One of the pricier video game controllers on the market just got even more expensive. Sony has stealthily raised the price of the PlayStation 5 DualSense, the latest example of how it keeps getting more expensive to upgrade this console generation ahead of what many are expecting to be a PS5 Pro reveal later in…
One of the pricier video game controllers on the market just got even more expensive. Sony has stealthily raised the price of the PlayStation 5 DualSense, the latest example of how it keeps getting more expensive to upgrade this console generation ahead of what many are expecting to be a PS5 Pro reveal later in…
PLOT: Two Mormons (Chloe East and Sophie Thatcher) on a mission knock on the wrong door and find themselves fighting for their lives, faith, and sanity.
REVIEW: Heretic is the latest horror flick from A24, and like many of their genre efforts, it’s a provocative one. Questions of theology and faith are always timely, and much of this diabolical and impressively harsh horror film deals with whether or not – in the face of great conflict – you can maintain your faith or be swayed by both the desire to save your own life and the evidence you’re being presented with.
In this, Sister Paxton (Chloe East) and Sister Barnes (Sophie Thatcher) are young Mormons fulfilling their duties as missionaries by essentially going door-to-door to try to convert people to their faith. Neither is a particular stickler for Mormon theology, with the movie opening with them discussing pornography and condoms, and neither is so naive that they don’t know that many of the people they’re approaching will raise an eyebrow at them.
Of the two, East’s Paxton is younger and more impressionable, while the slightly older Barnes is somewhat more street-smart. Both are excellent, with Thatcher emerging as a future scream queen between this, The Boogeyman, and Yellowjackets. East, who made a big impression in Steven Spielberg’s The Fabelmans, is as delightful as the sunny, optimistic Paxton, having the same manner and vibe Amy Adams did in some of her earlier work, like Junebug.
However, the movie is dominated by Hugh Grant in his first foray into horror. As the initially affable Mr. Reed, he lures the two girls out of a storm by promising them blueberry pie and tells them he has a wife so that the two, who aren’t allowed to be alone with a man, will be more comfortable. His initially friendly questions about Mormonism turn into a more existential debate about philosophy, only for his manner to darken as the girls realize they are his prisoners and may not be able to escape with their lives.
It’s certainly a far cry from the stammering rom-com roles that made him such a heartthrob, but in recent years, Grant has excelled at playing darker characters. However, none have been as hardcore as this one, and at times, he reminded me of a great British character actor from the 60s, 70s, and 80s who used to excel in genre roles like this – Patrick McGoohan (Scanners and The Prisoner). He radiates fiendishly clever intelligence, and he’s given a sadistic streak I didn’t see coming, which feels bold for a mainstream horror flick.
This comes from Scott Beck and Bryan Woods, who are most famous for writing A Quiet Place. Their scripts always have a great hook, and Heretic has one that I won’t spoil here. An interesting thing about this is how limited the locations are, and the movie could almost be adapted as a stage play, albeit a particularly gruesome and scary one.
While their last directorial effort, 65, wasn’t a big success, their work here is nonetheless confident, with good cinematography and a good soundtrack that includes memorable use of The Hollies’ “The Air I Breathe” and Radiohead’s “Creep.” Yet, it’s the script and performances that make Heretic a fun horror romp, even if, at close to two hours, it feels like it’s spinning its wheels a bit too much and maybe (occasionally) gets a little too clever for its own good.
Heretic should be another solid horror hit for A24, with the provocative concept likely to inspire a lot of talk among the growing A24 cult. I thoroughly enjoyed catching it at TIFF, and I hope Hugh Grant keeps taking on darker roles. They really suit him.
The second night of the Creative Arts Emmys commenced Sunday night. The FX series Shōgun would prove to be the awards darling of the night by taking home an incredible number of awards for categories that include Guest Actor, Costumes, Makeup, Hairstyling, Stunts, Production Design, Visual Effects and more. The historical drama snagged a total of 14 Emmys over the course of both nights and leads in wins.
