Month: October 2024

Dan Stevens, Onslaught, Adam Wingard

THR reports that Dan Stevens is set to reunite with Adam Wingard on the director’s upcoming action thriller, Onslaught. Stevens starred in The Guest and also appeared in Godzilla x Kong: The New Empire.

Adria Arjona is starring in Onslaught, which is being described as a “gonzo action horror thriller.” Plot details have been kept tightly under wraps, but previous reports have stated that Arjona will play “a mother who falls back on a particular set of skills in order to protect her loved ones after she runs afoul of a threat that has escaped a secret military base.” Stevens will have more of a supporting role in the film as a German scientist who is working on the experiments that escape.

It was announced last week that UFC Light Heavyweight Champion Alex “Poatan” Pereira would be playing a character known as The Butcher, who is said to be the villain of the movie. Production is slated to kick off in New Mexico next month.

Onslaught will be something of a return to his roots for Wingard, as the director has spent the last few years playing with his pals Godzilla and King Kong. He helmed Godzilla v Kong and Godzilla x Kong: The New Empire, and although the studio had been keen on getting him back for another sequel, there was no deal in place for him to do so. He had been open to returning, previously saying, “There’s always the seduction of making a trilogy out of it, and I think that there’s some untapped areas to go into. There’s also ways to continue to innovate the stylized approach to the MonsterVerse, and what’s great about the MonsterVerse is that it’s allowed so many different directors to approach it with their unique style and color palette.

Wingard officially stepped down to focus on Onslaught, and the studio tapped Grant Sputore, the director of Hilary Swank’s sci-fi thriller I Am Mother, to helm the new installment. Dave Callaham (Shang-Chi and the Legend of the Ten Rings) is writing the script. The MonsterVerse film is slated for a March 26, 2027 release.

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Star Wars: The Phantom Menace, Jedi

In an interview celebrating the 25th anniversary of Star Wars: Episode I – The Phantom Menace, concept and storyboard artist Iain McCaig revealed that George Lucas almost made a major change to the mythology of the Jedi.

In The Phantom Menace, Obi-Wan Kenobi (Ewan McGregor) is the apprentice of Qui-Gon Jinn (Liam Neeson), but during the development of the film, Lucas had those names switched around. Neeson’s character was named Obi-Wan, and McGregor’s was named Qui-Gon. When Obi-Wan was killed by Darth Maul, Qui-Gon would have taken his name as a tribute.

It’s interesting how things evolve,” McCaig said. “For a time, the older Jedi was named Obi-Wan and the younger Jedi was named Qui-Gon. It was very poignant that at the end, as Obi-Wan dies and Qui-Gon defeats Darth Maul and stays with his Master as he passes away, he not only takes on his Master’s quest, but he takes on his name. Qui-Gon becomes Obi-Wan. That’s why when you see Alec Guinness in A New Hope, he puts his hood down and goes, ‘Obi-Wan? Now that’s a name I’ve not heard….’ Because he’s not Obi-Wan, he’s Qui-Gon. And right at the end, George changed it.

It’s a very interesting concept, and part of me almost wishes Lucas had kept it in. It’s not clear if this is something all Jedi would have done or if it was unique to Obi-Wan and Qui-Gon. Imagine if it had carried on. Would Luke Skywalker (Mark Hamill) have taken on the name of Obi-Wan… or Yoda?

The Phantom Menace was re-released in theaters earlier this year to celebrate its 25th anniversary (I can’t believe the film is already that old), and it’s been interesting to see how people’s opinions of it have changed. The original release was met with disappointment from some fans, but over the years, a new generation has embraced the movie. Although it’s certainly not the best in the franchise, there’s a lot to like in The Phantom Menace, including the thrilling pod race sequence and the climatic lightsaber duel between Obi-Wan, Qui-Gon, and Darth Maul.

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After a long career as a professor of French literature, Gisuke Watanabe (Nagatsuka Kyozo) is reasonably content to live out his retirement in relative peace. He writes a few magazine articles and occasionally gives guest lectures, but most of his time is dedicated to keeping an orderly house and cooking simple but hearty meals. Some of his old pupils stop by occasionally, helping with maintenance or keeping him company at dinner, but Gisuke leads a fairly solitary life – it’s been that way ever since his wife died some 20 years previous. But at 77, he knows the end is near. Having done the maths on when exactly his retirement fund will run out, he plans to go out on his own terms. His plan is as meticulous as the traditional house in which he lives. But then Gisuke receives a strange email.

