Month: September 2024

Kevin Smith KillRoy Was Here

Two years have passed since Kevin Smith‘s horror anthology KillRoy Was Here made its way out into the world as an NFT – and to this day, the only people who have seen the movie are those who have either bought the NFT, been given access to one of the NFTs, or attended a special screening. Which means so few people have seen KillRoy Was Here, it could almost be described as Smith’s “lost movie.” Now, while speaking to Entertainment Weekly and promoting his new film The 4:30 Movie, Smith has revealed exactly how and why the movie became an NFT release.

Directed by Smith from a script he wrote with Andy McElfresh, KillRoy Was Here was made on a minuscule budget as a project with film students at the Ringling College of Art and Design in Sarasota, Florida. The movie is a throwback anthology horror film featuring a creature that kills evil adults at the behest of victimized kids. The creature at the heart of the story is KillRoy, inspired by the “Kilroy was here” graffiti that became popular during World War II, showing a long-nosed man peeking over a fence. In this case, KillRoy started out as a Florida man named Roy Huggins, who was a soldier in the Vietnam War, not World War II, and when he was captured by enemy soldiers he got loose, killed a whole lot of people, and cannibalized one of the corpses. He had to be locked up in a mental institution, and when the place caught on fire Roy was left to burn. Now he’s a supernatural being who stalks the Florida swamps, and his burns have left him looking a lot like that figure in the Kilroy graffiti. They say he has a psychic connection to kids, and if someone says his name three times he’ll show up with his machete and start hacking away at anyone who has wronged a child.

The cast includes Harley Quinn Smith, Jason Mewes, Chris Jericho, Betty Aberlin, Ralph Garman, Daisy McElfresh, and Justin Kucsulain.

Smith told Entertainment Weekly, “We made this movie KillRoy Was Here with the kids at the Ringling College of Art and Design. I wound up with possession of the movie. When it was all done, I had this movie; perfectly watchable, Creepshow type of movie. So I reached out to Shudder and I was like, ‘Hey man, you guys wanna run this? It’s a Kevin Smith original, kind of horror movie. 30 grand.’ That was it. Shudder was like, ‘This is terrible. This isn’t good enough for Shudder.’ Then our producer on the movie, David (Shapiro), he goes, ‘I met with this company, they are interested in buying a movie to release as an NFT. The first movie to release as an NFT, and what they wanna do is use it to showcase their blockchain technology.’ And I was like, ‘Oh, all right.’ Perhaps this is another version of indie film, this is a new playground to go play in. Company paid us over a million dollars. I made a million dollars off of this movie. ‘Not good enough for Shudder.’” Now, with that explanation, the whole NFT release strategy finally makes sense.

KillRoy Was Here may not meet up to Shudder’s standards, but here’s hoping more of Smith’s fans will have the chance to see the movie eventually.

Have you seen KillRoy Was Here? What do you think of the story behind the NFT release? Share your thoughts on this one by leaving a comment below.

The post Kevin Smith reveals how and why KillRoy Was Here became an NFT release appeared first on JoBlo.

Terminator, 4K

While James Cameron is a filmmaker with a passion for new technology, an eye for detail and a champion for film experience, the 4K remasters of his past films have drawn controversy over the methods and results of the transfers. As Aliens, Terminator 2: Judgement Day, The Abyss and True Lies finally get 4K releases, many have complained about the use of AI and digital smoothing methods that may have compromised the integrity of the picture. The next film of his to have a big Ultra High-Def release is his breakout hit — 1984’s The Terminator.

Earlier this year, the film celebrated its 40th anniversary and saw a limited screening in theaters, which we saw. Now, Blu-ray.com has revealed what the specs for the physical release 4K will entail. The release is due to arrive at retailers on November 5. And Warner Bros. Home Entertainment will additionally be releasing a special Limited Edition Steelbook 4K on the same date.

The description reads,
“Arnold Schwarzenegger stars as the most fierce and relentless killing machine ever to threaten the survival of mankind! An indestructible cyborg – a Terminator (Schwarzenegger) – is sent back in time to kill Sarah Connor (Linda Hamilton), the woman whose unborn son will become humanity’s only hope. This legendary sci-fi thriller from pioneering writer/director James Cameron, written with Gale Anne Hurd, fires an arsenal of action and heart-stopping suspense that never lets up!”