Another popular FX series, The Bear, would have its own run of wins as the intense cooking show took home statues for casting, picture editing, sound mixing and guest stars Jon Bernthal, as well as Jamie Lee Curtis, who also served as the opening emcee for the ceremony, which was held at the Peacock Theater. The Bear has not been able to catch up to Shōgun, but the show has, so far, collected seven wins, which is just one more than the leader for Night 1, Saturday Night Live.
FX is the big network winner as it tops all the other distributors with a whopping 27 in the two days of the event. The streaming giant, Netflix, would follow with 18 wins across both nights. And Apple TV+ would follow up behind with 15 wins. Deadline has the full comprehensive list of both nights. You can view the complete list of the second night below:
Night 2 Winners List
Guest Actor in a Drama Series Shōgun (FX) Anjin NÉSTOR CARBONELL as Rodrigues
Choreography for Scripted Programming The Idol (HBO | Max) Routines: Rehearsal / Music Video Shoot / Dollhouse NINA MCNEELY, Choreographer
Casting for a Limited or Anthology Series or Movie Baby Reindeer(Netflix) NINA GOLD, Casting By MARTIN WARE, Casting By
Casting for a Comedy Series The Bear (FX) JEANIE BACHARACH, CSA, Casting By MAGGIE BACHARACH, Casting By JENNIFER RUDNICKE, CSA, Location Casting MICKIE PASKAL, CSA, Location Casting AJ LINKS, CSA, Location Casting
Casting for a Drama Series Shōgun (FX) LAURA SCHIFF, CSA, Casting By CARRIE AUDINO, CSA, Casting By KEI KAWAMURA, CSA, Location Casting MAUREEN WEBB, CSA, Location Casting COLLEEN BOLTON, Location Casting
Fantasy/Sci-Fi Costumes Ahsoka (Disney+) Part Eight: The Jedi, The Witch, And The Warlord SHAWNA TRPCIC, Costume Designer ELISSA ALCALA, Assistant Costume Designer DEVON PATTERSON, Costume Supervisor
Period Costumes for a Limited or Anthology Series Or Movie Feud: Capote vs. The Swans (FX) Pilot LOU EYRICH, Costume Designer LEAH KATZNELSON, Costume Designer EMILY O’CONNOR, Assistant Costume Designer LAURA MCCARTHY, Costume Supervisor HANNA SHEA, Assistant Costume Designer MIWA ISHII, Head Of Workroom
Period Costumes for a Series Shōgun (FX) Ladies Of The Willow World CARLOS ROSARIO, Costume Designer CAROLE GRIFFIN, Costume Supervisor KRISTEN BOND, Assistant Costume Designer KENICHI TANAKA, Assistant Costume Designer PAULA PLACHY, Assistant Costume Designer
Contemporary Costumes for a Limited or Anthology Series American Horror Story: Delicate (FX) The Auteur JACQUELINE DEMETERIO, Costume Designer JESSICA ZAVALA, Assistant Costume Designer JENNIFER SALIM, Assistant Costume Designer JOSE BANTULA, Costume Supervisor JILLIAN DAIDONE, Costume Supervisor
Contemporary Costumes for a Series The Crown (Netflix) Sleep, Dearie Sleep AMY ROBERTS, Costume Designer GILES GALE, Costume Supervisor SIDONIE ROBERTS, Associate Costume Designer
Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic) Shōgun (FX) The Abyss Of Life REBECCA LEE, Makeup Designer KRYSTAL DEVLIN, Key Makeup Artist AMBER TRUDEAU, Key Makeup Artist ANDREA ALCALA, 1st Makeup LESLIE GRAHAM, 1st Makeup KRISTA HANN, 1st Makeup MIKE FIELDS, 1st Makeup EMILY WALSH, 1st Makeup
Contemporary Makeup (Non-Prosthetic) The Morning Show (Apple TV+) Strict Scrutiny CINDY WILLIAMS, Department Head Makeup Artist LIZ VILLAMARIN, Key Makeup Artist ANGELA LEVIN, Personal Makeup Artist TRACEY LEVY, Personal Makeup Artist KEIKO WEDDING, Makeup Artist AMY SCHMIEDERER, Makeup Artist