The ‘Teki’ of Teki Cometh refers to a mysterious enemy Gisuke is anonymously warned of – it’s also the name of Yasutaka Tsutsui’s 1998 novel which provided filmmaker Daihachi Yoshida with his source material. Thought by the author to be a very difficult title to adapt for the screen, Yoshida gamely rose to the challenge, shooting in milky black and white to emphasise the austerity of Gisuke’s life as well as the lack of delineation within the film between fantasy and reality. What begins as an observational, austere drama about a lonely man in the twilight of his life slowly unfolds as something stranger and perhaps more sinister.

On the surface Teki Cometh may appear to be a story about the reality of growing old, and perhaps specifically about the fear of doing so alone – how our world is not set up sufficiently to provide care for the elderly, and what happens when that responsibility cannot be fulfilled by family. Yet both the director and author emphasise that Teki Cometh is not so much about dementia, but rather the active choice to indulge in one’s desires, dreams and fantasies, and the relationship we have with our own past as we age – a refreshing outlook for a film with a 77-year-old protagonist. This hinges on Nagatsuka Kyozo’s central performance, which is spellbinding and stoic. He positions Gisuke as charming and upstanding, but as the story progresses and the ‘enemy’ advances, all is not quite what it seems.

Set over a year and mostly within the confines of Gisuke’s traditional suburban home, repetition is key to emphasising the protagonist’s pride in his daily routine. Mouthwatering shots of food – complimented by sharp sound design and sparing use of a cello-heavy score – suggest a particular fussiness about Gisuke, and are all the more impressive for their lack of colour. Drawing inspiration from classic Japanese cinema with an emphasis on static wide shots, there’s a real richness to Gisuke’s environment, and the more time we spend by his side, the more shocking Yoshida’s twists and turns become. With a sly sense of humour and arresting visuals, Teki Cometh is an impressive adaptation and a poignant character study that defies easy definition.

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Game of Thrones, movie

Could a Game of Thrones movie be in our future? THR has heard that Warner Bros. is “quietly developing at least one film set in George R.R. Martin’s epic fantasy universe.” The project is still in the very early stages, with no director, writer, or cast attached. So we may still be a ways off from seeing Westeros on the big screen, provided it doesn’t get shelved like so many other Game of Thrones projects.

When Game of Thrones was still in the midst of its run, there were rumours that creators David Benioff and Dan Weiss wanted to end the series with three theatrical movies. The pair confirmed the plan earlier this year but said HBO executives shot it down, reminding them that they worked for “Home Box Office” and not “Away Box Office.”

George R.R. Martin also once spoke about a possible Game of Thrones movie (or movies) as the show was entering its fourth season. “It all depends on how long the main series runs,” he said. “Do we run for seven years? Do we run for eight? Do we run for 10? The books get bigger and bigger (in scope). It might need a feature to tie things up, something with a feature budget, like $100 million for two hours. Those dragons get real big, you know.

The second season of House of the Dragon, the first Game of Thrones spinoff series, debuted this summer, and a third season is on the way. Another spinoff, A Knight of the Seven Kingdoms, is set to debut on HBO in 2025. There have been a number of Game of Thrones projects which have been scrapped, including a Jon Snow series which Kit Harington has said is now on the shelf. “Currently, it’s off the table, because we all couldn’t find the right story to tell that we were all excited about enough,” Harington said. “So, we decided to lay down tools with it for the time being. There may be a time in the future where we return to it, but at the moment, no. It’s firmly on the shelf.

Would you be down for a Game of Thrones movie?

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Supergirl, Ruthye Marye Knoll, Eve Ridley

Supergirl: Woman of Tomorrow continues to assemble its main cast as Deadline reports that Eve Ridley (3 Body Problem) is set to play Ruthye Marye Knoll, the young alien who teams up with Supergirl.

Milly Alcock will be starring in Supergirl: Woman of Tomorrow, with the film set to be scripted by Ana Nogueira and based on the comic series of the same name written by Tom King and illustrated by Bilquis Evely. After her father is murdered and the one responsible is still out there, Ruthye Marye Knoll seeks out Supergirl to help her on a vicious mission. She wants revenge, and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost. Matthias Schoenaerts (Rust and Bone) will play Krem of the Yellow Hill, the villain who kills Knoll’s father.

Craig Gillespie (Cruella) will direct the movie, but DC Studios co-chief James Gunn has teased that this version of Supergirl will be different. “In our series we see the difference between Superman who was sent to Earth and raised by loving parents from the time he was an infant, versus Supergirl who was raised on a rock, a chip off Krypton, and watched everyone around her die and be killed in terrible ways for the first 14 years of her life, and then came to Earth when she was a young girl,” Gunn said. “She’s much more hardcore, she’s not exactly the Supergirl we’re use to seeing.” Production will begin early next year, with the film slated to be released on June 26, 2026.

The Supergirl movie will be the second theatrical installment of the new DC Universe, following Gunn’s Superman movie, which will hit theaters on July 11, 2025. It has been teased that Supergirl might appear in another DC project before her solo movie.

