Month: January 2025

The first teaser trailer for Spartacus: House of Ashur has entered the arena! Starz‘s sequel series welcomes a new era of gladiatorial combat drama to the stage, along with an autumn release window.

Here’s the official synopsis for Spartacus: House of Ashur courtesy of Starz:

“What if Ashur (Nick Tarabay), hadn’t died on Mount Vesuvius at the end of ‘Spartacus: Vengeance?’ And what if he had been gifted the gladiator school once owned by Batiatus in return for aiding the Romans in killing Spartacus and putting an end to the slave rebellion?”

Created, written, and executive-produced by Steve DeKnight, Spartacus raised its sword and shield on Starz in 2010 with its first season, Spartacus: Blood and Sand. A prequel series followed called Spartacus: Gods of the Arena in 2011, with Spartacus: Vengeance dropping in 2012 and Spartacus: War of the Damned in 2013. The original series, Blood and Sand, revolved around the life of Spartacus, the gladiator who led a rebellion against the Romans. From his time as an ally of the Romans to his betrayal and becoming a gladiator to the uprising he led and its outcome.

Starz announced plans for Spartacus: House of Ashur in 2023. The latest chapter of the Spartacus series finds Steve DeKnight returning as the project’s showrunner and executive producer. Rick Jacobson and Aaron Helbing are also executive producers.

Starz, Spartacus: House of Ashur, teaser, trailer

Today’s Spartacus: House of Ashur teaser trailer offers a first look at the sequel series starring Simon Arblaster as Proculus, Daniel Bos as Balbus, Mikey Thompson as Musicus, Stephen Madsen as Creticus, Joe Davidson as Logas, Cameron Rhodes as Uvidus, Eden Hart as Elata, Nick E. Tarabay as Ashur, Lucy Lawless as Lucretia, and more.

It’s been 12 years since the last chapter of Starz’s Spartacus series. Given the warm reception for Ridley Scott’s Gladiator II, audiences are still hungry for armored beefcakes, political intrigue, backstabbing, and gladiatorial combat that will have you questioning the morals of humankind. Audiences once went wild for the Spartacus series, and perhaps they will again when Spartacus: House of Ashur comes to the Starz network this Fall.

Are you excited about Spartacus: House of Ashur? Let us know in the comments section below.

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Best known these days for directing Home Alone and the first two Harry Potter movies, Chris Columbus was also the screenwriter behind two enduring ’80s classics: Gremlins and The Goonies, both of which were released by Warner Bros. and executive produced by Steven Spielberg. Now, according to a new report on Deadline, Warner Bros. is developing new Gremlins and The Goonies films, with Columbus attached to at least one of those projects.

Deadline wrote that, at Warner Bros., “Franchise hopes abound down the road in Lord of the Rings: The Hunt for Gollum, Practical Magic 2, DC’s Clayface and Supergirl, Drew Goddard’s incoming script for a new Matrix, a new Gremlins from Christopher Columbus and a Goonies treatment.”

Directed by Joe Dante from Columbus’s script, Gremlins had the following synopsis: A gadget salesman is looking for a special gift for his son and finds one at a store in Chinatown. The shopkeeper is reluctant to sell him the `mogwai’ but his grandson sells it to him with the warning to never expose him to bright light, water, or to feed him after midnight. All of this happens and the result is a gang of gremlins that decide to tear up the town on Christmas Eve. Released in 1984, Gremlins spawned a 1990 sequel called Gremlins 2: The New Batch… and the insanity of that one managed to bring the series to an end for a while. Several years ago, Columbus worked with Disturbia writer Carl Ellsworth on a Gremlins 3 script, but the film didn’t make it into production. Instead, focus shifted over to an animated prequel series that can be found on the Max streaming service. Now, it sounds like Warner Bros. is interested in making another Gremlins movie again.

