Month: November 2024

Plot: Silo is the story of the last ten thousand people on earth, their mile-deep home protecting them from the toxic and deadly world outside. However, no one knows when or why the silo was built and those who try to find out face fatal consequences. Rebecca Ferguson stars as Juliette, an engineer who seeks answers about a loved one’s murder and tumbles onto a mystery that goes far deeper than she could have ever imagined, leading her to discover that if the lies don’t kill you, the truth will.

Review: Last year, Apple TV+ debuted the first season of their ambitious dystopian series Silo, based on the novels by Hugh Howey. Contained to an underground silo where classes are separated by levels distinguishing leadership from the working class, Silo‘s first season echoed the same themes as the similar series Snowpiercer. The difference between them is that Silo‘s budgetary backing from Apple resulted in a powerfully cast drama that will only broaden in scope and ambition in subsequent seasons. The sophomore season of Silo is shaping up to take all of the world-building foundations from the first run of episodes into an even more sprawling narrative arc. With the residents of the titular facility on the brink of civil war, the second season of Silo brings back Rebecca Ferguson, Tim Robbins, Common, and more, along with new characters as we begin to explore the outside world and what that means for the beliefs of those still safely below ground.

The second season of Silo opens directly following the first season finale, which found Juliette Nichols (Rebecca Ferguson) banished outside to “cleaning duty.” Prepared for a death sentence, Juliette discovers the truth that there is more beyond their silo than they have all been led to believe. Making a brief trek to another structure, Juliette finds out more than she anticipated, including additional survivors of the toxic air that decimated mankind. With the denizens of her silo viewing her as a martyr, Juliette’s legacy develops into a burgeoning rebellion. This forces Bernard Holland (Tim Robbins), the elected leader of the Silo and head of the IT Department, and his head of security for Judicial, Robert Sims (Common), to cover up the truth about Juliette’s survival to protect their control over the citizen of their silo. This causes a further disruption amongst the masses as Juliette’s mentor Martha (Harriet Walter), Lukas (Avi Nash), and Juliette’s replacement as sheriff, Paul Billings (Chinaza Uche), draw new alliances amongst the uneasy populace.

While the first season was good at separating different characters from one another, notably Rashida Jones and David Oyelowo’s Allison and Holston Becker, who didn’t make it out of the first episodes, the second season of Silo keeps Juliette completely distanced for the majority of the season. Rebecca Ferguson is one of the few cast members this season who gets to interact with new characters in unfamiliar territory, including Steve Zahn’s important new character. How and what Juliette experiences in her journey this season is best left for you to discover as you watch the series, especially for those who have not read the source novels. Rest assured that it follows the books closely and gives us many answers posed in the first season. It also manages to echo some of the same narrative arcs as the first season of Prime Video’s Fallout series but without replicating twists and reveals.

What this season does improve is the intensity and maturity of the storytelling. As the first season began, I was unsure if the series would be targeted at a younger demographic, but as this season opens, it is apparent that there are no longer as many safeties built around this story. The new additions to the cast tend to skew younger, but there is an intentional use of profanity, violence, and similar subject matter to drive the bubbling rebellion. This allows the political and societal themes of the story to come to the surface more than they did in the mystery-centric first season. This gives both Tim Robbins and Common additional space to explore the idea of control and power within a confined space as they try to head off a threat to the existing regime of the Silo. While the split narrative between the original population and Juliette’s journey does slow things down, there is a stronger sense of urgency through this season that helps the entire cast find more immediacy in how this run of episodes is poised to set up what comes next.

Directed by Michael Dinner, Amber Templemore, and Aric Avelino, the second season wraps up the plot of the first book in Hugh Howey’s trilogy, Wool. The second book, Shift, is a prequel that leads directly into the third and final novel, Dust, which continues the narrative we see develop in this adaptation. By the end of the second season, showrunner Graham Yost has set up the end of the story, which will likely finish in the fourth season. Some references and hints tease what will come that only those who have read the books will catch, but it is enough to see where this tale is headed. The comparisons between the current state of world politics and what happens in this series are not blatant, nor are they invisible. The fact that dystopian stories feel prescient to our current election cycles and conflicts worldwide is scary enough on its own. Still, it is also a testament to Yost and his writing team being aware of what the source material was trying to convey while using the power of long-form storytelling to transform it into engaging television.

