While Star Wars may not be his bag, Nicolas Cage is still as eager as ever to join the crew of the USS Enterprise for a Star Trek outing.
Nicolas Cage recently told Screen Rant that some discussion has taken place but there is still a ways to go before he can join the Star Trek franchise. “There were a couple of phone calls. I don’t know, I’d have to see a script. It would have to be something that I could really add my flavor to; have some pop and some spark. I wouldn’t want to just do anything, because I have so much love for the franchise.”
As far as what his biggest draw to the world of Star Trek is, Cage went with one of the most iconic ships in sci-fi history. “I want to be on the Enterprise. Ideally, I’d have to be on the Enterprise in some capacity. I don’t want to be floating in space on a satellite! I want to be on the bridge, but they have to bring it to me.” But would Paramount ever pull the phaser trigger to get Cage on board?
Nicolas Cage has been open about his love of Star Trek before, and while he didn’t name his son Spock, he has shown appreciation for the numerous iterations of the franchise, equally championing both William Shatner and Chris Pine. Star Trek 4 (no, not that one…) has been stewing for quite some time now, with news coming just last month that a prequel movie is now moving forward with Andor’s Toby Haynes. Cage actually joining up does seem more like a pipe dream but one can at least hope that this would be the perfect opportunity for him to make his Star Trek hopes happen.
Nicolas Cage’s sci-fi output can definitely be hit and miss, but the guy has an apparent love of the genre that studios should take advantage of, especially when it comes to Star Trek. Obviously Cage is ready to boldly go where no man has gone before, but would the fans actively support it?
Should Nicolas Cage join Star Trek in some capacity? What sort of role can you see him playing? Give us your thoughts in the comments section below!
The trailer for Kevin Spacey’s new film, Peter Five Eight, has been released from Invincible Entertainment. The new trailer comes just a few weeks after Spacey released another of his annual Christmas video skits of him reprising his popular character from House of Cards, Frank Underwood. In his most recent entry, Spacey controversially brought in former Fox News host, Tucker Carlson, to interview him in character where he teased a race for the White House. And now, Spacey is back in his first leading role since controversy plagued his image and his career in 2017. In Peter Five Eight, Spacey seemingly adopts his Underwood-esque southern drawl again until it’s revealed that he’s an undercover contract killer.
Spacey is joined by Jet Jandreau, Rebecca De Mornay and Jake Webber. The film is directed by Michael Zaiko Hall, a former visual effects artist whose credits include The Incredibles 2, Finding Dory, and Pacific Rim. He’s also dabbled in directing with titles such as Carrion, The Villains and Hotel Dunsmuir. Peter Five Eight is produced by Chavez Fred and co-star Jet Jandreau.
The synopsis from The Hollywood Reporter reads, “Spacey’s assassin character, Peter, has a comedic streak as he’s called to a small mountain community to find a seemingly glamorous real estate agent with a dark secret, played by Jet Jandreau. Peter targets Brenda, played by Rebecca de Mornay, for information at the urging of his powerful and shadowy boss, Mr. Lock, played by Jake Weber. Before long, guns are drawn and fired and car chases abound in the trailer as blood splatters and explosions disturb the sleepy town. Michael Zaiko Hall directs the feature.”
Invincible Entertainment is slated to give Peter Five Eight a limited release in theaters ahead of a home entertainment and video-on-demand release for the indie thriller. Spacey has attempted to revitalize his career and has since been found not guilty in a UK court for his sexual assault trial back in July of 2023. Additionally, Spacey is set to make his first appearance at a convention at the Mad Monster Party in North Carolina later this month. He will be available for limited photo ops in the three days of the convention.
Are you eager to give Spacey a break and check out Peter Five Eight? Let us know in the comments!
Last week, Charlie Cox, Vincent D’Onofrio, Elden Henson, Deborah Ann Woll, and Margarita Levieva were spotted on the set of the Marvel / Disney+ series Daredevil: Born Again, filming scenes as their characters: lawyer Matt Murdock, criminal kingpin Wilson Fisk, Murdock’s associates Foggy Nelson and Karen Page, and Murdock’s latest love interest, Heather Glenn. Now more set video and images have made their way online, and these give a glimpse at the filming of an action sequence that involves Murdock, suited up as the hero Daredevil, taking on Wilson Bethel as the villainous Benjamin “Dex” Pointdexter / Bullseye. If you want to get a good look at the costumes Daredevil and Bullseye will be wearing on this show, just keep scrolling down.