The Goonies came along in ’85, scripted by Columbus and directed by Richard Donner. The synopsis: Old-fashioned yarn about a band of adventurous kids who take on the might of a property developing company which plans to destroy their home to build a country club. When the children discover an old pirate map in the attic, they follow it into an underground cavern in search of lost treasure but come up against plenty of dangerous obstacles along the way. There have been rumblings of a Goonies follow-up for decades, but the project never went anywhere and it seemed to have been shelved permanently when Donner passed away in 2021. Apparently, that’s not the case.

Are you glad to hear that Warner Bros. wants to make new Gremlins and Goonies movies? Let us know by leaving a comment below.

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A couple years ago, Spider One – the frontman of Powerman 5000 and the brother of fellow musician/filmmaker Rob Zombie – made his feature directorial debut with the horror anthology Allegoria. Last year, his second feature – a horror film called Bury the Bride – was released through the Tubi streaming service. His third film, which is called Little Bites, recently secured a worldwide distribution deal through RLJE Films and the Shudder streaming service – and, having received a theatrical and VOD release in October, Little Bites is now set to start streaming on Shudder as of February 21st!

Written and directed by Spider One, Little Bites centers on Mindy, a young widow and mother who tries to protect her daughter Alice from a flesh eating monster named Agyar. Mindy has been secretly sacrificing her own life by allowing the creature to feast on her body as she keeps Alice hidden away at her grandmother’s house.

Krsy Fox of Allegoria and Bury the Bride plays Mindy and is joined in the cast by Elizabeth Phoenix Caro (The Christmas Chronicles) as Alice and Jon Sklaroff (Gifted) as Agyar. Also in the cast are Chaz Bono (American Horror Story), Lyndsi LaRose (Frank), Mark Kelly (The Hot Zone), Christopher Alvarenga (Last Girl Standing), and genre icons Barbara Crampton (Re-Animator), Heather Langenkamp (A Nightmare on Elm Street), and Bonnie Aarons (The Nun).

Bono, who also worked on Bury the Bride, serves as an executive producer on Little Bites alongside his mother, Cher, as well as Ian Hoge, Tyler Connolly, and Wendy and Mark Berry. Spider One and Fox’s company OneFox Productions produced. 

Spider One told Deadline, “Little Bites began with an unflinching look at my own experience as a parent. An experience that has been and continues to be a complex mess of love, pain, success and failure. Where the best of intentions are constantly countered by the dark forces of self doubt and the external judgment of others. In the film, Mindy’s relationship with her monster, Agyar, is clearly my allegory for parenthood. His bites are her pain. His words are her insecurities. His intentions are to prove Mindy’s failure as a parent. Krsy Fox and Jon Sklaroff delivered beyond my wildest expectations with their portrayals of Mindy and Agyar and I can’t wait to once again team up with Shudder/RLJE and let horror fans to sink their teeth into Little Bites.

We recently heard that Spider One was working on his fourth film, Big Baby.

Will you be watching Little Bites when it reaches Shudder? Let us know by leaving a comment below.

Little Bites

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When news broke that various children’s properties would enter the public domain and be made into cheap horror movies, most of us expected films that would straight to DVD or Streaming. And while that is the case for many of these releases, not the case with the Poohniverse. Starting with Winnie the Pooh: Blood and Honey, this cinematic universe has found success with its brief theatrical runs. So much so that we’re being treated to a whole slate of films that include Bambi, Winnie the Pooh and Pinochio. The latest entry, Peter Pan’s Neverland Nightmare, releases in theaters for only three days (just like the Blood and Honey films) so be sure to check it out in theaters if you want more. My review will go up the night of release.

I was excited to chat with director of Neverland Nightmare (and star of Blood and Honey 2), Scott Chambers to discuss all things Poohniverse. What surprised me the most was that the first Blood and Honey was simply one of dozens of horror films that they made that year. Its viral success has allowed the filmmakers to focus on less projects; all of them leading to an Avengers-style teamup film which is set to be released next year. I’m really impressed with the sheer determination of Chambers in getting these films done. This also served as the first interview where the person ended up being a fan of my work, so that was a real “pinch me” moment. Scott also offered to kill me off in a future Poohniverse film so here’s hoping that actually comes to fruition. Like any horror fan, the dream is to be killed on screen in a horror film. Check out the rest of the interview in the embedded video above!

