All eyes are on James Gunn’s Superman, which will set the tone for his DC film universe for years to come. The director and CEO of DC knew he had to dedicate time to post-production in order to make it look right, “If you do some research you’ll see my films have always taken a different approach and I’ve always given my VFX artist-collaborators time to do their jobs properly, and the respect they deserve.” He explains, “This is why we wrapped on Superman a year before release and why they’ve been hard at work on many shots for months before that.“
So, would this mean a teaser could be ready for release sometime soon? Perhaps in coordination with a couple of possible family holidays coming up? According to Collider, back in October, a fan asked Gunn on Threads if there would be a teaser or trailer revealed before the end of the year. In true cryptic fashion (that Gunn may have picked up from his time at Marvel Studios), the Guardians of the Galaxy director simply responded with a thinking emoji. Could this mean the fan got him to consider it? Or that he’s playing coy?
Superman stars David Corenswet (Pearl) as Clark Kent and Rachel Brosnahan (The Marvelous Ms. Maisel) as Lois Lane. The cast also includes Nathan Fillion (The Rookie) as Guy Gardner, a charismatic and slightly obnoxious member of the Green Lantern Corps; Isabela Merced (Dora and the Lost City of Gold) as Hawkgirl; Edi Gathegi (X-Men: First Class) as Mister Terrific; Anthony Carrigan (Barry) as Metamorpho; María Gabriela de Faría (Deadly Class) as The Engineer, a member of The Authority; Sara Sampaio (At Midnight) as Eve Teschmacher; Skyler Gisondo (The Righteous Gemstones) as Jimmy Olsen; Wendell Pierce (The Wire) as Perry White; Neva Howell (Logan Lucky) as Martha Kent; Pruitt Taylor-Vince (The Walking Dead) as Jonathan Kent; and Nicholas Hoult (The Great) as Lex Luthor.
The members of the Daily Planet newsroom have also expanded for the movie, with Beck Bennet (Saturday Night Live) set to play Steve Lombard, Mikaela Hoover (The Suicide Squad) as Cat Grant, and newcomer Christopher McDonald as Ron Troupe.
DC Studios co-CEO Peter Safran has previously teased that Superman will not be an origin story and will focus on “Superman balancing his Kryptonian heritage with his human upbringing. Superman represents truth, justice and the American way. He is kindness in a world that thinks of kindness as old fashioned.” Superman is slated to hit theaters on July 11, 2025.
There aren’t too many MMORPGs that you can just throw up on a second monitor in the background while you watch Crunchyroll or zone out to your favorite podcast about foreign baking competitions. Most require your input as you quest, grind mobs, and run dungeons with random players you’ll never see again. But RuneScape …
There aren’t too many MMORPGs that you can just throw up on a second monitor in the background while you watch Crunchyroll or zone out to your favorite podcast about foreign baking competitions. Most require your input as you quest, grind mobs, and run dungeons with random players you’ll never see again. But RuneScape …
Cyberpunk 2077 is one of those benchmark games fans rush to check out when they upgrade their gaming hardware. From its disastrous launch on PlayStation 4 and Xbox One to its 2.0 overhaul and excellent Phantom Liberty expansion last year, the open-world RPG has undergone an impressive makeover in the last few years.…
Cyberpunk 2077 is one of those benchmark games fans rush to check out when they upgrade their gaming hardware. From its disastrous launch on PlayStation 4 and Xbox One to its 2.0 overhaul and excellent Phantom Liberty expansion last year, the open-world RPG has undergone an impressive makeover in the last few years.…
A24 and We’re All Going to the World’s Fair director Jane Schoenbrun teamed up for a horror movie called I Saw the TV Glow, which received a theatrical release in May and is now available to watch at home (you can check it out HERE). JoBlo’s own Chris Bumbray had the chance to see at the Sundance Film Festival at the start of this year and he wasn’t particularly impressed by it at the time; you can read his 5/10 review at THIS LINK. Someone who was impressed by the film was legendary director and cinematic gatekeeper Martin Scorsese, who recommended I Saw the TV Glow while speaking with the Associated Press.
Written and directed by Schoenbrun, I Saw the TV Glow tells the story of two teenage outcasts who bond over their shared love of a scary television show. However, the boundary between TV and reality begins to blur after it is mysteriously canceled.
Justice Smith (Jurassic World: Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music) play the teenage outcasts and are joined in the cast by Helena Howard (The Wilds), Danielle Deadwyler (The Harder They Fall), Amber Benson (Buffy the Vampire Slayer), Ian Foreman (The Holiday Switch), Michael C. Maronna (The Adventures of Pete & Pete), Conner O’Malley (Palm Springs), Emma Portner (Ghostbusters: Afterlife), and Danny Tamberelli (also of The Adventures of Pete & Pete).
