Demo discs were a staple of the PS1 era, providing curated snippets of upcoming games for players to test out while waiting for the next big release. While digital demos have become commonplace on PS5 as well, a new free-to-play standalone version of Gran Turismo 7 takes the idea to a new level.
In the official art book for Dragon Age: The Veilguard, BioWare revealed that it was once toying with the idea of bringing Dragon Age II hero Hawke into the fold before ultimately scrapping a possible appearance. However, the RPG’s latest patch includes the next best thing: their iconic mage armor for your new hero…
In the official art book for Dragon Age: The Veilguard, BioWare revealed that it was once toying with the idea of bringing Dragon Age II hero Hawke into the fold before ultimately scrapping a possible appearance. However, the RPG’s latest patch includes the next best thing: their iconic mage armor for your new hero…
Since it premiered at the Toronto International Film Festival back in September, The Order has been at the top of many lists for contenders this awards season. From director Justin Kurzel (Macbeth, Nitram), The Order boasts stellar performances from Jude Law, Nicholas Hoult, Tye Sheridan, and Jurnee Smollett. Tackling a true story that occurred in 1983 and 1984, which general audiences may not be familiar with, The Order is a stark and gritty thriller with a mesmerizing performance by Jude Law. Our own Chris Bumbray gave it a solid review, which you can read here.
The Order tells the story of the police officers and FBI agents tracking down a splinter group from the Aryan Nation led by Bob Mathews (Nicholas Hoult). Mathew’s group, known as The Order, follows a novel that claims to outline the six steps needed to cleanse the United States of minorities and take down the federal government. Terry Husk (Jude Law), a veteran FBI agent with personal demons, partners with a local deputy named Jamie Bowen (Tye Sheridan) to find and stop Mathews as his crew robs banks and denotes explosives across the Pacific Northwest.
I got the chance to talk about The Order with the stars and director of the film. Tye Sheridan talked about playing a small-town deputy and how fun Justin Kurzel was off-camera. Jude Law discussed inhabiting the fictional Terry Husk and why screenwriter Zach Baylin elected to composite the law enforcement characters rather than use the real figures. Director Justin Kurzel talked about the visual approach to telling this story and how the shocking story is more relevant today than ever. Check out the full interviews in the embed above.
The Order opens in theaters on December 6th.
The post Interviews: Jude Law, Tye Sheridan and director Justin Kurzel discuss their crime thriller The Order appeared first on JoBlo.
It’s that time again; Holiday Gift Guide time! We kicked off things with Black Friday and Cyber Monday deals and we will also feature guides on Blu-ray, Box Sets, Collectibles, and Toys! But first, here is our list of the best books to buy for the movie fan in your life (or maybe just for yourself!)
If you’re a geek like me, then you’ve probably got rows upon rows of pop culture books that hold a strong sense of nostalgia and importance to your nerd habits. From written works of fiction, behind-the-scenes art books, movie-related tie-ins, or comics and graphic novels, there’s a bevy of book-bound goods that bring joy and happiness to satiate any fanboy/girl and help fill those lonely shelves. This year is no different, with plenty to offer in all those departments. Take a gander at some of the coolest (and timeliest) books for this Holiday season!
DISCLAIMER: These prices can be fickle, so there’s no telling if and when a money-saving opportunity might end or if the price may change. So if you want something – snap that shit up quick! Don’t wait, only to have Festivus roll around and discover you’ve nothing to give or the price suddenly changed and you no longer have the bread. And remember that if you want to support JoBlo.com, please use our links below for your purchases. We thank you in advance!
Box Office Poison: Hollywood’s Story in a Century of Flops ($26.39)
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The post Cool Holiday Gifts 2024: Books appeared first on JoBlo.
Last month, the directing duo of Adam Schindler and Brian Netto, who worked with the legendary Sam Raimi on episodes of the Raimi-produced anthology series 50 States of Fright and on the thriller Don’t Move, said that they would like to revive Darkman, the superhero action franchise that Raimi started with his 1990 film of the same name. I said at the time that if Schindler and Netto want to make a Darkman movie, they might have to duel Scare Me and Werewolves Within director Josh Ruben over the project, as Ruben is such a Darkman superfan that he even recorded a fan commentary for a Scream Factory 4K and Blu-ray release… and now, Ruben has taken to social media to share his pitch for a Darkman legacy sequel.