Special Features and Technical Specs:

Optional English SDH, Spanish, and French subtitles for the main feature

4K RESTORATION OF THE FILM

DOLBY VISION/HDR PRESENTATION OF THE FILM

DOLBY ATMOS AUDIO TRACK

Creating The Terminator: Visual Effects and Music

The Terminator: Closer to the Real Thing

Unstoppable Force: The Legacy of The Terminator

Seven Deleted Scenes

The post The Terminator 40th Anniversary 4K will also get a Limited Steelbook Edition as it reveals release details appeared first on JoBlo.

The Alien franchise is set to continue on the small screen with an “FX on Hulu” TV series called Alien: Earth, from Fargo creator Noah Hawley. The show began filming in Thailand last year, then had to halt production after a month due to the actors strike. Filming resumed earlier this year and wrapped a couple of months ago – and while speaking to Deadline while on the Emmys red carpet, Hawley promised that the show will have Xenomorph moments that are so scary, it will make viewers lock their doors.

One of the first things we heard about the Alien TV series – and one of the most surprising things about it – is that it will be set on Earth (thus the title), a couple of decades before the events of the first movie. FX chairman John Landgraf has said the show will take place “right near the end of this century.” According to Deadline, the setting puts it “a few years before Prometheus,” which Hawley has previously said he has chosen not to acknowledge. Hawley decided to set the show on Earth because “The alien stories are always trapped… Trapped in a prison, trapped in a space ship. I thought it would be interesting to open it up a little bit so that the stakes of ‘What happens if you can’t contain it?’ are more immediate.“ Variety noted that the Alien TV series will “explore the formation of the Weyland-Yutani Corporation and the race to create android life.”

Speaking with Deadline, Hawley said, “There’s something about seeing a Xenomorph in the wilds of Earth with your own eyes. That is truly chilling to think of it moving here among us, and so I can’t tell you under what circumstances you’ll see that, but you’ll see it — and you’re going to lock your door that night. What was really fun for me was to really engage with the creature, bring some of my own thoughts to the design while not touching the silhouette, because that’s sacrosanct. But some of the elements as we know, whatever the host is, informs what the final creature is. I just wanted to play around a little bit to make it as scary as it should be.

Alien: Earth has the following synopsis: When a mysterious space vessel crash-lands on Earth, a young woman (Sydney Chandler) and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet’s greatest threat.

Chandler’s Alien character is the meta-human Wendy, who has the body of an adult, but the brain and consciousness of a child. Her co-stars include Essie Davis (The Babadook) as Dame Silvia, Alex Lawther (The End of the F*cking World) as a soldier named CJ, Samuel Blenkin (Black Mirror) as a CEO named Boy Kavalier, Adarsh Gourav (The White Tiger) as a character named Slightly, Kit Young (Shadow and Bone) as a character called Tootles, and Timothy Olyphant (Justified) Kirsh, a synth who acts as a mentor and trainer for Wendy. Babou Ceesay (Guerrilla), Jonathan Ajayi (Wonder Woman 1984), Erana James (The Wilds), Lily Newmark (Sex Education), Diêm Camille (Washington Black), Adrian Edmondson (The Young Ones), Moe Bar-El (The Peripheral), and David Rysdahl (Fargo season 5) are in the cast as well, but no details have been revealed about their characters. Sandra Yi Sencindiver of Foundation will be playing “a senior member of the Weyland-Yutani Corporation” in multiple episodes, and her role could be expanded as the series continues.

Are you looking forward to being creeped out by the Xenomorph moments in Alien: Earth? Let us know by leaving a comment below.

The post Alien: Earth creator Noah Hawley promises the TV series will have scary Xenomorph moments appeared first on JoBlo.

The 2024 edition of TIFF (Toronto International Film Festival) is officially in the books, with it proving to be the biggest edition of the fest since back in 2019. You see, like many other festivals, TIFF was hard hit by a variety of things, including the pandemic, which made the 2020 a stay-at-home edition and the 2021 one a hybrid, while in 2022, folks were still somewhat wary of being at a festival in person. 2023 was almost a big year until the SAG-AFTRA/ WGA Strikes meant there was very little talent on the red carpet, greatly affecting their usual star-studded lineup.