I Saw the TV Glow was produced by Emma Stone through her company Fruit Tree, along with her Fruit Tree partners Dave McCary and Ali Herting. Sam Intili and Smudge Films’ Sarah Winshall produced as well. A24 handled the financing and the worldwide distribution.
Bumbray said in his review that the film is “so experimental that it feels like a half-baked attempt at a genre version of Inland Empire-era David Lynch.” Which, I have to admit, definitely lowered my interest in this one.
When asked if he has watched anything that he liked recently, Scorsese told the Associated Press, “Some older ones I’ve been watching. There was one film I liked a great deal I saw two weeks ago called I Saw the TV Glow. It really was emotionally and psychologically powerful and very moving. It builds on you, in a way. I didn’t know who made it. It’s this Jane Schoenbrun.” As for the older movies he mentioned, “People should see A Face in the Crowd over and over again. I think that’d be important.“
Will you be taking Martin Scorsese’s recommendation and watching I Saw the TV Glow? Let us know by leaving a comment below.
Star Wars Outlaws’ road to redemption has hit a major milestone today with the release of its first story pack, fourth major update, and long-awaited arrival on Steam. There will be a lot to unpack about the state of Ubisoft’s open-world stealth adventure in the days and weeks ahead but the most important thing to…
Star Wars Outlaws’ road to redemption has hit a major milestone today with the release of its first story pack, fourth major update, and long-awaited arrival on Steam. There will be a lot to unpack about the state of Ubisoft’s open-world stealth adventure in the days and weeks ahead but the most important thing to…
A little bit ago, I discussed Hardware from 1990 and how it became a little lost to time. Today’s movie is no different as it’s pretty hard to come by and actually has three different versions to look out for. To that end, Richard Stanley can definitely be considered the best horror director you never saw. While he had a resurgence with the Nic Cage cosmic Lovecraft horror Color Out of Space, the rest of his catalogue is either a wonderful hot mess like his incomplete version of The Island of Dr. Moreau where he was fired or his first two movies that just don’t get talked about enough. While Hardware is loosely based on a comic, Dust Devil is what I would call a wholly original South African supernatural slasher flick. It has lore based in both legend and the creative mind of its writer/director Richard Stanley but with 3 different versions and a lot of studio meddling, it has become of the best candidates we’ve ever had for the Best Horror Movie You Never Saw.
Hardware, Richard Stanley’s first feature length film, was purchased by the now infamous for all the wrong reasons Weinstein brothers for distribution. It was successful enough even with some of the legal and dramatic baggage that it carried to get the director another movie and this one would end up being a lot more personal as it was a remake and extended version of a movie, he made on 16mm as a student in 1984. It was inspired by what is considered the only serial killer in Namibia, a location in South Africa. Nhadiep, as he was known, had ritualistic killings of mostly rail workers in the early 1980s and was illusive in his capture from authorities. He was believed by the locals to be a shapeshifter and even after he was allegedly killed in a shootout with police, people didn’t believe he was actually dead. Stanley would eventually take a lot of that lore and made it even more supernatural on screen.
He gave the script to producer Joanne Sellar who he knew from their work together on Hardware and she was able to secure 2.8 million for the budget and get agreement from the government to shoot the entire film in Namibia. The crew was a mix of different countries even if most of the listings you can find have it as a British movie. That mixed crew was from all over including British, American, South African, and Namibian for both in front of and behind the camera. Some of it followed Stanley from Hardware with the score by Simon Boswell, editing by Derek Trigg, and cinematography by Steven Chivers. The cast only has one carry over in William Hootkins who goes from a despicable pervert in Hardware to a fleeing South African Police Captain here. While it doesn’t have any other crossover, it does maintain having different recognizable actors.
The main heroes are played by Zakes Mokae who you may most recognize as the villain from The Serpent and the Rainbow amongst a bunch of other fun roles, and Chelsea Field who I first saw in Masters of the Universe and The Last Boy Scout but also showed up in way too fun things like Renny Harlin’s Prison and The Birds II which almost certainly shouldn’t exist. They are balanced on the scales of good and evil by Robert John Burke who plays the titular Dust Devil. Burke had the unfortunate assignment of following Peter Weller and starring as RoboCop in the third movie. He may have been better than we think but he was put in a movie that was neutered to PG-13 to help ticket sales, video game creations, and a toy line. Burke has had a hell of a career though with appearances in Tombstone and a bunch of other action flicks as well as horror stuff like the lead in Thinner and a supporting role in Hide and Seek.