Daredevil: Born Again went into production last year – then when the strikes hit, it underwent a creative overhaul that, according to D’Onofrio, has ensured that this new series is now directly connected to the Daredevil series that ran for three seasons on the Netflix streaming service. So the versions of the Daredevil and Bullseye characters we’ll be seeing on this show are the same ones fans previously saw on Netflix.
Dario Scardapane, who worked on Tom Clancy’s Jack Ryan and the Marvel / Netflix series The Punisher, was brought in to serve as showrunner on Daredevil: Born Again during the creative overhaul. The behind-the-scenes shake-up also led to Justin Benson and Aaron Moorhead, the directing team who were at the helm of multiple episodes of Moon Knight and Loki season 2, being hired as directors on the show. Matt Corman and Chris Ord were previously the head writers on the show, but they were let go.
In addition to the actors mentioned above, the show stars Michael Gandolfini and Sandrine Holt, who replaces Ayelet Zurer as Wilson Fisk’s wife Vanessa. Jon Bernthal is also back as Frank Castle / The Punisher.
When Daredevil: Born Again was first announced, it was said that the first season of the show would consist of eighteen episodes. We don’t know for sure if the creative overhaul has had an impact on the episode count. Rumors have indicated that it might end up being closer to the episode of the Netflix show, which had thirteen episodes per season.
Are you looking forward to Daredevil: Born Again? Take a look at these images, then let us know by leaving a comment below.
Filmmaker Kevin Smith is best known for his work in the comedy genre. His movies often center on comic book and Star Wars-loving guys, and tend to be packed with stoner humor and vulgar but amusing conversations about sex. But once he was more than a decade and several movies into his movie career, he decided to switch things up, making a horror film that was inspired by disturbing headlines and is packed with death, damnation – and some damn fine acting. Released in 2011, Kevin Smith’s first horror movie was called Red State (watch it HERE), and if you haven’t seen it, it’s the best horror movie you never saw.
Most Christian churches preach of a loving, forgiving God. But there’s one particular church with a small congregation that takes the concept of “fire and brimstone” so far, many have labelled it a hate group. Their idea of God is a hateful being who revels in the deaths of sinners and soldiers alike. They used to get a lot of press for protesting high-profile funerals, holding signs with shocking messages. They don’t get as much press coverage these days, so we won’t even mention the name of their church here. The point is, Kevin Smith saw the headlines about this group. He was disturbed and appalled… but also inspired to write a horror film about a church that has similar beliefs. But the congregation he imagined takes their beliefs to dangerous, violent extremes. Also a source of inspiration was the story of the apocalyptic cult the Branch Davidians, who, while under the leadership of David Koresh in 1993, had a disastrous stand-off with the ATF at their Waco, Texas compound. ATF agents showed up to execute a search warrant, kicking off a fifty-one day ordeal that involved shootouts and fires. And resulted in the deaths of eighty-six people.
The story Smith wrote is basically split into three sections, centering on subjects that you’re not meant to talk about in social situations: sex, religion, and politics. It’s set somewhere in middle America, presumably a red state – although, the film’s title is a play on the term, with “Red” being a euphemism for blood in this case. For the last decade, a church called the Five Points Trinity Church has been protesting funerals, spreading their message that America is going straight to Hell – and that the main reason for this is the country’s acceptance of gay people. This isn’t much of a concern for teenagers Travis, Jarod, and Billy-Ray, played by Michael Angarano, Kyle Gallner, and Nicholas Braun. They’re not gay. In fact, through the internet they have just set up a meeting with an older woman who says she wants to have sex with all three of them at the same time. Sexual banter is common in Smith’s movies, but here the dialogue is nastier. Rougher. These kids aren’t as likeable as the average Smith characters. Which was the idea, as this was meant to be a bleak, unsettling movie, with nobody you can really root for.
On the way to meet the older woman, the kids enter a world of horror tropes. A dark night. A fender bender on a country road. An isolated trailer. The woman they meet with is Sara, played by Melissa Leo. She’s a bit older and more reserved than they expected, but they still intend to go through with their plans. Until Sara drugs their beer, knocking them out. When they wake up, they’re captives in the Five Points Trinity compound, Cooper’s Dell. The church has taken it upon themselves to eradicate sinners. They capture and murder gay people, and they’ll do the same to three teenagers who wanted to participate in a gangbang. But first, we witness a sermon by Pastor Abin Cooper. This role was written specifically for Michael Parks, as Smith had been blown away by his performance in the opening sequence of From Dusk Till Dawn. And Parks is amazing in this role. His character may be off-balance, but his sermon doesn’t involve ranting with eyes bulging and spit flying. He’s low-key and charismatic, he’s got a nice interaction with his congregation, which is made up solely of his own offspring and their spouses and children. But he peppers his scripture quotes with de-humanizing hate speech. It’s a disturbing scene, especially since there are little children in this group, hearing this talk and seeing two of the church’s captives in the room with them; one strapped to a cross, another in a dog cage.