Scripted by Sam Raimi with Chuck Pfarrer, Ivan Raimi, Daniel Goldin, and Joshua Goldin, the original Darkman has the following synopsis: When the laboratory of Dr. Peyton Westlake is blown up by gangsters, he is burned beyond recognition. Altered by an experimental medical procedure, he assumes alternate identities in his quest for revenge. Liam Neeson starred in the original film (and would be interested in returning for a legacy sequel), then the title role was taken over by Arnold Vosloo for two direct-to-video sequels. Raimi has said that Universal has been talking about making another sequel.
Over the course of several posts, Ruben revealed that his approach to telling a new Darkman story would be very different than I ever would have expected, drawing inspiration from the likes of A Nightmare on Elm Street and the recent update of The Invisible Man. He wrote, “I wanted to make a legacy sequel (OK, not that original, but there’s more). I wanted to start this… reimagining? like something else. Darkman is a wild concept and we need a reset, a fresh (new) way in. So… I wanted to position this movie like a paranoid thriller about a sweet young woman tortured by recurring nightmares of a disfigured man. She gradually grows convinced that her nightmares may be manifesting into her real life. (It would be) nightmarish, trippy, colorful, fun, weird. Thing is, our lead is going to find out that her nightmare doesn’t just live in her head. She’s drawing on the real thing. Something tied to her childhood. Her mom tells her all about a paranoid era from her formative years. Kinda like the Summer of Sam. Satanic Panic. The “Stranger Danger” epidemic.
Mom tells her all about the dark figure rumored to be a thing of myth – an anti-hero who did exist to wreak havoc; who terrorized unsavory types, brutalized criminals and such (Raimi did create Darkman after not being able to secure Batman rights after all). The one time Darkman was caught on camera was news footage back in 1990. He ostensibly threw an innocent businessman to his death. I compared his being run out of town like Frankenstein by an angry mob. The businessman? Louis Strack. Mom is rehashing this urban myth is because “The Dark Man” has ostensibly emerged from hiding and he’s killing again. There are witnesses. It hits a city-wide nerve of paranoia. Especially because this guy creates skin-real masks and can look like anyone. How awfully triggering for our hero… …but none more triggering than the nightmare coming home. Darkman (conveniently) kills her sweet mother. Our lead gets a brief, shadowy look at him. And our soft-spoken lead (who I loved imagining as a Kindergarten teacher) SNAPS. She vows vengeance. SHE. IS GOING. TO KILL. DARKMAN. I loved the idea of our lead having a suppressed temper and w/ it a character arc adjacent to Westlake’s in the original. The explosion broke him, made him mad. Here, tragedy breaks her. She’s no longer afraid. She’s gonna go head to head with her nightmare. A fun, mad opportunity for our actress…
The order of events that follow are such that — our hero’s fury gets her into danger. She’s rescued by the REAL Darkman. Think “Scary Logan.” He’s gone gradually mad living underground all these years. He promises he didn’t kill anyone. He didn’t kill her mother. Why would he kill the woman he loves? The real Darkman is Peyton Westlake. Our hero is his daughter. They’ve never met. Julie would never put her child in that kind of danger. What starts as a stalking horror turns into a Universal monsters-esque father daughter love story… And then, a dark superhero film. Scary Batman. The snakes come out of the grass. The WORST level of villains emerge to find and kill the real Darkman – and the only thing he has left. His kid. The Darkman copycat is the daughter of Louis Strack. She works in a burn unit. He’s been providing her burn unit synthetic skin to help patients. He confided in her. Who he is and his only family left. Big mistake.“
What do you think of Josh Ruben’s Darkman legacy sequel pitch? Would you like to see his story brought to the screen, or do you think the Darkman revival should take a different approach? Let us know by leaving a comment below.
The post Josh Ruben shares his pitch for a Darkman legacy sequel appeared first on JoBlo.
This morning saw the announcements of the 40th edition of the Film Independent Spirit Awards. The big picture nominees include titles like the film festival darling The Substance, as well as Anora, which is getting high accolades for Mikey Madison‘s performance and Sean Baker’s writing and direction. A24 would naturally snag a ton of nominations that total a whopping 19. This beats last year’s 11-nomination count.