Prosthetic Makeup Shōgun (FX) A Dream Of A Dream TOBY LINDALA, Special Makeup Effects Department Head BREE-ANNA LEHTO, Key Prosthetic Makeup Artist SUZIE KLIMACK, Special Makeup Effects Artist
Contemporary Hairstyling The Morning Show (Apple TV+) The Kármán Line NICOLE VENABLES, Department Head Hairstylist JENNIFER PETROVICH, Key Hairstylist JANINE THOMPSON, Personal Hairstylist LONA VIGI, Personal Hairstylist
Period or Fantasy/Sci-Fi Hairstyling Shōgun (FX) A Stick Of Time SANNA KAARINA SEPPANEN, Hair Designer MARIAH CRAWLEY, Key Hairstylist MADISON GILLESPIE, Key Hairstylist NAKRY KEO, Key Hairstylist JANIS BEKKERING, Key Hairstylist
Guest Actress in a Drama Series Mr. & Mrs. Smith (Apple TV+) Infidelity MICHAELA COEL as Bev
Stunt Performance Shōgun (FX) The Eightfold Fence HIROO MINAMI, Stunt Performer NOBUYUKI OBIKANE, Stunt Performer MARTIN COCHINGCO, Stunt Performer JOHNSON PHAN, Stunt Performer
Stunt Coordination for Comedy Programming The Gentlemen (Netflix) MARK MOTTRAM, Stunt Coordinator
Stunt Coordinator for Drama Programming Mr. & Mrs. Smith (Prime Video) STEPHEN POPE, Stunt Coordinator
Production Design For a Narrative Period or Fantasy Program(1 Hour or More) Shōgun (FX) Anjin HELEN JARVIS, Production Designer CHRIS BEACH, Art Director LISA LANCASTER, Set Decorator JONATHAN LANCASTER, Set Decorator
Production Design For a Narrative Contemporary Program (1 Hour or More) The Crown (Netflix) Sleep, Dearie Sleep MARTIN CHILDS, Production Designer MARK RAGGETT, Art Director ALISON HARVEY, Set Decorator
Production Design for a Narrative Program (Half-Hour) Only Murders in the Building (FX) Opening Night PATRICK HOWE, Production Designer CASEY SMITH, Art Director RICH MURRAY, Set Decorator
Picture Editing for a Multi-Camera Comedy Series How I Met Your Father (Hulu) Okay Fine, It’s A Hurricane RUSSELL GRIFFIN, ACE, Editor
Picture Editing for a Single-Camera Comedy Series The Bear (FX) Fishes JOANNA NAUGLE, ACE, Editor
Guest Actor in a Comedy Series The Bear (FX) Fishes JON BERNTHAL as Michael Berzatto
Guest Actress in a Comedy Series The Bear (FX) Fishes JAMIE LEE CURTIS as Donna Berzatto
Picture Editing for a Drama Series Shōgun (FX) A Dream Of A Dream MARIA GONZALES, Editor AIKA MIYAKE, Editor
Picture Editing for a Limited or Anthology Series or Movie Baby Reindeer (Netflix) Episode 4 PETER H. OLIVER, Editor BENJAMIN GERSTEIN, Editor
Special Visual Effects in a Single Episode Ripley (Netflix) III Sommerso JOHN BOWERS, Visual Effects Supervisor JASON TSANG, Visual Effects Supervisor JOSEPH SERVODIO, Visual Effects Producer MARICEL PAGULAYAN, Visual Effects Producer CHRISTOPHER WHITE, Visual Effects Supervisor LIBBY HAZELL, Visual Effects Producer FRANCOIS SUGNY, Visual Effects Sequence Supervisor GAIA BUSSOLATI, Visual Effects Supervisor PEPE VALENCIA, Visualization Supervisor
Special Visual Effects in a Season or a Movie Shōgun (FX) MICHAEL CLIETT, Overall Visual Effects Supervisor MELODY MEAD, Production Associate Visual Effects Producer JED GLASSFORD, Onset Visual Effects Supervisor CAMERON WALDBAUER, Special Effects Coordinator PHILIP ENGSTRÖM, Visual Effects Supervisor: ILP CHELSEA MIRUS, Visual Effects Production Manager: ILP ED BRUCE, Visual Effects Supervisor: SSVFX NICHOLAS MURPHY, Visual Effects Producer: SSVFX KYLE ROTTMAN, Visual Effects Supervisor: Refuge
Main Title Design Shōgun (FX) NADIA TZUO, Creative Director XIAOLIN ZENG, Designer ILYA TSELYUTIN, Designer ALEX SILVER, Animator LEE BUCKLEY, Animator EVAN LARIMORE, Animator
Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation The Bear (FX) Forks STEVE “MAJOR” GIAMMARIA, MPSE, Co-Supervising Sound Editor ANDREA BELLA, Co-Supervising Sound Editor EVAN BENJAMIN, Dialogue Editor JONATHAN FUHRER, Sound Effects Editor ANNIE TAYLOR, MPSE, Foley Editor JASON LINGLE, Music Editor JEFF LINGLE, Music Editor LESLIE BLOOME, MPSE, Foley Artist SHAUN BRENNAN, Foley Artist
Sound Editing for a Comedy or Drama Series (1 Hour) Shōgun (FX) Broken To The Fist BRIAN J ARMSTRONG, MPSE, Supervising Sound Editor BENJAMIN COOK, MPSE, Sound Designer JAMES GALLIVAN, Sound Designer JOHN CREED, MPSE, Dialogue Editor AYAKO YAMAUCHI, MPSE, ADR Editor MARK HAILSTONE, Sound Effects Editor KEN CAIN, Foley Editor MELISSA MUIK, Music Editor MATT SALIB, Foley Artist SANAA KELLEY, MPSE, Foley Artist
Sound Editing for a Limited or Anthology Series, Movie or Special Ripley (Netflix) III Sommerso LARRY ZIPF, Co-Supervising Sound Editor/ Sound Designer MICHAEL FEUSER, Co-Supervising Sound Editor MICHAEL MCMENOMY, Dialogue Editor LIDIA TAMPLENIZZA, Supervising ADR Editor DAVID FORSHEE, MPSE, Sound Effects Editor BILL R. DEAN, MPSE, Sound Effects Editor WYATT SPRAGUE, Sound Effects Editor ANGELO PALAZZO, MPSE, Sound Effects Editor MATT HAASCH, Supervising Foley Editor IGOR NIKOLIC, Foley Editor DAN FARKAS, MPSE, Music Editor BEN SCHOR, Music Editor JAY PECK, Foley Artist SANDRA FOX, Foley Artist
Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation The Bear (FX) Forks STEVE “MAJOR” GIAMMARIA, Re-Recording Mixer SCOTT D. SMITH, CAS, Production Mixer PATRICK CHRISTENSEN, ADR Mixer RYAN COLLISON, Foley Mixer
Sound Mixing for a Comedy or Drama Series (1 Hour) Shōgun (FX) Broken To The Fist STEVE PEDERSON, Re-Recording Mixer GREG P. RUSSELL, Re-Recording Mixer MICHAEL WILLIAMSON, CAS, Production Mixer TAKASHI AKAKU, ADR Mixer ARNO STEPHANIAN, Foley Mixer
Sound Mixing for a Limited or Anthology Series or Movie Masters of the Air (Apple TV+) Part Five MICHAEL MINKLER, CAS, Re-Recording Mixer DUNCAN MCRAE, Re-Recording Mixer TIM FRASER, Production Mixer THOR FIENBERG, Scoring Mixer
Performer in a Short Form Comedy or Drama Series The Eric Andre Show (Adult Swim) ERIC ANDRÉ as Eric André
Music Composition for a Series (Original Dramatic Score) Only Murders in the Building (FX) Sitzprobe SIDDHARTHA KHOSLA, Composer
Original Main Title Theme Music Palm Royale (Apple TV+) JEFF TOYNE, Composer
Original Music and Lyrics Only Murders in the Building (FX) Sitzprobe BENJ PASEK, Music & Lyrics JUSTIN PAUL, Music & Lyrics MARC SHAIMAN, Music & Lyrics SCOTT WITTMAN, Music & Lyrics
Music Supervision Fallout (Prime Video) The End TRYGGE TOVEN, Music Supervisor
Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score) Lessons in Chemistry (Apple TV+) Book Of Calvin CARLOS RAFAEL RIVERA, Composer
Cinematography for a Multi-Camera Series (Half-Hour) How I Met Your Father (Hulu) Okay Fine, It’s A Hurricane GARY BAUM, ASC, Director Of Photography
Cinematography for a Single-Camera Series (Half-Hour) The Bear (FX) Forks ANDREW WEHDE, Director Of Photography
Cinematography For a Series (1 Hour) Shōgun (FX) Crimson Sky SAM MCCURDY, ASC, BSC, Director Of Photography
Cinematography for a Limited or Anthology Series or Movie Ripley (Netflix) V Lucio ROBERT ELSWIT, ASC, Director of Photography
Television Movie Quiz Lady (Hulu) ALEX BROWN, Executive Producer ERIKA HAMPSON, Executive Producer WILL FERRELL, Produced By JESSICA ELBAUM, Produced By MAGGIE HASKINS, Produced By ITAY REISS, Produced By JEN D’ANGELO, Produced By AWKWAFINA, Produced By SANDRA OH, Produced By
