confusing.

While fitting the new details revealed in Terminator Zero within the continuity and canon of the overall franchise is still tricky, this is the first addition to the series that works just as well as the first two films. I have enjoyed most of the Terminator sequels, especially Dark Fate, but all have tried the “bigger is better” approach rather than rooting themselves in a solid story. Terminator Zero is the best story we have seen since Terminator 2, and had it been made as a live-action film, it would have blown fans away. This series invests in the look and style of Japanese animation but balances that with the storytelling we have come to expect from American blockbusters. This is a good series that I hope non-anime fans will give a shot as it has some wild moments in the second half despite a slow start.

Terminator Zero premieres on August 29th on Netflix.


Terminator

GOOD

7

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Deadpool & Wolverine, stunts

The Academy of Motion Picture Arts and Sciences has been under pressure to include a new stunt category at the Oscars for years, but it hasn’t happened yet. In a social media post, Deadpool & Wolverine star Ryan Reynolds praised the movie’s stunt team and added his voice to those who want to see an Oscar category for stunts.

Stunt work doesn’t have a category at The Oscars and I hope that’ll change someday,” Reynolds wrote. “So many films have smashed it this year. Buster Keaton, Harold Lloyd and Chaplin were stunt performers as well as filmmakers. Telling stories with their entire bodies. This D&W stunt team over-delivered. A lot of them are friends I’ve worked with for years and I’ll spend the rest of my days doodling their names in my Heidi Stationary, dotting all the ‘i’s’ with little hearts.

Reynolds continued, “I’ve worked with Alex Kyshkovych since the very first [Deadpool]. He not only doubles me — he’s the Fight Coordinator. I’d take a sledgehammer to the face for Alex. Or rather, I’d ask Alex to take a sledgehammer to the face for Alex. Second Unit Director/Supervising Stunt Coordinator, George Cottle is a HUGE GET. You’ve seen his genius in Spider-Man NWH along with a ton of other gems. His skill is world class and he made the entire film better. I’d let Alex to take a rusty fork to the eye for George.

The actor added that although it’s “mind-boggling” how much stunt work Hugh Jackman does himself, Daniel Stevens is the one who steps in for the “truly dangerous stuff.” Reynolds said, “If you’d like to see The Academy recognize the amazing work of stunt teams ACROSS THE ENTIRE INDUSTRY, let them know!

Earlier this summer, Academy CEO Bill Kramer said, “We’re talking to members of the stunt community who are Academy members about the possibility of that. We added a new award that will launch in two years for Casting Directors, so we’re always open to those discussions.” I’m certain there will be a stunt category at the Oscars. It’s just a question of when it will finally happen.

Taking place six years after the events of the last movie, Deadpool & Wolverine finds Wade Wilson (Ryan Reynolds) toiling away in civilian life with his days as Deadpool behind him. But when his homeworld faces an existential threat, he must suit up once again and convince a reluctant Wolverine (Hugh Jackman) to help save his universe. In addition to Reynolds and Jackman, the cast also includes Matthew Macfadyen, Emma Corrin, Morena Baccarin, Leslie Uggams, Karan Soni, Brianna Hildebrand, Shioli Kutsuna, Rob Delany, Stefan Kapičić, and more.

Our own Chris Bumbray had a lot of fun with Deadpool & Wolverine, which sounds like a real crowd-pleaser. “Have you ever been to a concert and wished that your favourite band would stop playing their not-as-good new stuff and play the hits? That’s exactly what Marvel is doing with Deadpool & Wolverine,” Bumbray wrote in his review. “After a rough run of movies, with many saying their Phase 5 has been disastrous, this feels like an everything but the kitchen-sink attempt by the company to win back those fans who feel alienated by the new direction the company seemed to be heading in. With this, you have a rock ‘em, sock ‘em thrill ride that delivers fans exactly the movie they wanted to see, with nary a message to be found amidst all the charred, sliced and diced corpses our heroes leave in their wake. It’s glorious fun.” You can check out the rest of Bumbray’s spoiler-free review right here, and don’t forget to let us know what you think of Deadpool & Wolverine as well!

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Francis Ford Coppola, Letterboxd

Megalopolis director Francis Ford Coppola has joined Letterboxd, the social cataloguing service where members can rate and review films and keep track of what they’ve watched. I’m a little addicted. Coppola has shared a list of twenty films that he would recommend to any cinephile or aspiring filmmaker, which you can check out below.