The Independent Spirit Awards will be taking place on Saturday, February 22, 2025, and is set to be held at Santa Monica beach. Former Saturday Night Live cast member Aidy Bryant will return as the host. The in-person ceremony will be available to stream live on IMDb and Film Independent YouTube channels, and across other social platforms. You can find the full list of nominations, courtesy of Deadline, below.
BEST FEATURE (Award given to the producer)
Anora
Producers: Sean Baker, Alex Coco, Samantha Quan
I Saw the TV Glow
Producers: Ali Herting, Sam Intili, Dave McCary, Emma Stone, Sarah Winshall
Nickel Boys
Producers: Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine
Sing Sing
Producers: Clint Bentley, Greg Kwedar, Monique Walton
The Substance
Producers: Tim Bevan, Coralie Fargeat, Eric Fellner
BEST FIRST FEATURE (Award given to director and producer)
Dìdi
Director/Producer: Sean Wang
Producers: Valerie Bush, Carlos López Estrada, Josh Peters
In the Summers
Director: Alessandra Lacorazza Samudio
Producers: Janek Ambros, Lynette Coll, Alexander Dinelaris, Cynthia Fernandez De La Cruz, Cristóbal Güell, Sergio Alberto Lira, Rob Quadrino, Jan Suter, Daniel Tantalean, Nando Vila, Slava Vladimirov, Stephanie Yankwitt
Janet Planet
Director/Producer: Annie Baker
Producers: Andrew Goldman, Dan Janvey, Derrick Tseng
The Piano Lesson
Director: Malcolm Washington
Producers: Todd Black, Denzel Washington
Problemista
Director/Producer: Julio Torres
Producers: Ali Herting, Dave McCary, Emma Stone
JOHN CASSAVETES AWARD – Given to the best feature made for under $1,000,000. (Award given to the writer, director, and producer)
Big Boys
Writer/Director/Producer: Corey Sherman
Producer: Allison Tate
Ghostlight
Writer/Director: Kelly O’Sullivan
Director/Producer: Alex Thompson
Producers: Pierce Cravens, Ian Keiser, Chelsea Krant, Eddie Linker, Alex Wilson
Girls Will Be Girls
Writer/Director/Producer: Shuchi Talati
Producers: Richa Chadha, Claire Chassagne
Jazzy
Writer/Director/Producer: Morrisa Maltz
Writer/Producer: Lainey Shangreaux
Writers: Andrew Hajek, Vanara Taing
Producers: Miranda Bailey, Tommy Heitkamp, John Way, Natalie Whalen, Elliott Whitton
The People’s Joker
Writer/Director: Vera Drew
Writer: Bri LeRose
Producer: Joey Lyons
BEST DIRECTOR
Ali Abbasi
The Apprentice
Sean Baker
Anora
Brady Corbet
The Brutalist
Alonso Ruizpalacios
La Cocina
Jane Schoenbrun
I Saw the TV Glow
BEST SCREENPLAY
Scott Beck, Bryan Woods
Heretic
Jesse Eisenberg
A Real Pain
Megan Park
My Old Ass
Aaron Schimberg
A Different Man
Jane Schoenbrun
I Saw the TV Glow
BEST FIRST SCREENPLAY
Joanna Arnow
The Feeling That the Time for Doing Something Has Passed
Annie Baker
Janet Planet
India Donaldson
Good One
Julio Torres
Problemista
Sean Wang
Dìdi
BEST LEAD PERFORMANCE
Amy Adams
Nightbitch
Ryan Destiny
The Fire Inside
Colman Domingo
Sing Sing
Keith Kupferer
Ghostlight
Mikey Madison
Anora
Demi Moore
The Substance
Hunter Schafer
Cuckoo