However, this year TIFF seemed to be back and stronger than ever, with no shorter of star power and movies you’ll no doubt be hearing about in the months to come. While Mike Flanagan’s The Life of Chuck won the prestigious TIFF People’s Choice Award, now is the time for us here at JoBlo to give our own picks for the best of the fest (and check out all our reviews HERE)!

The Brutalist

Former actor turned director Brady Corbet has put himself in the higher echelon of working directors with The Brutalist, his 3.5-hour post-WWII epic shot in 70mm. It stars Adrien Brody in his best role since The Pianist. A24 picked this one up for theatrical distribution, and it seems like a sure-fire Oscar contender for Best Picture, Director, Actor (Brody), Supporting Actor (Guy Pearce), and Supporting Actress (Felicity Jones).

The Wild Robot

Our own Steve Seigh was lucky enough to attend the world premiere of this at the Roy Thompson Hall gala screening, and he hasn’t stopped raving about it since, with him saying that it’s the finest movie Dreamworks Animation has ever been involved in.

the apprentice

The Apprentice

This wasn’t an official part of the TIFF lineup, with it an eleventh-hour addition at a special private screening arranged for critics and “tastemakers.” I was lucky enough to attend for JoBlo, and found this to be a highly entertaining account of how Donald Trump (Sebastian Stan) rose to power in the seventies and eighties. Jeremy Strong is awards-worthy in his depiction of infamous Trump fixer Roy Cohn.

Saturday Night

This frenzied account of the chaotic ninety minutes just before the airing of the first-ever episode of Saturday Night Live ranks as director Jason Reitman’s best movie since Up in Air. Made by (and for) SNL super fans, the amazing young cast helped make this one of the most purely entertaining movies I saw at the festival this year. 

Conclave

Ralph Fiennes stars in this drama about a papal election in the Vatican and all the backstabbing done by seemingly pious men of God to achieve perhaps the most powerful position in the world. Fiennes is incredible as the driven Cardinal who, despite his own crisis of faith, is determined to make sure only the most worthy candidate becomes Pope.

The Substance

This wild body horror movie won TIFF’s Midnight Madness top prize, and I’m not a bit surprised. Despite a lengthy 150-minute running time, you likely won’t see a faster-paced, more effective (and gory) horror flick any time soon, with Demi Moore having the best role of her career as an aging starlet who makes a Faustian bargain to become young again.

Better Man

A unique biopic of the legendary UK pop star Robbie Williams. How unique is it? Well, Robbie Williams is actually played by a WETA-designed CGI chimpanzee. Sound crazy? It is, but what’s even crazier is how well the gimmick works with this one of the most entertaining biopics I’ve ever seen. 

The Order

The fact-based thriller, revolving around the rise of a right wing militia bent on domestic terrorism in the 1980s went under-the-radar a bit at TIFF. That’s too bad because Jude Law gives one of the best performances of his career as a heroic, determined FBI agent looking to take down the organization before it’s too late. 

Friendship

I Think You Should Leave star Tim Robinson makes his big-screen debut with his potential cult classic starring him as a suburbanite who develops the bro-crush to end all bro-crushes on his new neighbour, played by the always great Paul Rudd. I haven’t laughed so hard during a movie in a long, long time. 

The Life of Chuck

While I don’t think Mike Flanagan’s Stephen King adaptation is quite the masterpiece some are saying it is, it’s still a very affectionate, sweet-natured movie, with this very much in line with the feel-good side of King’s work. This is much more like Stand By Me or The Shawshank Redemption than The Shining or Carrie

The post Our 10 Favorite Movies From The 2024 Toronto International Film Festival appeared first on JoBlo.

Only eight months after the last Emmy ceremony (which was delayed due to the strikes), the Primetime Emmy Awards are back, although there were some big surprises in store. Everyone (myself included) expected The Bear to own every category it was nominated in. While it did well, winning many big categories including Best Actor in a Comedy Series, Supporting Actor and Supporting Actress, it lost Best Comedy Series (and actress) to Hacks.

Netflix’s controversial limited series Baby Reindeer also cleaned up, nabbing awards for star and creator Richard Gadd plus co-star Jessica Gunning. But, FX was the evening’s big winner, with their epic series, Shogun, dominating the drama categories, with the great Hiroyuki Sanada winning the prize for Best Actor, and Anna Sawai taking Best Actress, alongside the show’s Best Drama win. It’s amazing to see how Shogun’s become an absolute phenomenon, with the show recently being reconfigured from a limited series to an ongoing drama (check out our preview of Season 2 here).

