The Sorcerer has been iconic in many Blizzard games (Blizzard itself being a spell in the Sorcerer’s arsenal), and Diablo IV: Vessel of Hatred is no different. If you, like many before you, seek to bend the arcane and elemental forces to your will, this build guide will help, whether you’re just starting out or…
Almost three years have gone by since Joshua Oppenheimer, the director behind the documentaries The Act of Killing and The Look of Silence, announced that he was teaming up with NEON to make his narrative feature debut with The End, “a golden-age musical about the last human family.” That film went into production last year, with a cast that includes Tilda Swinton (We Need to Talk About Kevin), Michael Shannon (The Shape of Water), George MacKay (1917), Moses Ingram (The Tragedy of Macbeth), Bronagh Gallagher (Pulp Fiction), Tim McInnerny (Notting Hill), Lennie James (The Walking Dead), and Danielle Ryan (The Silencing). Now it’s making the festival rounds, building up to a December theatrical release. The film is scheduled to start playing in New York and Los Angeles on December 6th, with the limited release expanding on December 13th. As those dates are swiftly approaching, a trailer for The End has dropped online and can be seen in the embed above. A new poster has also been unveiled, and that can be found at the bottom of this article.
JoBlo’s own Chris Bumbray had the chance to see The End a couple of months ago, and he was not a fan. You can read his review at THIS LINK. I’m fairly certain this movie won’t be for me, either, but I’m open to giving it a chance at some point.
During an interview with Prospect, Oppenheimer revealed what inspired him to make the movie: “I was researching very wealthy families, and one of them was buying a doomsday bunker that was more of a palace than a bunker. I decided to make a film about a family in a bunker 20 years after the world has ended—and to make it a musical. This family has enriched itself through fossil fuels. It’s now 20 years after the world has ended and they have a son who was born in the bunker. It’s a study in impunity. They tell themselves that this vast tomb is now the pinnacle of civilization, because they are the last family, a Noah’s Ark for a flood that will never subside. The themes grow out of what I explored in The Act of Killing—guilt and denial, the imposition of a narrative by the powerful, the performance of impunity. And remember: Impunity is always performed. It’s not something you can take for granted. You have to assert it with shows of force.” He went on to say the movie is “an exploration of whether we as human beings can come to a place where our guilt is too much to recover from. We are our pasts. And we’re all perpetrators in one way or another.“
The End has the following synopsis: A post-apocalyptic story about a rich family, surviving two decades after the world ended, living in a salt mine converted into a luxurious home. The earth around them has apparently been destroyed, but their 13-year-old son, born in the bunker, has never seen the outside world. There is a maid, with whom the son has his only honest relationship. There is also a doctor, and a butler. Unspoken blame over leaving loved ones behind looms over this family, hollowing out whatever intimacy they once shared. Suddenly, a young girl appears at the entrance of the bunker, the balance of the family is threatened.
Or, here’s an expanded synopsis: A wealthy family survives in a palatial bunker, two decades after the world has ended. There is a mother, father, and their twenty-year-old son – he was born in the bunker and has never seen the outside world. There is a maid, with whom the son has his only honest relationship. There is also a doctor, a butler – and finally a young woman who, having barely survived, manages to find her way in. The film is a musical, and the title is THE END. Before the young woman arrives, the family celebrates their survival as confirmation of their success and righteousness, but unspoken blame over leaving loved ones behind has come between the parents, hollowing out whatever intimacy they once shared. They struggle to repress the guilt they feel for this – as well as a more diffuse regret for contributing to the world’s end. (The Father was an oil tycoon.)
The music is inspired by Broadway’s Golden Age – the unearned optimism of the classic American musical embodies the bunker’s desperate delusions. In THE END, it is an optimism born of fear. They are afraid to face their guilt, and it is this fear, more than the inhospitable conditions outside, that prevents them from leaving. Were they to leave, they’d be confronted by the truth of what they did to the world – and the fate to which they abandoned their families. There will be no Golden Age theatricality to the performances. Instead, the unvarnished realism invites the audience to identify with the characters in this intimate tragedy about guilt, denial, and unfulfilled longing. As in the director’s THE ACT OF KILLING, there is also absurdity and dark humor – and, as the son and young woman fall in love, a fragile hope.
Will you be watching The End? Take a look at the trailer and the new poster, then let us know by leaving a comment below.