  • French Cancan (Jean Renoir)
  • The Bad Sleep Well (Akira Kurosawa)
  • The Bitter Tea of General Yen (Frank Capra)
  • Shanghai Express (Josef von Sternberg)
  • The Awful Truth (Leo McCarey)
  • The Ladies Man (Jerry Lewis)
  • The Burmese Harp (Kon Ichikawa)
  • Tokyo Story (Yasujirō Ozu)
  • The Last Laugh (F.W. Murnau)
  • The Blue Angel (Josef von Sternberg)
  • Splendor in the Grass (Elia Kazan)
  • Punch Drunk Love (Paul Thomas Anderson)
  • Empire of the Sun (Steven Spielberg)
  • Sunrise (F.W. Murnau)
  • Joyless Street (G.W. Pabst)
  • A Place in the Sun (George Stevens)
  • The King of Comedy (Martin Scorsese)
  • After Hours (Margin Scorsese)
  • Ashes and Diamonds (Andrzej Wajda)
  • Invitation to the Dance (Gene Kelly)

Here is list of films that I enjoy and recommend to any fan of cinema or aspiring filmmaker,” Coppola wrote in his introduction to the Letterboxd list. “This list is NOT complete as there are so many – the list is exhausting and goes on and on. I am thankful to Letterboxd for providing such a platform for me to share these meaningful films, show appreciation to the pictures that inspired me!” How many of these Coppola recommended films have you seen?

A new trailer for Megalopolis was released last week, but it was pulled just hours later when it became apparent that the quotes from negative reviews of Coppola’s previous movies, such as The Godfather, Apocalypse Now, and Bram Stoker’s Dracula, had been faked. “Lionsgate is immediately recalling our trailer for Megalopolis,” said a Lionsgate spokesperson. “We offer our sincere apologies to the critics involved and to Francis Ford Coppola and American Zoetrope for this inexcusable error in our vetting process. We screwed up. We are sorry.

The official synopsis for Megalopolis reads: “Megalopolis is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina, a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero, who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.” The film is currently slated to hit theaters on September 27th.

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The Fantastic Four: First Steps, The Thing, set video

A video from the set of The Fantastic Four: First Steps has given us our first look at The Thing. Based on the video, the character looks pretty damn close to The Thing we know and love, heavy brow and all. It would also appear that there’s actually someone inside the suit. Check out the set video below!

Michael Chiklis wore a practical suit as The Thing in Fantastic Four and Fantastic Four: Rise of the Silver Surfer, while Jamie Bell went the mo-cap route for a digital Thing in the 2015 reboot. Ebon Moss-Bachrach, who will be playing Ben Grimm aka The Thing in the new movie, has previously confirmed that this new incarnation of the character will be done through motion capture. “In the past, I think they’ve done a suit. Michael Chiklis wore a suit that apparently was really uncomfortable, and it’s kind of… we’re past that,” Moss-Bachrach said on Jimmy Kimmel Live earlier this year. “It’s a little kind of cosplay, kind of amateur that kind of stuff now with the technology we have.

I suspect that the practical Thing suit seen in this Fantastic Four: First Steps set video is meant to be a stand-in and reference for other actors in the scene and visual effects artists.

The film stars Pedro Pascal as Reed Richards, aka Mr. Fantastic; Vanessa Kirby as Sue Storm, aka the Invisible Woman; Joseph Quinn as Johnny Storm, aka the Human Torch, Ebon Moss-Bachrach as Ben Grimm, aka The Thing, and Julia Garner as the Shalla-Bal version of the Silver Surfer. Additionally, the great Ralph Ineson will play Galactus, the Devourer of Worlds. Paul Walter Hauser, John Malkovich, and Natasha Lyonne have also joined the cast in undisclosed roles.

The Fantastic Four: First Steps will launch Phase Six of the Marvel Cinematic Universe and is being directed by Matt Shakman (WandaVision) from a script by Eric Pearson, Josh Friedman, Jeff Kaplan, and Ian Springer. Shakman has teased that the movie will be unlike anything we’ve seen from Marvel so far. “It’s different in so many ways,” Shakman said. “I wish I could be specific. I wish I could say more. But we are doing things very differently from a story standpoint, from an approach to the filmmaking standpoint, that really fits the material. I wish I could say more. I would love to, but I can’t. But I think it’s going to be unlike anything you’ve seen before, and certainly unlike anything at Marvel that you’ve seen before.

The official title of the film was unveiled at San Diego Comic-Con last month, as was a short teaser trailer that concluded with a glimpse of Galactus himself. Shakman confirmed that the film is set in an alternate 1960s inspired by famed concept artist Syd Mead. “We’re not just doing the ’60s, we’re doing retro-future ’60s,” Shakman said. “It’s part what you know from the ’60s, but part what you’ve never seen before.The Fantastic Four: First Steps will hit theaters on July 25, 2025.