Members of the congregation are played by Smith’s wife Jennifer Schwalbach, Michael Parks’ son James. Kerry Bishé as Cooper’s granddaughter Cheyenne, Betty Aberlin from Mister Rogers’ Neighborhood, and radio personality and podcast host Ralph Garman as a man who doesn’t speak. Smith’s Zack and Miri Make a Porno cast member Traci Lords badly wanted to be in Red State and it’s easy to imagine her playing Sara, but it wasn’t to be.
Smith attempted to make sure the movie would never become predictable. When you think you know where it’s going, it swerves off in a different direction. So once the teens have been captured, it doesn’t just become a story of the church members torturing and murdering them. Remember that fender bender? The driver of the other car was local Sheriff Wynan, played by Stephen Root. Although Wynan is married to a woman, he sneaks off to hook up with male prostitutes on the side of the road. Not knowing the teens didn’t see what was happening in his car, he fears his secret is going to get out. So he sends his Deputy Pete, played by Matt Jones, to look for their car. Which he finds at Cooper’s Dell… right before he gets killed by the Coopers, who are definitely aware of Wynan’s secret. Desperate to deal with the situation, Wynan makes a call to the ATF.
Enter ATF Agent Joe Keenan, which proved to be the most difficult role to cast. Smith wrote the Red State script soon after making a cameo in Live Free or Die Hard. Since he had a great time working with Bruce Willis on that film, some wondered if he would try to put Willis in this film. Keenan would have been a good fit for him. But then Smith had the experience of working with Willis on Cop Out, and that ensured they wouldn’t work together again. Smith wanted John Goodman for the role, but Goodman was busy. So he turned to Dermot Mulroney. Talks with Mulroney went well – but then they ran into scheduling issues. Samuel L. Jackson expressed interest in being in a Kevin Smith movie. So Smith sent him the Red State script. Jackson read it and liked it, but his agent wasn’t interested in working around the budgetary restrictions to get him into the movie. By this time, Goodman’s schedule had cleared up. So he got to play the role, and deliver a great monologue toward the end.
The ATF has caught word that the church has been gathering semiautomatic firearms and modifying weapons. So when Wynan alerts them to suspicious activity on the compound, Keenan and other agents – including one played by Kevin Pollak – show up to execute a search warrant. A shootout ensues. With bullets flying around him, Keenan is informed that higher-ups have reclassified the situation. The Coopers are now considered a domestic terrorist cell. And Keenan and his men are to wipe out everyone in the compound. Men, women, and children.
Smith wrote the Red State script back-to-back with the script for the comedy Zack and Miri Make a Porno. His idea was to make the movies back-to-back as well. He wanted to have Red State filmed and Zack and Miri in post-production by the end of 2007. But it wasn’t that easy. All of Smith’s movies up to that point, except Mallrats, had been made for the Weinsteins. So the scripts got sent to them first. And neither of the Weinstein brothers were interested in making Red State. They found it disturbing and challenging, but not commercial. Zack and Miri Make a Porno, though, that one got a greenlight and put on the fast track to production based on the title alone. Unfortunately, the Weinsteins flubbed the marketing. Although the movie starred Seth Rogen, fresh off starring in comedies that had made over one hundred million dollars at the box office, Zack and Miri made less than forty million. This dropped Smith into a deep depression for a while, and turned him into a stoner for many years. He emerged from the depression to direct, but not write, the buddy cop movie Cop Out for Warner Bros. And that didn’t turn out very well for him, either. At this point, he understandably felt his movie career was winding down. He’d make a couple more movies, then pivot to podcasting and distribution. And one of the movies he wanted to make before he retired was Red State.
The project got more rejections for not being commercial enough. But in 2010, Smith was able to secure a four million dollar budget through private investors. That was enough to get the movie made… as long as he changed the ending. In the original script, the story ended with the apocalypse. The shootout between ATF agents and the Coopers is interrupted by the ear-splitting sound of trumpet blasts. The heads and chests of everyone around Keenan start exploding, and he sees this is being caused by armor-wearing, sword-wielding angels. Then the Four Horsemen of the Apocalypse ride across the sky. When Smith sent that ending to his filmmaker friend Malcolm Ingram, Ingram’s only response was, “I dare you.” But he didn’t have the money to carry out the dare. So the film ends with a dialogue scene where Keenan explains the trumpet sounds were a prank being pulled by neighbors who hated the Coopers. It wasn’t The Rapture. After the movie was released, Entertainment Weekly put together an animated version of the original ending.