Justice Smith
I Saw the TV Glow
June Squibb
Thelma
Sebastian Stan
The Apprentice
BEST SUPPORTING PERFORMANCE
Yura Borisov
Anora
Joan Chen
Dìdi
Kieran Culkin
A Real Pain
Danielle Deadwyler
The Piano Lesson
Carol Kane
Between the Temples
Karren Karagulian
Anora
Kani Kusruti
Girls Will Be Girls
Brigette Lundy-Paine
I Saw the TV Glow
Clarence “Divine Eye” Maclin
Sing Sing
Adam Pearson
A Different Man
BEST BREAKTHROUGH PERFORMANCE
Isaac Krasner
Big Boys
Katy O’Brian
Love Lies Bleeding
Mason Alexander Park
National Anthem
René Pérez Joglar
In the Summers
Maisy Stella
My Old Ass
BEST CINEMATOGRAPHY
Dinh Duy Hung
Inside the Yellow Cocoon Shell
Jomo Fray
Nickel Boys
Maria von Hausswolff
Janet Planet
Juan Pablo Ramírez
La Cocina
Rina Yang
The Fire Inside
BEST EDITING
Laura Colwell, Vanara Taing
Jazzy
Olivier Bugge Coutté, Olivia Neergaard-Holm
The Apprentice
Anne McCabe
Nightbitch
Hansjörg Weissbrich
September 5
Arielle Zakowski
Dìdi
ROBERT ALTMAN AWARD – Given to one film’s director, casting director, and ensemble cast
His Three Daughters
Director: Azazel Jacobs
Casting Director: Nicole Arbusto
Ensemble Cast: Jovan Adepo, Jasmine Bracey, Carrie Coon, Jose Febus, Rudy Galvan, Natasha Lyonne, Elizabeth Olsen, Randy Ramos Jr., Jay O. Sanders
BEST DOCUMENTARY (Award given to the director and producer)
Gaucho Gaucho
Directors/Producers: Michael Dweck, Gregory Kershaw
Producers: Christos Konstantakopoulos, Cameron O’Reilly, Matthew Perniciaro
Hummingbirds
Directors: Silvia Del Carmen Castaños, Estefanía “Beba” Contreras
Co-Directors/Producers: Miguel Drake-McLaughlin, Diane Ng, Ana Rodriguez-Falco, Jillian Schlesinger
Producers: Leslie Benavides, Rivkah Beth Medow
No Other Land
Directors/Producers: Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor
Producers: Fabien Greenberg, Bård Kjøge Rønning
Patrice: The Movie
Director: Ted Passon
Producers: Kyla Harris, Innbo Shim, Emily Spivack
Soundtrack to a Coup d’Etat
Director: Johan Grimonprez
Producers: Rémi Grellety, Daan Milius
BEST INTERNATIONAL FILM (Award given to the director)
All We Imagine as Light
France, India, Netherlands, Luxembourg
Director: Payal Kapadia
Black Dog
China
Director: Guan Hu
Flow
Latvia, France, Belgium
Director: Gints Zilbalodis
Green Border
Poland, France, Czech Republic, Belgium
Director: Agnieszka Holland
Hard Truths
United Kingdom
Director: Mike Leigh
PRODUCERS AWARD – The Producers Award, now in its 28th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity, and vision required to produce quality independent films.
Alex Coco
Sarah Winshall
Zoë Worth
SOMEONE TO WATCH AWARD – The Someone to Watch Award, now in its 31st year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.
Nicholas Colia
Director of Griffin in Summer
Sarah Friedland
Director of Familiar Touch
Pham Thien An
Director of Inside the Yellow Cocoon Shell
TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 30th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.