While the first season of Silo was a solid mystery set within a post-apocalyptic setting, season two expands the scope to a dystopian thriller full of political intrigue and escalating tensions involving rebellion and war. Silo does not hit you over the head with references to the real world, but it does not have to, as the grounded nature of this science fiction tale is eerily realistic and foreseeable. I found the expanded scope of this season to be as entertaining as it is sinisterly thrilling. Thanks to a finite endgame in sight for where this story will lead, fans can enjoy this middle chapter as the saga of Silo builds the tension to a breaking point. I expect that by the time everyone reaches this season’s finale, they will eagerly await what comes next. Packed with great turns from Rebecca Ferguson, Tim Robbins, Common, and the entire cast, this sophomore season of Silo is a solid continuation.

Silo premieres on November 15th on Apple TV+.


Silo

GREAT

8

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Lunik Heist, Jared Leto, Lupita Nyong'o, John Mulaney, Kemp Powers

Kemp Powers is adding serious star power to his upcoming feature film Lunik Heist, which will star Jared Leto (Gucci, Morbius, Tron: Ares), Lupita Nyong’o (Us, The Wild Robot, Little Monsters), and John Mulaney (Big Mouth, Spider-Man: Into the Spider-Verse, Chip’ n Dale: Rescue Rangers). Powers directs Lunik Heist from his own script based on actual events. The story orbits around the American government’s plot to steal a Soviet spacecraft during a 1959 exposition in Mexico City. Jeff Maysh’s MIT Technology Review article inspires the screenplay, with Maysh executive producing. In addition to his starring role, Jared Leto produces alongside Emma Ludbrook via the duo’s Paradox studio with Mark Johnson for Gran Via Productions.

“We’re so thrilled to bring together such an exceptional team,” said Matthew Greenfield, the President of Searchlight Pictures. “With the extraordinary talents of Jared, Lupita, and John, led by the visionary Kemp, Lunik Heist is a wild, roller-coaster ride filled with subterfuge and unlikely heroes.”

After directing one of my Top 10 animated films, Spider-Man: Across the Spider-Verse, Kemp Powers is a force to be reckoned with. Beyond shooting Miles Morales’ sophomore animated feature, Kemp wrote Pixar’s underrated 2020 animated film Soul, starring Jamie Foxx as Joe, a middle-school band teacher whose life hasn’t quite gone the way he expected. His true passion is jazz. But when he travels to another realm to help someone find their passion, he soon discovers what it means to have soul.

In the live-action arena, Kemp Powers wrote One Night in Miami…, a fictional account of one incredible night when icons Muhammad Ali, Malcolm X, Sam Cooke, and Jim Brown gathered to discuss their roles in the Civil Rights Movement and cultural upheaval of the 1960s. The powerful drama stars Kingsley Ben-Adir as Malcolm X, Aldis Hodge as Jim Brown, Leslie Odom Jr. as Sam Cooke, Eli Goree as Cassius Clay, and the late and great Lance Reddick as Kareem X.

For more details about Lunik Heist, check out Maysh’s MIT Technology Review article. What do you think about pairing Jared Leto, Lupita Nyong’o, and John Mulaney for this tale of deception and one-upmanship? Let us know in the comments below.

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Three Hitmen and a Baby, David Leitch, comedy, action, Lionsgate

List of targets? Check. Bullets? Check. Diapers? Check? You heard me. Lionsgate is loading up on formula and onesies for the action comedy spec Three Hitmen and a Baby. The newly-announced project comes from Dave Matalon (Totally Killer) and Matt Altman (Red Widow). While the title is obviously a play on the 1987 comedy Three Men and Baby, plot details remain elusive. However, the talent behind the film is not. Kelly McCormack and David Leitch (The Fall Guy, John Wick, Bullet Train) will produce through their 87North studio, which bodes well for this curious production.