Red State had its premiere at the Sundance Film Festival in 2011. Where its screening was picketed by the real-life church that was a source of inspiration for the film. Smith and his friends staged a counter-protest directly across from them.
Always a showman, Smith had said he would sell the distribution rights to the film in the Sundance screening room, auction style. But when this auction began, he quickly took the rights for himself. He had a self-distribution plan that involved touring with the movie, taking it to venues around the country. He didn’t want to work with the Hollywood marketing machine on this one, after seeing how much money was wasted on promoting his other films. For example, the Weinsteins gave him a five million dollar budget on Clerks 2, then spent ten million on marketing. He’d represent Red State himself. And it worked. By touring the film in North America and selling international rights, he was able to pay off the investors and make some profit. Then he sold the home video rights to Lionsgate – and it did well enough for them that they were still hoping he’d make a sequel a decade later.
Red State is very different from any movie Smith had made before, in tone and style. It’s shot in a gritty, handheld way, with cinematographer Dave Klein drawing inspiration from the Normandy sequence in Saving Private Ryan when he was filming the shootout scenes. The movie plays like a documentary of awful events, featuring mostly terrible people. And the worst thing is, it seems like something you’d really see on the news. There’s no musical score, but there is an ominous rumbling on the soundtrack during particular moments. It moves along at the speed of one of the many bullets fired in it, getting through certain scenes with jump cuts when necessary, just to keep the momentum going. It’s dark, disturbing, thrilling, and occasionally there’s a laugh dropped in there.
What Red State has going for it more than anything is some excellent acting. Michael Parks, John Goodman, Melissa Leo, Kyle Gallner, Kerry Bishé, Stephen Root, they and others all turn in great performances. Then get caught up in a bloodbath. The best scene in the movie is when we get to just sit back and watch Michael Parks own the screen for a while. Cooper’s sermon to his congregation goes on for more than ten minutes, but you can’t look away. Parks is captivating while being repugnant. Then the sermon is capped off by the murder of one of the church’s captives.
Smith set out to make an unsettling movie, and he succeeded. It was outside his comfort zone, but turned out to be one of the best films of his career.
Since it shifts gears often and the climax is a lengthy shootout, some disagree that it should be labelled a horror movie. Smith told Moviephone, “I called it horror because what else do I call it? The things that happen in it are horrifying. So I’m like, ‘That’s a horror movie.’ And that’s the easiest way to sum it up. But it’s more of a genre mash-up. I put in a little horror; I tried to do action thriller; I put in dark satire. It was kind of important to see if I could make another type of movie. I know that I can make a Kevin Smith Movie. The movies I dream about making aren’t my own; I dream about making Quentin Tarantino movies and Coen Brothers movies.”
So if the idea of a horror action thriller satire that blends elements of Smith, Tarantino, and the Coens sounds appealing to you, head over to Cooper’s Dell. Take in the violence and madness of Red State. You may not find any likeable characters in it, but it does provide plenty of troubling thrills and an entertaining viewing experience, especially if you enjoy great acting.
A couple previous episodes of the Best Horror Movie You Never Saw series can be seen below. To see more, and to check out some of our other shows, head over to the JoBlo Horror Originals YouTube channel – and subscribe while you’re there!
A24 is teaming up with Saint Maud (watch it HERE) director Rose Glass to bring us a movie called Love Lies Bleeding, which is described as being a romantic thriller that’s fueled by fueled by ego, desire, and the American dream. The film is set to reach theatres on March 8th, and with just one month to go before that date arrives, a new trailer has arrived online. You can watch it in the embed above.
Kristen Stewart (Spencer) stars in Love Lies Bleeding alongside Katy O’Brian (The Walking Dead), Dave Franco (The Disaster Artist), Ed Harris (The Rock), Jena Malone (Sucker Punch), and Anna Baryshnikov (Manchester by the Sea).
The screenplay written by Glass and Weronika Tofilska tells an electric new love story; reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
Film4 developed Love Lies Bleeding with the filmmakers and co-financed with A24. A24 is also producing the film with Andrea Cornwell of Lobo Films and Oliver Kassman of Escape Plan Productions.
