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Monty Python

Update: John Cleese has responded to Eric Idle’s recent comments, and there doesn’t appear to be any love lost between the former Monty Python performers. Cleese defended Python manager Holly Gilliam, who Idle had suggested was responsible for dwindling income streams.

I have worked with Holly for the last ten years,” Cleese tweeted, “and I find her very efficient, clear-minded, hard-working, and pleasant to have dealings with. Michael Palin has asked me to make it clear that he shares this opinion. Terry Gilliam is also in agreement with this.” Just in case there was any confusion over the status of the relationship between himself and Idle, Cleese drove the point home by saying, “We always loathed and despised each other, but it’s only recently that the truth has begun to emerge.” Yikes.

—Original article follows below—

Eric Idle may have written “Always Look on the Bright Side of Life”, but that doesn’t mean he has taken that into this 80s. Idle went on a social media tear early this week, taking former Monty Python members Terry Gilliam and John Cleese to task.

Posting on X on Monday, Eric Idle confessed that funds have dried up from his Monty Python days, writing, “I don’t know why people always assume we’re loaded. Python is a disaster. Spamalot made money 20 years ago. I have to work for my living. Not easy at this age.” He then pointed to the Gilliams: former Python member Terry and his daughter Holly, who handles management of Monty Python. “We own everything we ever made in Python and I never dreamed that at this age the income streams would tail off so disastrously.  But I guess if you put a Gilliam child in as your manager you should not be so surprised. One Gilliam is bad enough. Two can take out any company.” Idle also confirmed that it was indeed Gilliam that forbids a Spamalot movie from happening.

Monty Python would have numerous reunions following their official 1983 split, including Monty Python Live (Mostly): One Down, Five to Go in 2014, which was notably missing Graham Chapman (as alluded to in the title). Terry Jones would pass away in 2020, leaving just four original members today. That event would also mark one of the last times Eric Idle spoke to John Cleese. As he also wrote, “I haven’t seen Cleese for seven years…It makes me happy.” Ouch…At the same time, Idle did note that he wish he had worked with another troupe at least once: The Muppets. Perhaps he’s a little jealous of Cleese’s appearance on The Muppet Show…?

Unfortunately, it all runs so much deeper than that. It’s always tough to see longtime collaborators not only split but talk poorly about each other. This is especially so now, as all surviving Monty Python members are in their 80s. It would seem a fine time to reconcile, to put aside any issues in the past as they approach their final act. 

When one of his followers suggested that Monty Python be the subject of a Netflix doc that could highlight the tumultuous nature of the comedy team, Idle responded, “F*ck Netflix and f*ck documentaries.” Oh come on, Eric, don’t grumble, give a whistle!

What do you make of the continued feuds within Monty Python? What remains your favorite sketch or scene?

The post John Cleese responds to fellow Monty Python Eric Idle: “We have always loathed and despised each other” appeared first on JoBlo.

Travis Knight, Masters of the Universe

Mattel’s Masters of the Universe movie hasn’t had the easiest path, but the long-in-development project has taken a big step forward as Deadline reports that Bumblebee director Travis Knight is in final negotiations to helm the movie.

Although Deadline cautions that the deal is still coming together, the report states that Knight was the only director in the mix to give an in-person presentation, which made him the top choice for the gig. Chris Butler will rewrite the script from the previous draft penned by David Callaham, Aaron and Adam Nee. The project was previously set up at Netflix, but the streaming service scrapped the project last summer. It was later reported that the movie could find a new home at Amazon MGM Studios, and according to Deadline, they’re now in final negotiations for the rights.

Aaron and Adam Nee were previously set to write and direct the Masters of the Universe movie before it fell apart, reportedly due to budget issues. Netflix had already spent close to $30 million on development costs, with the budget ballooning to over $200 million. There was an attempt to bring the budget down, with the idea of shooting the movie back-to-back with a sequel in order to amortize the cost, but an agreement couldn’t be reached. Kyle Allen (A Haunting in Venice) was set to star in the movie as He-Man, but it’s not clear if he’s still attached.

Travis Knight made his live-action directorial debut with Bumblebee, which still stands as the best-reviewed movie in the Transformers franchise; but, perhaps more importantly to studios, it also had the lowest budget.