Stanley took everything he learned on Hardware and expands it with his vision of a movie that he tried to make himself. It feels much more epic than his first movie while simultaneously being more personal too. While Hardware takes place mostly in one building apart from a character bringing the robot villain to that building, Dust Devil is expansive and has a chase all over the South African landscape. Its also filled to the brim with a lot heavier themes than Hardware. While Hardware is a fairly straightforward sci-fi horror movie, Dust Devil deals with abusive marriages, race issues, the effect of a child’s death on the parent, and national belief and superstition. It is also harder to pigeonhole into a genre but is definitely able to be put into the category of horror. When I decided to do a blind buy on the old two-disc DVD from DVD Planet in Huntington Beach, California, I don’t think I was ready for it or even knew what to expect. 20 years later I get it and hope that it gets a wider release for more eyes to see.
The movie essentially follows a South African demon known as a Dust Devil as he works his way through the desert landscape in the shape of a man. We are told a lot of the lore and what he is by an old drive in theater projectionist named Joe who is also a Sangoma which is a South African Healer. The Dust Devil picks up a woman who he ends up killing during sex and as horrific as that sounds, the real horror happens after. The movie opens with Burke looking all cool in his long jacket and hat, something Stanley himself would emulate in his personal life, but the devil part of the dust devil reveals itself shortly after. He cuts her up, taking her fingers with her, and burns down her house without caring that the police will find him. On the other side of the movie, we have Wendy fleeing her abusive marriage and officer Mukrob investigating murders that become all too regular.
While the three stories don’t fully intersect until the end of the third act, they are intertwined in the history of the country. The investigating officer has nightmares about his child dying and wife leaving him while slowly believing the tales that Joe is telling him. Wendy tries to end her life before finding hope in the Dust Devil hitchhiker followed just as quickly by an overwhelming urge to fight and stay alive, and the Dust Devil himself is infatuated with Wendy both to quench his abject loneliness and his thirst and need for souls of those that he believes have given up. We as the audience get invested in every character and it’s impossible to not get sucked up in both the lore and the world building. Things like the police finding evidence of similar killings from nearly 100 years ago to little details like Joe reminiscing about a double feature hosted at his theater that included The Bird with the Crystal Plumage and Legend of the 7 Golden Vampires. That’s our kind of double feature and clearly Joe has impeccable taste.
The acting and writing of the story are top tier even with the cast and writer not going on to too much acclaim but it’s also the supporting crew that give Dust Devil a leg up. The cinematography has room to breathe with its vast landscapes and the score jumps between whimsical, dangerous, and outright frightening when it needs it. The effects are great too with tons of gore both with characters deaths including the ones we don’t see, and one offs like the many different looks to the Dust Devil either when he is actively chasing people or when he looks into his own soul in a motel bathroom mirror. A final head explosion and the use of different color grading on the film to represent how the characters are feeling also go a long way to give the movie both a bigger budget feel and a grander scope than Stanley’s previous effort.
While I love the fierceness of Chelsea Fields’ Wendy and the inner sadness of Zakes Moakes’ Ben, this is certainly Robert John Burke’s movie. He is able to move between cold, loving, and intense with little to no effort between scenes. He can kill without remorse while looking downright surgical with how he leaves crime scenes, but his best work comes when he chases Wendy after an escape attempt. He stalks the open desert like a terminator, using his dark magic to cause multiple car crashes, again practical effects, and then lights the desert ablaze from the spilling gas. It’s a cool scene and for about 15 minutes we get to see many of his different forms and abilities. He can even hold up his hand to try and control the sands and people with little touches like a translucent webbing.
The movie builds a legend, and the movie ends with its legend intact while following all of the rules it sets up. Sadly, the movie was doomed from the start. Studio interference and fear of a wholly original product gave it multiple different releases under different names and cuts across the world. It didn’t make much money and Stanley had to fight to get the original cut. While the studio wanted to cut it down to a barely Ed Wood or Roger Corman 85 minutes and Stanley’s first cut was a 120-minute epic, eventually we would get a final cut of 108 minutes. Multiple versions were seen, and one was even renamed as Demonica which grossly misrepresents the movie’s tone and final product. Critics weren’t kind to it, calling it overlong and pretentious and it never really picked up any steam, or money at the box office for that matter.
Dust Devil is a very personal and emotional effort from Richard Stanley, and I wish I had kept my 2 Disc DVD that contained a work print and loads of special features. It’s better now and dreamlike in both what happens inside the movie with characters often having literal dreams as well as the dreamlike journey it sends its audience on. The film is mostly forgotten to time but its worth tracking down and getting more eyes on it. Give it a shot for yourself to see why it’s not only one of the best horror movies you’ve never seen but maybe to some, never even heard of.
A couple previous episodes of the Best Horror Movie You Never Saw series can be seen below. To see more, and to check out some of our other shows, head over to the JoBlo Horror Originals YouTube channel – and subscribe while you’re there!
