Month: October 2024

Claire Danes

Claire Danes (Homeland) may have turned down the role of Pamela Voorhees in Peacock’s upcoming Friday the 13th streaming series Crystal Lake, but back in March she did sign on to star in the mystery thriller limited series The Beast in Me for Netflix. Matthew Rhys (Perry Mason) joined Danes in the cast back in August, and now Deadline has revealed the names of four more cast members. They are: Brittany Snow (Pitch Perfect), Natalie Morales (No Hard Feelings), David Lyons (Truth Be Told), and Tim Guinee (Horizon: An American Saga).

Created, written, and executive produced by Gabe Rotter, who previously worked on The X-Files, The Beast in Me has the following synopsis: Since the tragic death of her young son, acclaimed author Aggie Wiggs (Danes) has receded from public life, unable to write, a ghost of her former self. But she finds an unlikely subject for a new book when the house next door is bought by Nile Jarvis (Rhys), a famed and formidable real estate mogul who was once the prime suspect in his wife’s disappearance. At once horrified and fascinated by this man, Aggie finds herself compulsively hunting for the truth – chasing his demons while fleeing her own – in a game of cat and mouse that might turn deadly.

Snow will be playing Nina, Nile’s spouse; Morales is Shelley, Aggie’s ex-wife; Lyons’ character is FBI agent Brian Abbot; and Guinee will play Wrecking Ball, an intimidating presence in Nile’s life. It’s not surprising to hear that the guy is intimidating, given that he’s called Wrecking Ball.

Rotter and Danes serve as executive producers on the show alongside Conaco’s Conan O’Brien, Jeff Ross, and David Kissinger, director Antonio Campos, writer Daniel Pearle (American Crime Story), Jodie Foster and Caroline Baron, and showrunner Howard Gordon, whose previous credits include Homeland, 24, and The X-Files. Gordon is executive producing through his company Teakwood Lane Productions. 20th Television is the studio behind the project.

The set-up sounds interesting and a solid cast has been assembled for the show, so I’m looking forward to seeing how The Beast in Me is going to turn out.

Does The Beast in Me sound interesting to you? What do you think of the cast? Let us know by leaving a comment below.

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Joker: Folie à Deux, box office, Todd Phillips

Who’s ready to cut a rug with Arthur Fleck and Lee Quinzel? Joker: Folie à Deux, Todd Phillips’s highly anticipated sequel to his 2019 billion-dollar barnburner, Joker, is finally tap-dancing for fans in theaters with a $7M take in Thursday preview screenings. On Thursday, showings began at 3 p.m., with analysts saying the film could earn $50M over the weekend. Phillips’s divisive sequel cost a reported $190M+, so WB hopes the experimental DC film has legs.

While looking at the numbers, we see that Joker: Folie à Deux previews are down 47% from the original, which garnered $13.3M in early screenings and earned $96.2M during its weekend debut.

Todd Phillips recently said he’s no longer making DC movies, which could be in the filmmaker’s best interest. Joker fanboys have been nervous about the sequel’s musical elements for months, and initial reactions to the film from many people who loved the first one are grim. PostTrak published a 1/2 star score with a 40% positive rating, similar to Francis Ford Coppola’s self-funded disasterpiece Megalopolis (45%). Meanwhile, 24% of viewers say they’ll recommend Joker: Folie à Deux to their friends. The movie performs poorly on Rotten Tomatoes, with a 37% Critic Score, nose-diving from an initial 62% Fresh posting.

While poking around on social media, I’ve seen some scathing fan reviews for Joker: Folie à Deux, with many saying the sequel is a disappointing “courtroom drama” that doesn’t offer any of the messaging or cerebral thrills of the original. However, outliers say some people are being too harsh on the film and “don’t get it.” WB should hope audiences decide to show up this weekend to decide for themselves about the film’s quality instead of taking online outrage as gospel.

JoBlo’s Editor-in-Chief, Chris Bumbray, reviewed Joker: Folie à Deux, saying it “feels like an anticlimax,” but suspects something more masterful awaits after multiple viewings. You can read Chris’s full review here.