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Sigourney Weaver, The Mandalorian & Grogu

It was reported earlier this year that Sigourney Weaver was in talks to join The Mandalorian & Grogu, which would continue her domination of the science fiction genre. While speaking with Deadline, Weaver confirmed that the Star Wars film is her next project and teased she actually got to meet Grogu.

I’m playing a role in The Mandalorian & Grogu [which will be directed by Jon Favreau],” Weaver said. “I got to meet Grogu for the first time the other day. I’m filming that before I go to London for The Tempest at the end of the year.” There’s no word on who Weaver will be playing in The Mandalorian & Grogu, but she’s always a fine addition to any project, so I’m pumped to see her join the Star Wars universe.

The Mandalorian & Grogu is currently in production under the direction of Jon Favreau. He will also produce alongside Kathleen Kennedy and Dave Filoni. “I have loved telling stories set in the rich world that George Lucas created,” Favreau said. “The prospect of bringing the Mandalorian and his apprentice Grogu to the big screen is extremely exciting.” Kathleen Kennedy added, “Jon Favreau and Dave Filoni have ushered into Star Wars two new and beloved characters, and this new story is a perfect fit for the big screen.” Aside from Pedro Pascal as the titular Mandalorian, Sigourney Weaver is the only other confirmed member of the cast thus far.

In addition to The Mandalorian movie, we’ve also got Sharmeen Obaid-Chinoy’s post-Rise of Skywalker film about Rey (Daisy Ridley) rebuilding the Jedi Order. Dave Filoni is also developing a New Republic movie, which will tie together the stories featured in The Mandalorian, Ahsoka, and The Book of Boba Fett.

There will also be a project directed by James Mangold (Indiana Jones and the Dial of Destiny) that takes place 25,000 years before the Skywalker Saga and explores the first Jedi and the discovery of the Force. “It was something that Jim [Mangold] immediately sparked to, and I think it’s a really nice compliment to what we’re doing with moving into the future with Rey, and then understanding a bit more of where this all came from,” Kennedy explained. “Because it will be at the heart of creating the new Jedi Order, so to get a real sense of where that might have began with the dawn of the Jedi could be pretty cool.

The Mandalorian & Grogu will be released in theaters on May 22, 2026.

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Last year, we heard that WolfCop and Another WolfCop director Lowell Dean was heading into production on a post-apocalyptic film called Die Alone, with Frank Grillo (The Purge: Anarchy), Carrie-Anne Moss (the Matrix franchise), and Douglas Smith (Don’t Worry Darling) in the lead roles. That movie is now ready to make its way out into the world, with Quiver Distribution planning to give it a theatrical, digital, and VOD release on October 18th – and today, a trailer for the film has arrived online! You can check it out in the embed above.

Scripted by Dean, Die Alone is “set in a future where society collapses following a catastrophic pandemic” and follows Ethan (Smith), a young man with amnesia, who bands together with Mae (Moss), a rugged survivalist. Under siege from the zombie-like monsters created by the outbreak, Ethan must use Mae’s survival skills to find his missing girlfriend, before a fateful encounter with Kai (Grillo) unravels a secret that lies just beyond his fractured memory. Here’s another synopsis: Lost in a world reclaimed by nature and overrun by mysterious creatures, a young man with amnesia teams up with an eccentric survivalist to find his missing girlfriend. Kimberly-Sue Murray (The Lizzie Borden Chronicles) is also in the cast.

Kevin DeWalt, Danielle Masters, and Benjamin DeWalt of Minds Eye Entertainment produced Die Alone while Archstone’s Scott Martin, Michael Slifkin, and Jack Sheehan serve as executive producers.

In addition to the WolfCop movies, Dean has also directed the horror movie 13 Eerie and the sci-fi action movie SuperGrid. He contributed to the anthology film I Heart Regina and has also directed episodes of the shows Opie’s Home, Keeping Canada Alive, Dust Up, and Blood, Lies and Alibis. I’m not all that familiar with Dean’s work, but that’s fine because I was already sold on this project as soon as I saw that Frank Grillo was going to be in the cast. Mix Grillo in with “zombie-like monsters” and I have been looking forward to watching Die Alone ever since I first heard about it fifteen months ago.

What did you think of the Die Alone trailer? Will you be watching this movie in October? Let us know by leaving a comment below – and while you’re at it, if you do want to see the movie, let us know if you intend to catch it during its theatrical run or watch it on digital or VOD.

Die Alone

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