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Microsoft has just announced the next wave of Game Pass titles for the first half of November. Among a lovely trove of indie titles, it finally includes the arrival of Flight Simulator 2024, albeit only in the newly expensive “Ultimate” tier.
Microsoft has just announced the next wave of Game Pass titles for the first half of November. Among a lovely trove of indie titles, it finally includes the arrival of Flight Simulator 2024, albeit only in the newly expensive “Ultimate” tier.
Dog Soldiers and The Descent director Neil Marshall has worked with actress/co-writer Charlotte Kirk on his three most recent films, The Reckoning, The Lair, and Duchess, and they’re continuing their collaboration on the upcoming psychological thriller Compulsion. Deadline reports that Saban Films has secured the domestic distribution rights to the film – and while a release date has not yet been announced, a first look image has been unveiled. You can check that out at the bottom of this article.
With a script written by Marshall, Compulsion is said to be inspired by the old school erotic thrillers of the ’80s and ’90s, like Fatal Attraction, Basic Instinct, and Single White Female. This one centers on the dynamically twisted relationship between two women, as both become embroiled in a series of horrific murders on the island of Malta. Kirk stars in the film alongside Anna-Maria Sieklucka, who starred in the massive hit 365 Days for the Netflix streaming service. Here are some character details: Kirk’s character, Diana, is described as a flamboyant and ruthless thief; Sieklucka’s Evie, as a seemingly innocent young woman with a troubled past and a dark secret.
Also in the cast with Sieklucka and Kirk are Zach McGowan (Dracula Untold), Giulia Gorietti (Suburra), Cinzia Monreale (The Beyond), and Harvey Dean (Sea Dragon).
Deadline notes that the film was produced by Kristyna Sellnerova for Kristyna Sellnerova Ltd, with executive producer Emily Corcoran, in association with Cork Films. Media Finance Capital was behind the production, which has a post deal with M2 Mediapost and benefitted from the Malta film cash rebate incentive.
I have been a fan of Neil Marshall’s work ever since he made his feature debut with Dog Soldiers more than twenty years ago, and I enjoy that movie so much that I will always take a look at the latest Marshall movie. So I will definitely be watching Compulsion when it gets released by Saban Films.
Are you a fan of Neil Marshall, and does Compulsion sound interesting to you? Take a look at the first look image, then let us know by leaving a comment below.
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Pokémon TCG Pocket hasn’t even been out for a full week yet, and players have already become obsessed with a conspiracy theory: they believe there’s a way to figure out which booster packs secretly contain better odds of getting some of the game’s rarest cards. That’s because people desperately hunting for an EX…
Pokémon TCG Pocket hasn’t even been out for a full week yet, and players have already become obsessed with a conspiracy theory: they believe there’s a way to figure out which booster packs secretly contain better odds of getting some of the game’s rarest cards. That’s because people desperately hunting for an EX…
I’ve been lucky in my job at JoBlo to interview a lot of the legends I grew up watching on the silver screen, but until recently I never had the chance to chat with one of the all-timers, Liam Neeson. I was a monster fan of his from way back, even before he reinvented his career thanks to the breakout success of Taken. I grew up watching him in movies like Darkman, Rob Roy, Schindler’s List, and many others.
But, the thing is – when you interview a legend, there’s always that worry that they might let you down. Suffice it to say that was NOT the case with Neeson, who proved to be an affable, friendly, and down-to-earth fellow. I had a very nice conversation with him about his latest movie, Absolution, in which he plays an aging thug trying to atone for past misdeeds. While our internet connection wasn’t the best (status quo in this era of Zoom interviews), Neeson seemed happy to discuss this earthier character, with him explaining the research he did into CTE (Chronic traumatic encephalopathy), which is the affliction his character is suffering from in the movie, which our critic Alex Maidy really enjoyed (read his review HERE).
I also got Neeson to tease his upcoming reboot of The Naked Gun, where he channels Leslie Nielsen as Frank Drebin. His deadpan, and hilarious answer has me convinced that the movie is going to be something special, with him going out of his way to praise his co-stars, Pamela Anderson and Danny Huston.
Absolution is now playing!