Here are all the winners:

Best Comedy Series

Abbott Elementary (ABC) 
The Bear (FX)
Curb Your Enthusiasm (HBO/Max)
Hacks (HBO/Max)
Only Murders in the Building (Hulu)
Palm Royale (Apple TV+)
Reservation Dogs (FX)
What We Do in the Shadows (FX)

Best Drama Series

The Crown (Netflix)
Fallout (Prime Video)
The Gilded Age (HBO)
The Morning Show (Apple TV+)
Mr. and Mrs. Smith (Prime Video)
Shogun (FX)
Slow Horses (Apple TV+)
3 Body Problem (Netflix)

Best Limited or Anthology Series

Baby Reindeer (Netflix)
Fargo (FX)
Lessons in Chemistry (Apple TV+)
Ripley (Netflix)
True Detective: Night Country (HBO)

Best Actor in a Comedy Series

Matt Berry (What We Do in the Shadows, FX)
Larry David (Curb Your Enthusiasm, HBO/Max)
Steve Martin (Only Murders in the Building, Hulu)
Martin Short (Only Murders in the Building, Hulu)
Jeremy Allen White (The Bear, FX)
D’Pharaoh Woon-A-Tai (Reservation Dogs, FX)

Best Actress in a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Ayo Edebiri (The Bear, FX)
Selena Gomez (Only Murders in the Building, Hulu) 
Maya Rudolph (Loot, Apple)
Jean Smart (Hacks, HBO/Max)
Kristen Wiig (Palm Royale, Apple) 

Best Actor in a Drama Series

Idris Elba (Hijack, Apple)
Donald Glover (Mr. and Mrs. Smith, Prime Video)
Walton Goggins (Fallout, Prime Video)
Gary Oldman (Slow Horses, Apple) 
Hiroyuki Sanada (Shogun, FX)
Dominic West (The Crown, Prime Video)

Best Actress in a Drama Series

Jennifer Aniston (The Morning Show, Apple)
Carrie Coon (The Gilded Age, HBO/Max)
Maya Erskine (Mr. and Mrs. Smith, Prime Video)
Anna Sawai (Shogun, FX) 
Imelda Staunton (The Crown, Netflix)
Reese Witherspoon (The Morning Show, Apple)

Best Actor in a Limited or Anthology Series or a Movie

Matt Bomer (Fellow Travelers, Showtime)
Richard Gadd (Baby Reindeer, Netflix)
Jon Hamm (Fargo, FX)
Tom Hollander (Feud: Capote vs. the Swans, FX)
Andrew Scott (Ripley, Netflix)

Best Actress in a Limited or Anthology Series or a Movie

Jodie Foster (True Detective: Night Country, HBO/Max)
Brie Larson (Lessons in Chemistry, Apple) 
Juno Temple (Fargo, FX)
Sofía Vergara (Griselda, Netflix) 
Naomi Watts (Feud: Capote vs. the Swans, FX)

Best Supporting Actor in a Comedy Series 

Lionel Boyce (The Bear, FX)
Paul W. Downs (Hacks, HBO/Max)
Ebon Moss-Bachrach (The Bear, FX)
Paul Rudd (Only Murders in the Building, Hulu)
Tyler James Williams (Abbott Elementary, ABC)
Bowen Yang (Saturday Night Live, NBC)

Best Supporting Actress in a Comedy Series 

Carol Burnett (Palm Royale, Apple TV+)
Liza Colón-Zayas (The Bear, FX)
Hannah Einbinder (Hacks, HBO/Max)
Janelle James (Abbott Elementary, ABC)
Sheryl Lee Ralph (Abbott Elementary, ABC)
Meryl Streep (Only Murders in the Building, Hulu)

Best Supporting Actor in a Limited or Anthology Series or Movie

Jonathan Bailey (Fellow Travelers, Showtime)
Robert Downey Jr. (The Sympathizer, HBO/Max)
Tom Goodman-Hill (Baby Reindeer, Netflix)
John Hawkes (True Detective: Night Country, HBO/Max)
Lamorne Morris (Fargo, FX)
Lewis Pullman (Lessons in Chemistry, Apple TV+)
Treat Williams (Feud: Capote vs. the Swans, FX)