However, the first project to emerge from the new DC Universe will be Creature Commandos, an animated series featuring the voices of Frank Grillo as Rick Flag Sr., David Harbour as Eric Frankenstein, Indira Varma as The Bride, Maria Bakalova as Princess Ilana Rostovic, Alan Tudyk as Doctor Phosphorus, Zoe Chao as Nina Mazursky, and Steve Agee as John Economos, and Sean Gunn as Weasel. The series will debut on Max on December 5th.

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Supergirl, Ruthye Marye Knoll, Eve Ridley

Supergirl: Woman of Tomorrow continues to assemble its main cast as Deadline reports that Eve Ridley (3 Body Problem) is set to play Ruthye Marye Knoll, the young alien who teams up with Supergirl.

Milly Alcock will be starring in Supergirl: Woman of Tomorrow, with the film set to be scripted by Ana Nogueira and based on the comic series of the same name written by Tom King and illustrated by Bilquis Evely. After her father is murdered and the one responsible is still out there, Ruthye Marye Knoll seeks out Supergirl to help her on a vicious mission. She wants revenge, and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost. Matthias Schoenaerts (Rust and Bone) will play Krem of the Yellow Hill, the villain who kills Knoll’s father.

Craig Gillespie (Cruella) will direct the movie, but DC Studios co-chief James Gunn has teased that this version of Supergirl will be different. “In our series we see the difference between Superman who was sent to Earth and raised by loving parents from the time he was an infant, versus Supergirl who was raised on a rock, a chip off Krypton, and watched everyone around her die and be killed in terrible ways for the first 14 years of her life, and then came to Earth when she was a young girl,” Gunn said. “She’s much more hardcore, she’s not exactly the Supergirl we’re use to seeing.” Production will begin early next year, with the film slated to be released on June 26, 2026.

The Supergirl movie will be the second theatrical installment of the new DC Universe, following Gunn’s Superman movie, which will hit theaters on July 11, 2025. It has been teased that Supergirl might appear in another DC project before her solo movie.

However, the first project to emerge from the new DC Universe will be Creature Commandos, an animated series featuring the voices of Frank Grillo as Rick Flag Sr., David Harbour as Eric Frankenstein, Indira Varma as The Bride, Maria Bakalova as Princess Ilana Rostovic, Alan Tudyk as Doctor Phosphorus, Zoe Chao as Nina Mazursky, and Steve Agee as John Economos, and Sean Gunn as Weasel. The series will debut on Max on December 5th.

The post Eve Ridley to play Ruthye Marye Knoll in Supergirl: Woman of Tomorrow appeared first on JoBlo.

Inspired by the ‘Route 29, Liberation’ poetry collection by Taichi Nakao, filmmaker Yusuke Morii took a month-long trip along the eponymous road that connects the cities of Himeji and Tottori in southwestern Japan. The result was a screenplay depicting two women making the same journey, albeit for vastly different reasons and with many obstacles along the way. The antisocial Noriko (Haruka Ayase) is a young cleaner recently diagnosed with a brain tumour, who answers the request of a psychiatric patient she meets at work to bring her 12-year-old daughter for a visit. Haru (Osawa Ichina) is the quirky, similarly isolated girl in question, who goes with Noriko without question, hopping into the orange van she stole from her employer and setting off on what is supposed to be a simple three-hour drive.

But there are a few flaws in Noriko’s plan – namely that she’s failed to get permission to pick up Haru, and after losing their ride to an eccentric car thief, they are forced to make the journey on foot. The snag brings them into contact with other oddballs travelling along the rural Route 29, as well as the lush forests that surround the long stretch of road, and eventually a face from Noriko’s past. It’s a lo-fi take on Paper Moon, replete with a charming performance from the young Osawa Ichina, trading Kansas and Missouri for the riverside tarmac of the Chūgoku region. The cinema of Wes Anderson might also be a source of inspiration – there are plenty of carefully composed wide shots and Morii’s emotionally inarticulate characters speak in offbeat rhythms.

Among the strangers Noriko and Haru meet during their journey are an unnamed father and son, who have abandoned society to live a simple life in the woods. They share their food with the travellers, reflecting on the anxieties which have led them into the forest; a similarly surreal encounter brings them to a near-silent elderly man who Haru nicknames ‘Gramps’. Such details could easily be dismissed as quirky flourishes, but there’s an earnestness that underwrites Route 29, teamed with Haru’s wide-eyed imagination and the mysterious nature of Noriko herself.