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The Walking Dead spin-off The Walking Dead: Daryl Dixon (you can read our review of the first season HERE) just wrapped up its second season on AMC this past weekend, but the third show has already been filming for a while – and along with the season 2 finale comes the unveiling of a teaser trailer for season 3. You can check it out in the embed above. While a specific premiere date has not yet been announced, we do know that The Walking Dead: Daryl Dixon season 3 will start airing sometime in 2025.
The first season of The Walking Dead: Daryl Dixon had the following synopsis: Daryl (Norman Reedus) washes ashore in France and struggles to piece together how he got there and why. The series tracks his journey across a broken but resilient France as he hopes to find a way back home. As he makes the journey, though, the connections he forms along the way complicate his ultimate plan.
The six episodes of season 2 pick up where The Walking Dead: Daryl Dixon left off, following fan-favorite characters Daryl Dixon (Reedus) and Carol Peletier (Melissa McBride). They both confront old demons while she fights to find her friend and he struggles with his decision to stay in France, causing tension at the Nest. Additionally, Genet (Anne Charrier)’s movement builds momentum, setting Pouvoir on a violent collision course with the Union of Hope in the fight for France’s future.
In addition to Reedus, McBride, and Charrier, the show’s cast includes Clémence Poésy, Louis Puech Scigliuzzi, Laika Blanc Francard, Romain Levi, Eriq Ebouaney, and Manish Dayal. One new addition for season 3 is comedian Stephen Merchant has helped create such TV shows as The Office, Extras, and The Outlaws, wrote and directed the film Fighting with My Family, and had acting roles in the likes of The Office, Extras, Hot Fuzz, Burke and Hare, Hall Pass, Hello Ladies, The Big Bang Theory, Logan, The Girl in the Spider’s Web, Fighting with My Family, Jojo Rabbit, Modern Family, and The Outlaws, among others.
Will you be watching The Walking Dead: Daryl Dixon season 3? Take a look at the teaser trailer, then let us know by leaving a comment below.
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While shows like the American Crime Story series and Monsters: The Lyle and Erik Menendez Story continue to grip audiences as tightly as when the headlines first broke, Netflix has now released the trailer for one of the most notoriously unsolved mysteries of the 90s. Cold Case: Who Killed JonBenét Ramsey? will attempt to analyze this media sensation as no one has yet been brought to justice over this crime. The trailer has just been released and the three-part documentary is set to hit the streamer on November 25.
The description reads,
“On December 26, 1996, John and Patsy Ramsey woke up the morning after a loving family Christmas to discover their youngest child, six-year-old JonBenét, was missing, a chilling ransom note left downstairs. Later that day, John Ramsey discovered his daughter’s body in the basement, revealing the shocking truth that JonBenét had not been kidnapped, but was instead sexually assaulted and brutally murdered in their own home. The Boulder, Colorado police, who had little practical experience in homicide investigations, quickly cast suspicion on JonBenét’s family as the most likely suspects, fanning the flames of media scrutiny and largely one-sided reporting, turning the case into a national obsession. Twenty-eight years later, that obsession — and finger-pointing — hasn’t gone away, and the murder of JonBenét Ramsey remains unsolved. From Emmy-winning and Academy Award nominated director Joe Berlinger, this three-part docuseries investigates the mishandling of the case by law enforcement and the media.”
Academy Award–nominated director Joe Berlinger of The Ted Bundy Tapes helms the limited series. The executive producers on the project include Joe Berlinger, Craig D’Entrone, Jon Kamen and Jen Isaacson. Tim Young is on board as a co-producer.
Melissa McCarthy and Clive Owen are also slated to star in a limited episode drama about the murder of JonBenét Ramsey. The series is currently sporting the unofficial title, JonBenét Ramsey and it will be streaming on Paramount+. JonBenét Ramsey comes from Yellowstone producers MTV Entertainment Studios and 101 Studios, as well as showrunner Richard LaGravenese, known for Behind the Candelabra. LaGravense and the series’ creators Harrison Query and Tommy Wallach are also writing. McCarthy and Owen will play JonBenét’s parents, Patsy and John Ramsey.
The show’s description says the series will follow the family “as they go through the painful loss of a child while facing intense public scrutiny caused by a media frenzy that caused this case to captivate an entire nation. At the heart of the series, it is the story of Patsy and John Ramsey, exploring the unbreakable partnership of these two complex people — as husband and wife, as mother and father — who had committed themselves and their children to building the narrative of a perfect, privileged life only to have it destroyed one Christmas night in 1996.”
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