Julian Brave NoiseCat, Emily Kassie
Directors of Sugarcane
Carla Gutiérrez
Director of Frida
Rachel Elizabeth Seed
Director of A Photographic Memory
BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)
Erased: WW2’s Heroes of Color
Executive Producers: Idris Elba, Johanna Woolford Gibbon, Jamilla Dumbuya, Jos Cushing, Khaled Gad, Matt Robins, Chris Muckle, Sean David Johnson, Simon Raikes
Co-Executive Producer: Annabel Hobley
Hollywood Black
Executive Producers: Shayla Harris, Dave Sirulnick, Stacey Reiss, Jon Kamen, Justin Simien, Kyle Laursen, Forest Whitaker, Nina Yang Bongiovi, Jeffrey Schwarz, Amy Goodman Kass, Michael Wright, Jill Burkhart
Co-Executive Producers: David C. Brown, Laurens Grant
Photographer
Executive Producers: Elizabeth Chai Vasarhelyi, Jimmy Chin, Pagan Harleman, Betsy Forhan
Co-Executive Producers: Anna Barnes, Brent Kunkle
Ren Faire
Executive Producers: Ronald Bronstein, Benny Safdie, Josh Safdie, Eli Bush, Dani Bernfeld, Lance Oppenheim, David Gauvey Herbert, Nancy Abraham, Lisa Heller, Sara Rodriguez
Co-Executive Producers: Abigail Rowe, Christian Vasquez, Max Allman
Social Studies
Creator/Executive Producer: Lauren Greenfield
Executive Producers: Wallis Annenberg, Regina K. Scully, Andrea van Beuren, Frank Evers, Caryn Capotosto
BEST NEW SCRIPTED SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)
Baby Reindeer
Creator/Executive Producer: Richard Gadd
Executive Producers: Wim De Greef, Petra Fried, Matt Jarvis, Ed Macdonald
Diarra From Detroit
Creator/Executive Producer: Diarra Kilpatrick
Executive Producers: Kenya Barris, Miles Orion Feldsott, Darren Goldberg
Co-Executive Producers: Ester Lou, Mark Ganek
English Teacher
Creator/Executive Producer: Brian Jordan Alvarez
Executive Producers: Paul Simms, Jonathan Krisel, Dave King
Co-Executive Producers: Kathryn Dean, Jake Bender, Zach Dunn
Fantasmas
Creator/Executive Producer: Julio Torres
Executive Producers: Emma Stone, Dave McCary, Olivia Gerke, Alex Bach, Daniel Powell
Co-Executive Producer: Ali Herting
Shōgun
Creators/Executive Producers: Rachel Kondo, Justin Marks
Executive Producers: Edward L. McDonnell, Michael De Luca, Michaela Clavell
Co-Executive Producers: Shannon Goss, Andrew Macdonald, Allon ReichBEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES
Brian Jordan Alvarez
English Teacher
Richard Gadd
Baby Reindeer
Lily Gladstone
Under the Bridge
Kathryn Hahn
Agatha All Along
Cristin Milioti
The Penguin
Julianne Moore
Mary & George
Hiroyuki Sanada
Shōgun
Anna Sawai
Shōgun
Andrew Scott
Ripley
Julio Torres
Fantasmas
BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES
Tadanobu Asano
Shōgun
Enrico Colantoni
English Teacher
Betty Gilpin
Three Women
Chloe Guidry
Under the Bridge
Moeka Hoshi
Shōgun
Stephanie Koenig
English Teacher
Patti LuPone
Agatha All Along
Nava Mau
Baby Reindeer
Ruth Negga
Presumed Innocent
Brian Tee
Expats
BEST BREAKTHROUGH PERFORMANCE IN A NEW SCRIPTED SERIES
Jessica Gunning
Baby Reindeer
Diarra Kilpatrick
Diarra From Detroit
Joe Locke
Agatha All Along
Megan Stott
Penelope
Hoa Xuande
The Sympathizer
BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
How to Die Alone
Ensemble Cast: Melissa DuPrey, Jaylee Hamidi, KeiLyn Durrel Jones, Arkie Kandola, Elle Lorraine, Michelle McLeod, Chris “CP” Powell, Conrad Ricamora, Natasha Rothwell, Jocko Sims
The post The 2025 Independent Spirit Awards nominations include The Substance, Anora and I Saw the TV Glow appeared first on JoBlo.
Taika Waititi‘s resume before Thor: Ragnarok doesn’t suggest he would ever be put on the path to helm a multi-million dollar franchise as part of a multi-billion dollar universe in Hollywood. The New Zealand director was famous for his quirky comedies like HBO’s Flight of the Conchords, What We Do in the Shadows and Hunt for the Wilderpeople. He brought a lot of his signature dry humor to Ragnarok with great acclaim, then a whiplash in reception would seem to happen when the consensus was that he brought too much of it for the follow-up Thor: Love and Thunder.
Entertainment Weekly recently sat down with Waititi for a retrospective of his career and he would reflect on the initial reaction that he was going to ruin the Thor franchise. Waititi remembered, “That really propelled me into the nerdosphere, if you will. I was living a really lovely, peaceful life, and as soon as I did this, well boy, did the nerds come for me. They said, ‘This guy’s gonna ruin this. He’s gonna ruin Thor!’” He, then, took a job at the least well-received entry at the time, Thor: The Dark World, “It’s like, ‘What, you mean again?’ And they were like, ‘He’s gonna ruin this for everyone, Thor’s so cool!’ And I said to them on Twitter — before I left Twitter — I said, ‘You don’t know what you want until I give it to you.’”