Although Morii’s film feels familiar in its conceit, the specifics are decidedly unique, and the remarkable performances of Ayase and Ichina anchor a story that might otherwise float away. It’s a meandering, lyrical road movie, strange and serene in its conceit and execution, and demonstrates a growing confidence as a filmmaker in Yusuke Morii.

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Lego, live-action movies, Patty Jenkins, Jake Kasdan, Joe Cornish

Lego has proven it can deliver when it comes to animated fare, but what about live-action? Deadline reports that The Lego Group is developing three live-action movies with Universal Pictures and has tapped some major directors to help. Patty Jenkins (Wonder Woman), Jake Kasdan (Jumanji: Welcome to the Jungle), and Joe Cornish (Attack the Block) will each direct a Lego movie.

As for the plot of these three movies, they’re under wraps, but I’ll admit that I’m intrigued by what Lego has planned for these live-action projects. Jenkins will direct her project, which she also co-wrote with former DC Entertainment President Geoff Johns and will produce through her Wicious Pictures banner. As for Kasdan, he will direct from a script by Andrew Mogel and Jarrad Paul based on an original idea and a previous draft by Matt Mider and Kevin Burrows. He will also produce with Melvin Mar through their Detective Agency production company. Cornish will also direct and is currently rewriting the script from a draft by Heather Anne Campbell, which was based on a treatment by Simon Rich.

The Lego movies have been quite successful, starting with Phil Lord and Christopher Miller’s The Lego Movie in 2014. That film was followed by The Lego Batman Movie, The Lego Ninjago Movie, and The Lego Movie 2: The Second Part, in addition to a handful of short films and a Unikitty! TV series.

The most recent Lego project is a little unusual: Piece by Piece tells the story of American musician Pharrell Williams’s life and career through Lego animation. Our own Chris Bumbray did enjoy the film for what it was, but found that the novelty soon wore off. “While I found Piece by Piece mostly entertaining, I did find myself wondering who exactly the film was for. Hip-hop fans will maybe be annoyed by the fact that it’s so family-friendly that many of the best songs from Pharrell’s discography, such as N.E.R.D’s ‘Lapdance,’ are way too controversial to be included in a movie animated by LEGO. Also, don’t expect to see P. Diddy show up as a talking Lego head in this – for obvious reasons,” Bumbray wrote in his review. “In the end, Piece by Piece is most suitable for younger audiences, but even if a more unvarnished music doc would have been welcome, the movie still does a good job evoking the fact that Pharrell’s had an outsized influence on modern pop music. Yet, given the animation style, it can’t help but feel a little too much like a novelty.

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Lego, live-action movies, Patty Jenkins, Jake Kasdan, Joe Cornish

Lego has proven it can deliver when it comes to animated fare, but what about live-action? Deadline reports that The Lego Group is developing three live-action movies with Universal Pictures and has tapped some major directors to help. Patty Jenkins (Wonder Woman), Jake Kasdan (Jumanji: Welcome to the Jungle), and Joe Cornish (Attack the Block) will each direct a Lego movie.

As for the plot of these three movies, they’re under wraps, but I’ll admit that I’m intrigued by what Lego has planned for these live-action projects. Jenkins will direct her project, which she also co-wrote with former DC Entertainment President Geoff Johns and will produce through her Wicious Pictures banner. As for Kasdan, he will direct from a script by Andrew Mogel and Jarrad Paul based on an original idea and a previous draft by Matt Mider and Kevin Burrows. He will also produce with Melvin Mar through their Detective Agency production company. Cornish will also direct and is currently rewriting the script from a draft by Heather Anne Campbell, which was based on a treatment by Simon Rich.

The Lego movies have been quite successful, starting with Phil Lord and Christopher Miller’s The Lego Movie in 2014. That film was followed by The Lego Batman Movie, The Lego Ninjago Movie, and The Lego Movie 2: The Second Part, in addition to a handful of short films and a Unikitty! TV series.

The most recent Lego project is a little unusual: Piece by Piece tells the story of American musician Pharrell Williams’s life and career through Lego animation. Our own Chris Bumbray did enjoy the film for what it was, but found that the novelty soon wore off. “While I found Piece by Piece mostly entertaining, I did find myself wondering who exactly the film was for. Hip-hop fans will maybe be annoyed by the fact that it’s so family-friendly that many of the best songs from Pharrell’s discography, such as N.E.R.D’s ‘Lapdance,’ are way too controversial to be included in a movie animated by LEGO. Also, don’t expect to see P. Diddy show up as a talking Lego head in this – for obvious reasons,” Bumbray wrote in his review. “In the end, Piece by Piece is most suitable for younger audiences, but even if a more unvarnished music doc would have been welcome, the movie still does a good job evoking the fact that Pharrell’s had an outsized influence on modern pop music. Yet, given the animation style, it can’t help but feel a little too much like a novelty.

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