Knight is also the CEO of Laika, the stop-motion animation studio behind Coraline, Kubo and the Two Strings, and more. Knight is directing Wildwood for the studio, a stop-motion fantasy adventure based on the book by The Decemberists frontman Colin Meloy. It follows a young woman, Prue McKeel, and her best friend, Curtis, as they are drawn into a mystical, enchanted forest after Prue’s baby brother is kidnapped by crows.

Do you think Travis Knight would be a good fit to direct the Masters of the Universe movie?

The post Bumblebee’s Travis Knight in talks to direct Masters of the Universe movie appeared first on JoBlo.

Eleven months ago, it was announced that Colossal star Anne Hathaway signed on to star in a mysterious project It Follows director David Robert Mitchell is making for Warner Bros. Pictures, Jackson Pictures, and J.J. Abrams’ company Bad Robot. Now, Hathaway finally has a co-star, as Deadline has broken the news that Ewan McGregor, Obi-Wan Kenobi himself, has joined the project.

Details on this one, which doesn’t even have a title yet, are being kept under wraps, but last year film journalist Jeff Sneider reported the rumor that this happens to be “a dinosaur movie set in the ’80s”. In their report of the McGregor news, The Hollywood Reporter also said that their sources have described it as “a family adventure set in the 1980s that involves dinosaurs.” They added that Hathaway and McGregor would be playing the parents in this family adventure. Deadline’s sources simply described the project as a “thrill ride”… and it’s going to be shot in Imax to maximize the thrills.

It isn’t surprising that there’s not much information available, since this is a Bad Robot production, and Bad Robot likes to keep its movies as secretive as possible. Remember, they even managed to keep Cloverfield a secret until the trailer was released, and hid the fact that 10 Cloverfield Lane was a Cloverfield movie until the trailer for that one was released. Those are just a couple examples of their secrecy.

Mitchell has written the screenplay and is producing the movie with J.J. Abrams and Hannah Minghella for Bad Robot, as well as Jackson Pictures’ Matt Jackson. Jake Weiner and Chris Bender of Good Fear Content serve as executive producers. Sheila Walcott and Zach Hamby are overseeing the project for Warner Bros. Motion Picture Group.

Mitchell made his feature directorial debut with the 2010 comedy The Myth of the American Sleepover, then had a hit on his hands with It Follows in 2014. He stumbled a bit with his 2018 follow-up Under the Silver Lake, but now he’s rebounding with this project and the long-awaited It Follows sequel They Follow. Of course, since the project is set up at Warner Bros., now we just need to hope they won’t end up scrapping the movie for a tax write-off.

Does a mysterious dinosaur project from Bad Robot and David Robert Mitchell, starring Anne Hathaway and Ewan McGregor, sound interesting to you? Share your thoughts on this one by leaving a comment below.

Ewan McGregor Obi-Wan Kenobi

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NBC is tailoring its new drama pilot for Suits L.A., with Stephen Amell leading the extension of the Suits universe. The off-shoot hails from Aaron Korsh, the creator and writer of the original Suits series. Cameras roll in March in Vancouver, with fans already excited about returning to the Suits universe with a different fit.

Amell joins the pilot as Ted Black, “a former federal prosecutor from New York who has reinvented himself by representing the most powerful clients in Los Angeles. His firm is at a crisis point, and in order to survive he must embrace a role he held in contempt his entire career. Ted is surrounded by a group of characters who test their loyalties to both Ted and each other while they can’t help but mix their personal and professional lives. All of this is going on while events from years ago slowly unravel that led Ted to leave behind everything and everyone he loved.”

Word has it that Ted Black is a leviathan in stylish threads with a selfish nature. He’s more likely to give himself an edge than help you out, though he’ll also have redeeming qualities. “Fifteen years ago, the former New York prosecutor joined forces with his old buddy, Stuart Lane, to build an L.A. law firm that specializes in criminal and entertainment law.”

NBC wants fans to know that Suits L.A. is not a reboot or revival of the original series. Fans should consider Suits L.A. an extension of the original series and look forward to future drama.

Famously known for playing Oliver Queen, aka the Green Arrow, in The C.W.’s Arrowverse, Amell also played Jack Spade alongside Alexander Ludwig (Ace Spade) in the Starz wrestling drama Heels. The canceled series focuses on two brothers and rivals – one a villain, or “heel,” in the ring; the other a hero, or “face,” war over their late father’s wrestling promotion, vying for national attention in small-town Georgia.

Are you a Suits fan? Is Stephen Amell the right fit for Suits L.A.? Will the new show last nine years like the original series? Let us know what you think in the comments section below.

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