Best Supporting Actress in a Limited or Anthology Series or Movie

Dakota Fanning (Ripley, Netflix)
Lily Gladstone (Under the Bridge, Hulu)
Jessica Gunning (Baby Reindeer, Netflix)
Aja Naomi King (Lessons in Chemistry, Apple TV+)
Diane Lane (Feud: Capote vs. the Swans, FX)
Nava Mau (Baby Reindeer, Netflix)
Kali Reis (True Detective: Night Country, HBO/Max)

Best Supporting Actress in a Drama Series

Christine Baranski (The Gilded Age, HBO/Max)
Nicole Beharie (The Morning Show, Apple TV+)
Elizabeth Debicki (The Crown, Netflix)
Greta Lee (The Morning Show, Apple TV+)
Lesley Manville (The Crown, Netflix)
Karen Pittman (The Morning Show, Apple TV+)
Holland Taylor (The Morning Show, Apple TV+)

Best Supporting Actor in a Drama Series

Tadanobu Asano (Shogun, FX)
Billy Crudup (The Morning Show, Apple TV+)
Mark Duplass (The Morning Show, Apple TV+)
Jon Hamm (The Morning Show, Apple TV+)
Takehiro Hira (Shogun, FX)
Jack Lowden (Slow Horses, Apple TV+)
Jonathan Pryce (The Crown, Netflix)

Best Talk Series

The Daily Show (Comedy Central)
Jimmy Kimmel Live! (ABC)
Late Night With Seth Meyers (NBC)
The Late Show With Stephen Colbert (CBS)

Best Reality Competition Series

The Amazing Race (CBS)
RuPaul’s Drag Race (MTV)
Top Chef (Bravo)
The Traitors (Peacock)
The Voice (NBC)

Any of the Emmy wins surprise you? Let us know in the comments!

The post The 2024 Primetime Emmy Awards: Shogun and Baby Reindeer win big, but The Bear loses Best Comedy Series to Hacks appeared first on JoBlo.

goonies sequel

Sometimes you just have to let sleeping dogs – or One-Eyed Willy – lie. Next year, The Goonies will be celebrating its 40th anniversary. But don’t expect a sequel to The Goonies, as one is neither in development nor being considered, according to two cast members from the original 1985 movie.

Word about a sequel to The Goonies has been swirling about the rumor mill this past week, but both Corey Feldman (“Mouth”) and Martha Plimpton (Andy’s best friend Stef) have sent those misconceptions to walk the plank. As Plimpton wrote on Instagram, “People, there is no Goonies 2 script, there is no one ‘attached’, Spielberg is not directing, it’s not real,” before encouraging people to vote. Feldman (who has been against the idea since Richard Donner’s death), meanwhile, posted on X earlier in the week, “2’SDAY, IS #GOONIES2 REAL?! EVERY1 IS ASKING…I CAN OFFICIALLY TELL U 100% NO! I HAV NO INFO THAT A SEQUEL IS IN THE WORX,” before encouraging people to see a movie of his that is 20 years old.

But Sean Astin (Mikey) has done absolutely nothing to stop fans from getting their hopes up about a Goonies sequel, retweeting a mock poster for a follow-up called Goonies Are Good Enough purported to be directed by Steven Spielberg and writing, “It’s our time. C’mon, Steven…”

We all know that nostalgia is all the rage, but 40 years later, is a sequel to The Goonies necessary or just something to work that little itch? You could easily generate a plot where Mikey has to save his own home from foreclosure while the kids of the original Goonies get into adventures to help…but if I can come up with that on the fly while writing, then it’s probably not worth making it into a movie. And anyway, we’ve seen how legacy sequels have gone with the Ghostbusters movies…

Just to play along, here’s my plot idea for a Goonies sequel: the original Goonies cast has to work together to keep pesky fans of the original off of the property of the famous Astoria, Oregon house. The twist is that they can’t help but adopt their characters’ personas, so there will still be plenty of mothermouthing, boobytrapping and truffle shuffling. C’mon, Steven…

What are your thoughts on a sequel to The Goonies? Could it ever be good enough or is it just too late?

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