In an article called “Meet the Movies of 2025,” Vanity Fair has just unveiled a batch of images that go behind the scenes of several upcoming films – including genre movies like the sci-fi thriller sequel M3GAN 2.0, the Jordan Peele-produced sports horror film Him, director Scott Derrickson’s The Gorge (that’s an image from The Gorge above), and Guillermo del Toro’s Frankenstein. Let’s take a look at them:
From M3GAN 2.0, we see an image of the killer doll M3GAN, reunited with returning M3GAN star Violet McGraw. Allison Williams is also back for the sequel, as are Brian Jordan Alvarez and Jen Van Epps. This time, they’re joined in the cast by Ivanna Sakhno (Ahsoka), who is said to have landed a major part in the sequel, Jemaine Clement (What We Do in the Shadows), Timm Sharp (Blunt Talk), and Aristotle Athari (Saturday Night Live). Gerard Johnstone is back at the helm, working from a screenplay by Akela Cooper. M3GAN 2.0 is being produced by James Wan, Jason Blum, and Allison Williams, with Johnstone executive producing alongside Mark Katchur, Michael Clear, Judson Scott, Ryan Turek, Adam Hendricks, and Greg Gilreath. The film is set to reach theatres on June 27, 2025.
Formerly known as GOAT, the sports-related horror film Him has a release date of September 19, 2025. Justin Tipping – who made his feature directorial debut with the 2016 drama Kicks – directed the film, with lead roles going to Marlon Wayans (Scary Movie), Tyriq Withers (The Game), and Julia Fox (Uncut Gems). Zack Akers and Skip Bronkie’s script centers on a promising young athlete who is invited to train with a team’s retiring star. How exactly horror enters the picture is being kept under wraps. ComicBook.com has heard that the script centers on a rookie QB who goes to train with a retiring star QB who may hold a secret about how he has played so long at such a high level. So obviously the GOAT has been using unusual methods to achieve his success, and finding out about them are going to cause the rookie some trouble. Wayans plays the greatest-of-all-time athlete, while Withers plays the promising young athlete / rookie QB. Details on the character Fox plays in Him haven’t been revealed. Jordan Peele is producing Him with Win Rosenfeld, Ian Cooper, and Jamal Watson. David Kern and Kate Oh serve as executive producers. Universal’s EVP Production Development Sara Scott and Director of Development Tony Ducret are overseeing the project for the studio.
Based on a spec script by Zach Dean, The Gorge is said to be a high-action, genre-bending love story. We previously heard that it centers on two soldiers (Anya Taylor-Joy and Miles Teller) who are tasked with guarding a seemingly never-ending gorge with one agent posted on either side. IGN revealed that Teller and Taylor-Joy play elite snipers – one American, the other Lithuanian – stationed in watchtowers on opposite sides of a vast and highly classified gorge located in a faraway land whose exact location they’re not even allowed to know. Their mission? To safeguard the outside world from an undisclosed, mysterious evil that lurks within. They bond from a distance while trying to stay vigilant in defending against an unseen enemy. When the cataclysmic threat to humanity is revealed to them, they must work together in a test of both their physical and mental strength to keep the secret in the gorge before it’s too late. Sigourney Weaver is also in the cast. David Ellison, Dana Goldberg, and Don Granger of Skydance Productions are producing the film with Crooked Highway’s Scott Derrickson, C. Robert Cargill, and Sherryl Clark, as well as Zach Dean, Adam Kohlbrenner, and Greg Goodman. Derrickson directed the film, which will be released through Apple TV+ sometime in 2025. The Vanity Fair image gives a behind-the-scenes look at a set piece that involved “a WWII Willys Jeep pulled up the side of a rock wall while under attack. Miles and Anya did most of their own stunts while attached to safety wires.“
Director Guillermo del Toro has been spending this year working on one of his dream projects, an adaptation of Mary Shelley’s classic tale Frankenstein that is set up at the Netflix streaming service. The behind the scenes image gives us a glimpse of the Frankenstein laboratory, with Frankenstein’s monster lying on the slab. Del Toro’s Frankenstein might have the following logline: Set in Eastern Europe in the 19th Century, the story of Dr. Pretorius, who needs to track down Frankenstein’s monster- who is believed to have died in a fire forty years before–in order to continue the experiments of Dr. Frankenstein. The film stars Oscar Isaac (Moon Knight), Mia Goth (Pearl), Jacob Elordi (Saltburn), Christoph Waltz (Inglourious Basterds), and Charles Dance (Game of Thrones), with Ralph Ineson (The Witch) showing up for a pivotal cameo. At one point, Andrew Garfield was in the cast, but he had to drop out and was replaced by Elordi… and it has been said that the role Garfield had passed over to Elordi was the Monster.
What do you think of these behind the scenes images? Are you looking forward to these movies? Let us know by leaving a comment below – and if you want to see more images, from the likes of Jurassic World Rebirth,The Amateur, You’re Cordially Invited, The Wedding Banquet, Materialists, The Ballad of a Small Player, Mickey 17, Love Hurts, and Mother Mary, click over to Vanity Fair.