The utterly wonderful Sony platformer Astro Bot has two main collectables in each level: bots and puzzle pieces. However, some levels contain something else: secret exits that can only be found by completing very specific tasks, or snooping around in some extremely hidden locations that you may have otherwise…
The utterly wonderful Sony platformer Astro Bot has two main collectables in each level: bots and puzzle pieces. However, some levels contain something else: secret exits that can only be found by completing very specific tasks, or snooping around in some extremely hidden locations that you may have otherwise…
While there is still a lot to find out about the next James Bond movie, we do know one thing: Edward Berger, the Oscar-winning filmmaker behind All Quiet on the Western Front has been hired to direct. Except, that’s not true at all, and Berger would really like you to stop saying it is.
Speaking with Deadline, Edward Berger made a plea for people and publications to quit saying he will be calling “Action!” for the next installment. “That’s an absolute rumor. There’s no truth to it whatsoever. I would be very grateful if you put out that fire.”
Edward Berger went on to praise the woman behind the James Bond franchise, also acknowledging he has trust that she’ll choose the right director when the time comes. “Barbara Broccoli is a wonderful producer. She will know what to do at the right time, and it’s her family legacy. It’s her job to protect this and whatever choice she’s going to make is going to be the right choice for the legacy of that genre.” Last year, Broccoli said that the journey to reinventing the character hadn’t yet begun.
It will likely be some time until we hear who will direct the 26th James Bond and no doubt Edward Berger won’t be the last name rumored to be in the director’s chair. In fact, Berger has just been the latest in the list of men attached to the project, as the likes of noted 007 fans Matthew Vaughn and Christopher Nolan have been part of the rumor mill. Vaughn probably got the espionage bug out of his system with Argylle, while Nolan, for his part, said it would “an amazing privilege” to land the prestigious gig.
The longest gap between Bond movies was six years, occurring twice: between License to Kill and GoldenEye and Spectre and No Time to Die. It has currently been three years since the release of that movie and we wouldn’t be surprised if it was another three until we get the next..
Would Edward Berger make a good fit for the Bond world? Who do you want to see behind the helm for Bond 26? Drop your dream pick in the comments section below.
Even if you’re not a fan of Soulslike games (and this game definitely is one!), Black Myth: Wukong is an exceptional action-RPG everyone should experience. Yeah, it’s challenging and, occasionally, unforgiving. But that’s part of its charm. It introduces you to unique characters from ancient Chinese mythology—an…
Even if you’re not a fan of Soulslike games (and this game definitely is one!), Black Myth: Wukong is an exceptional action-RPG everyone should experience. Yeah, it’s challenging and, occasionally, unforgiving. But that’s part of its charm. It introduces you to unique characters from ancient Chinese mythology—an…
By most accounts, Astro Bot, the incredible PlayStation 5 platformer that pays a loving tribute to Sony’s (spotty) gaming legacy, is a pretty straightforward game. Team Asobi has created an excellent experience that is able to communicate a lot without words or hand-holding. However, we do have some tips to hopefully…