While Waititi wouldn’t go into depth about what he thought about Love and Thunder, he did run down a list of the things from that entry that he was fond of, “Look how jacked Chris got. One of my favorite things about this is that I so love Natalie [Portman]. Also, Christian Bale. I mean, it’s Christian Bale. Also, Guns N’ Roses, a lot of the songs. I did meet Axl Rose once, actually. He had a lot of stories to tell, which I will not share.”
Last year, Taika would get candid about his real reasoning for joining the MCU as he hadn’t aspired to become a big Hollywood director, but he needed the money. He explained, “You know what? I had no interest in doing one of those films. It wasn’t on my plan for my career as an auteur. But I was poor and I’d just had a second child, and I thought, ‘You know what, this would be a great opportunity to feed these children.’” Waititi added, “And Thor, let’s face it — it was probably the least popular franchise. I never read Thor comics as a kid. That was the comic I’d pick up and be like ‘Ugh.’ And then I did some research on it, and I read one Thor comic or 18 pages, or however long they are.” However, he did find it to be a valuable experience, “But I love Marvel, I love working with them. I love Chris [Hemsworth]. We’re in an open relationship and it’s like, if they want to see other people I’m happy for that. I’d still get back into bed with them one day.”
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It took thirty-six years, but director Tim Burton finally got around to making a sequel to his 1988 hit Beetlejuice – and with that sequel, Beetlejuice Beetlejuice, having made over $450 million at the global box office, it wouldn’t be surprising to hear that Warner Bros. wants another sequel. Burton has said not to expect Beetlejuice Beetlejuice Beetlejuice from him… but perhaps he could be persuaded. We’ll have to wait and see. In the meantime, Burton has completely ruled out the idea of making sequels to two other films on his résumé, Edward Scissorhands and The Nightmare Before Christmas.
Speaking with IndieWire, Burton said, “There are certain films I don’t want to make a sequel to. I didn’t want to make a sequel to (Edward Scissorhands) because it felt like a one-off thing. I didn’t want to have a sequel for The Nightmare Before Christmas because it also felt like a one-off thing. Certain things are best left on their own and that for me is one of them.“
Burton directed the 1990 film Edward Scissorhands from a script he crafted with novelist Caroline Thompson. The synopsis: A scientist builds an animated human being, the gentle Edward, but dies before he can finish assembling him. This leaves the young man with a freakish appearance accentuated by the scissor blades he has instead of hands. Loving suburban saleswoman Peg discovers Edward and takes him home, where he falls for Peg’s teen daughter. However, despite his kindness and artistic talent, Edward’s hands make him an outcast. The film stars Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall, Kathy Baker, Vincent Price, and Alan Arkin.
Although The Nightmare Before Christmas is often mistakenly referred to as one of Burton’s directorial efforts, the stop-motion animated movie was actually directed by Henry Selick. Burton produced it and came up with the story, which was then fleshed out by writers Michael McDowell (who also worked on Beetlejuice) and Caroline Thompson. The film follows the misadventures of Jack Skellington, Halloweentown’s beloved pumpkin king, who has become bored with the same annual routine of frightening people in the “real world.” When Jack accidentally stumbles on Christmastown, all bright colors and warm spirits, he gets a new lease on life. He plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. But Jack soon discovers even the best-laid plans of mice and skeleton men can go seriously awry. Chris Sarandon, Danny Elfman, Catherine O’Hara, William Hickey, Glenn Shadix, Paul Reubens, Ken Page, Ed Ivory, and Joe Ranft provided the vocal performances.
Burton passionately spoke out against the idea of any further stories being told in the world of The Nightmare Before Christmas last year, despite the fact that Selick and Sarandon have both expressed interest in making a prequel.
What do you think of Tim Burton ruling out any sort of follow-ups to Edward Scissorhands or The Nightmare Before Christmas? Let us know by leaving a comment below.
The post Tim Burton rules out Edward Scissorhands and Nightmare Before Christmas sequels appeared first on JoBlo.
One of the many great things Dragon Age: The Veilguard has to offer is its robust character creator. It’s so thorough that some players have spent dozens of hours creating and perfecting their versions of protagonist Rook, as well as the Inquisitor, their hero from Dragon Age: Inquisition. Leading up to launch, fans…