In Three Men and a Baby, three bachelors (Tom Selleck, Steve Guttenberg, and Ted Danson) have their worlds rocked when a mysterious baby arrives on their doorstep. With almost no experience, the trio must put their one-night-stand lifestyle on hold to ensure the child’s safety, learning valuable lessons about parenthood and themselves. The laugh-out-loud comedy got a sequel in 1990 called Three Men and a Little Lady, which finds the fatherly trio hoping to reclaim their daughter, played by a young Robin Weisman. Both films have their place in the annuls of kooky comedies, with Selleck, Guttenberg, and Danson delivering endearingly comedic performances.

Matt Altman and Dave Matalon are developing a sci-fi script titled Level Up with The Hideaway and Vandal Entertainment. With Kelly McCormack and action extraordinaire David Leitch in their corner, Three Hitmen and a Baby could become another smash in 87North’s library of cinematic bangers.

While the plot is unknown, I imagine three hitmen caught in a trifecta of trouble when a child enters their crosshairs. It’s generic, I know, but I don’t have any other clues. Will the hitmen be forced to work together? Are they in competition with one another, and is the baby a prize to be won? Where’s the mother? Did they eliminate a target and discover an infant crying in the next room? Your guess is as good as mine, and hopefully, it won’t be too long until we find out. Let us know your thoughts about the plot for Three Hitmen and a Baby in the comments section below.

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Richard Brake

Made on a budget of less than $100,000, director Rhys Frake-Waterfield’s movie Winnie the Pooh: Blood and Honey (watch it HERE) earned more than $6 million during its global release in early 2023, so not only did the sequel Winnie the Pooh: Blood and Honey 2 have a substantially higher budget, that success opened the door to an entire cinematic universe that will consist of at least one more Winnie the Pooh: Blood and Honey sequel and other horror movies inspired by children’s stories, like Peter Pan’s Neverland NightmareBambi: The Reckoning, and Pinocchio: Unstrung. Now, Variety reports that a pair of genre icons have just joined the cast of Pinocchio: Unstrung, as the film is set to star A Nightmare on Elm Street‘s Robert Englund and Rob Zombie regular Richard Brake! Details on Englund’s role have not been revealed, but Brake will be playing Geppetto.

As we’ve previously heard, Todd Masters of MastersFx, creator of the version of Chucky seen in the 2019 Child’s Play remake, will be heading up the animatronics and puppetry. The Prosthetics Studio, which has worked on the Star Wars and Harry Potter franchises, will be providing the practical gore. The first image of the film’s Pinocchio doll can be seen at the bottom of this article.

Frake-Waterfield is directing Pinocchio: Unstrung, which is currently in production. The story follows young James as he learns of his grandfather Geppetto’s deadly secret: Pinocchio. Cameron Bell, Jessica Balmer, Jack Art Gray, and Peter De Souza-Feighoney are also in the cast.

Brake had this to say about the project: “Not only is the script dark, twisted and gory, it’s also at times very funny. Todd Masters and his team have created incredible practical effects. Audiences are in for a crazy ride.” Masters added, “I’ve forever loved the original and demented story from the 1880s. So I was excited to join this production, to bring this little puppet to life — with all practical FX. This version is still a little puppet’s pursuit to becoming a boy… but the way he becomes one, is extremely gnarly… and frankly, very fun.

Frake-Waterfield said, “Our movie flips everything you know about Pinocchio on its head. We have an incredibly talented cast and crew working on this. We are heavily relying on practical effects for all of the deaths and creature work. I can’t wait for the world to meet Pinocchio.

Pinocchio: Unstrung is aiming for a summer 2025 release. What do you think of Robert Englund and Richard Brake joining the cast? Let us know by leaving a comment below.

Pinocchio Unstrung

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