Will you see Joker: Folie à Deux this weekend? Is the negative word-of-mouth killing tarnishing your excitement? Let us know if you plan to see the movie regardless of the online noise in the comments below.

The post Joker: Folie à Deux soft-shoes its way to $7M in previews as fans and critics share divisive reviews of the musical sequel appeared first on JoBlo.

In the four decades he has released films, director Kevin Smith has done everything from romantic comedies to epic fantasy comedies to animated comedies and even horror comedies. While Smith certainly has a niche audience that has stuck with him since the 1990s, the director has never shied away from making movies he would have loved to have watched and movies he feels personally connected with. Smith has continued producing and fostering other projects while making his own films, and his latest project may be one of his best.

The 4:30 Movie is a coming-of-age tale set in the 1980s when hanging out with your friends at the local multiplex was the height of entertainment. Inspired by the director’s own youth in suburban New Jersey, The 4:30 Movie is distinct from Smith’s other movies in many ways. While it does not feature Jay or Silent Bob, the movie does connect nicely back to elements from the ViewAskewniverse without being beholden to the films that came before it. With solid supporting turns from Jason Lee, Ken Jeong, Genesis Rodriguez, Jason Mewes, Sam Richardson, and many more stalwarts from Smith’s repertory players, the real stars are the young lead actors played by Austin Zajur, Nicholas Cirillo, Reed Northrup, and Siena Agudong.

I chatted with writer/director Kevin Smith about the movie, which was, surprisingly, one he was not fully confident in. Smith shared how my review and others helped him regain faith in The 4:30 Movie after the Sundance Film Festival rejected it. We also talked about whether Smith would ever make a Grindhouse-style film full of nothing but fake trailers and the mid-credit scene that connects The 4:30 Movie back to the start of Smith’s career. Check out the full interview in the embed above.

The 4:30 Movie is available on demand starting October 1.

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Johnny Sequoyah

Back in July, it was announced that Oscar-winner Troy Kotsur (CODA) had signed on to star in the horror film Primate. Since then, Johnny Sequoyah (pictured above) of Dexter: New Blood has signed on to star in the film with Kostur – and now, as the project draws closer to production, Deadline has revealed that ten more actors have joined the cast. Here’s the line-up: Jessica Alexander (Amadeus), Victoria Wyant (My Fault: London), Benjamin Cheng (d’ILLUSION: The Houdini Musical), Gia Hunter (Sherlock and Daughter), Miguel Torres Umba (National Theatre co-production Kin), Kae Alexander (Ready Player One), Tienne Simon (Grime Kids), Charlie Mann (Lazarus), newcomer Amina Abdi, and Albert Magashi (National Theatre Live: Dear England).

Unfortunately, we’re not able to tell you anything about the roles these actors will be playing, because all plot and character details are currently being kept under wraps.

At the helm of Primate is genre regular Johannes Roberts, who has previously directed Hellbreeder, Darkhunters, Forest of the Damned, F, Roadkill, Storage 24, The Other Side of the Door, 47 Meters Down, The Strangers: Prey at Night, 47 Meters Down: Uncaged, and Resident Evil: Welcome to Raccoon City. He also contributed a segment to the horror anthology V/H/S/99. Roberts has written the Primate screenplay with his frequent collaborator Ernest Riera.

It was recently announced that a third movie in the 47 Meters Down franchise, 47 Meters Down: The Wreck, is coming our way. Roberts and Riera wrote the screenplay, but Roberts has passed directing duties on that one over to My Bloody Valentine 3D director Patrick Lussier.

At the start of last year, former DC Films boss Walter Hamada signed a first-look deal with Paramount Pictures, the idea being that he would become, as Deadline put it, “the architect of Paramount’s mainstream horror genre pod, with the mission to release several low- to mid-budget films per year across theatrical and streaming.” Primate is part of Hamada’s horror-minded efforts at Paramount, and he is producing the film through his 18hz production company alongside John Hodges and Bradley Pilz.

Does Primate sound interesting to you? What do you think of the cast that has been assembled for this Johannes Roberts horror film? Let us know by leaving a comment below.

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