Peter Pan’s Neverland Nightmare plot:

The newest entry into the Poohniverse follows Wendy Darling as she strikes out in an attempt to rescue her brother Michael from the clutches of the evil Peter Pan who intends to send him to Neverland. Along the way she meets a twisted Tinkerbell, who is hooked on what she thinks is fairy dust.

From Jagged Edge Productions and ITN Studios, Peter Pan’s Neverland Nightmare arrives in theaters for three days only starting January 13, 2025 until January 15, 2025 only from Iconic Events Releasing. Buy your tickets now at Iconic Events.

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Seven years went from the time when director Coralie Fargeat made her feature directorial debut with a very cool revenge movie that was appropriately titled Revenge – you can read our 8/10 review of the film at THIS LINK – and when she came back with an “explosive feminist take on body horror” called The Substance, which stars Demi Moore (Ghost) and Margaret Qualley (Once Upon a Time in Hollywood). Fargeat’s second movie was worth the wait (you can read our 9/10 review HERE), and has been streaming on the MUBI service since Halloween. Qualley wore some major prosthetic makeup for some sequences in the film – and during a new interview on the Happy Sad Confused podcast, she revealed that it took a year for her skin to recover from the irritation caused by those prosthetics.

The film is gory, but also humorous, and it’s quite a wild ride. Here’s the official synopsis: It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance… what could possibly go wrong? The Substance has been rated R for strong bloody violent content, gore, graphic nudity and language.

A press release provides more information: Demi Moore gives a career best performance as Elisabeth Sparkle, a former A-lister past her prime and suddenly fired from her fitness TV show by repellent studio head Harvey. She is then drawn to the opportunity presented by a mysterious new drug: THE SUBSTANCE. All it takes is one injection and she is reborn – temporarily – as the gorgeous, twentysomething Sue (Margaret Qualley). The only rule? Time needs to be split: exactly one week in one body, then one week in the other. No exceptions. A perfect balance. What could go wrong? Deliriously entertaining and ruthlessly satirical, Coralie Fargeat’s Cannes sensation turns toxic beauty culture inside out with a be-careful-what-you-wish-for fable for the ages. Explosive, provocative and twisted, THE SUBSTANCE marks the arrival of a thrillingly visionary filmmaker.

Moore and Qualley are joined in the cast by Dennis Quaid (Lawmen: Bass Reeves), who plays the studio head Harvey. At one point, Ray Liotta was attached to appear in the film as well, but he passed away soon after his casting was announced. He was replaced by Quaid, who dedicated his performance to Liotta.

Eric Fellner and Tim Bevan produced The Substance for the company Working Title. Alexandra Loewy of Working Title and Nicolas Royer of A Good Story serve as executive producers.

Qualley told Happy Sad Confused (with thanks to Variety for the transcription) that Fargeat had to avoid showing her face in some scenes because her skin was so irritated. “At the end, when they’re shooting up my skirt in the beginning credits, and it’s like the palm trees all around and they have all these long lenses from the bottom, that’s just because my face was so f*cked up. They couldn’t shoot my face anymore. … It took me probably a year to recover physically from all of it.” From The Substance, Qualley went on to work on Yorgos Lanthimos’s Kinds of Kindness, where the acne caused by the The Substance prosthetics was left uncovered for one of the four characters she played. “So, you know the character that has all that acne? That was just my acne from the prosthetics. And I was like, ‘Oh this is kind of perfect. I’m playing all these different characters. For one of them, we’ll use all my crazy prosthetic acne.’

If you’d like to catch The Substance on the big screen, you’ll have another chance soon, as the film is returning to US theatres this Friday, January 17th. Are you a fan of this film, and of Margaret Qualley’s work in it? Let us know by leaving a comment below.

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