Saint Maud was Glass’s feature directorial debut, and that film went over very well with viewers. It has a 93% fresh rating on Rotten Tomatoes, and our own reviewers Matt Rooney and The Iceman both gave it 9/10 reviews. You can read Matt’s review at THIS LINK and The Iceman’s review is over HERE. Love Lies Bleeding got a 7/10 review from JoBlo’s own Chris Bumbray, and you can read that one at THIS LINK.
I still need to get around to seeing Saint Maud, but Love Lies Bleeding looks very interesting to me. I’m definitely going to be watching this movie, so maybe I should watch Saint Maud on the same day and have a Rose Glass double feature.
What did you think of the Love Lies Bleeding trailer? Are you looking forward to seeing this movie next month? Let us know by leaving a comment below… and while you’re scrolling down, take a look at these character posters:
The sci-fi horror A Quiet Place franchise is heading to New York with its latest entry, A Quiet Place: Day One, which is set to reach theatres on June 28th – and with that release date four months away, the first trailer for the film has arrived online! You can check it out in the embed above, then scroll down to the bottom of this article to see the first poster.
While John Krasinski directed the previous two films, he is producing A Quiet Place: Day One and has passed the helming duties over to Michael Sarnoski, director of the Nicolas Cage drama Pig (watch it HERE). Jeff Nichols (Midnight Special) was attached to write and direct A Quiet Place: Day One for a while, but when he dropped out he was replaced by Sarnoski. The story, which is credited to Krasinski and Sarnoski, does take place in the same world established in the first two movies, but doesn’t involve the Abbott family, the characters we followed through the first two movies.
Deadline’s sources said that after seeing Pig and being blown away by the film, Krasinski was quick to put Sarnoski on the short list of directors to take a meeting for the project. While insiders say Sarnoski’s vision for the film was still his own and different from what Krasinski had done with the first two, he still gave a pitch that fit the tone of the world they had created and felt he was the perfect fit for their next installment.
Krasinski is producing A Quiet Place: Day One under his Sunday Night banner, while Michael Bay, Andrew Form, and Brad Fuller produce through their company Platinum Dunes. Krasinski’s Sunday Night partner Allyson Seeger serves as executive producer.
The film stars 12 Years a Slave Oscar winner Lupita Nyong’o, Alex Wolff of Hereditary and Pig, and Joseph Quinn, who is better known as Eddie Munson from the most recent season of Stranger Things. Djimon Hounsou, who played “Man on Island” in A Quiet Place: Part II, reprises that role here.
What did you think of the A Quiet Place: Day One trailer? Will you be catching this movie on the big screen? Take a look at the poster, then let us know by leaving a comment below.
After a long delay, Netflix’s immensely popular Stranger Things has gone into production for the last time. Millie Bobby Brown is treating this like “senior year” and is looking forward to the future, while executive producer and director Shawn Levy has been lining up projects like Deadpool 3 and a Star Wars movie. However, everyone involved also acknowledges the massive undertaking of ending such a cultural phenomenon as the show has been. Rumors have been flying about where the story of this final season may go and who might die.
One of the stars who grew up on the show, Gaten Matarazzo, recently made an appearance at Mega Con Orlando. According to Deadline, CBR reports that while he spoke at a panel, Matarazzo was inquired about what he would personally like to have seen more on the series. He replied that he would have intensified the show’s suspense as he said, “It might sound messed up but we should kill more people. This show would be so much better if the stakes were much higher, like at any moment, any of these kids can kick it. I feel like we’re all too safe.”
This sentiment is not lost on the rest of the cast either, as Maya Hawke stated long ago that she would love to see her character go out in a blaze of glory. Hawke stated that she could see her Robin Buckley character making a sacrifice, “I would love to die and get my hero’s moment. I’d love to die with honor, as any actor would. But I love the way that the Duffer Brothers love their actors. The reason that they write so beautifully for me and for everyone else is because they fall in love with their actors and their characters, and they don’t want to kill them. I think that’s a beautiful quality that they have, and I wouldn’t wish it away.”
Although Matarazzo thinks more deaths could add more edge, Levy would have to contend with many fans who are clamoring for a return of a departed favorite, Eddie Munson. Levy considered the audience’s response but ultimately decided, at least for now, that season five would not include Eddie in some way. Levy stated, “[Laughs] Oh boy, a lot of people – a lot of people – can’t even handle the thought of a Season 5 without some excuse for Eddie presence. Highly unlikely. Highly unlikely. But we hear you, world. We know. You’re obsessed with Eddie. So were we.”
Honkai: Star Rail released its first major update this week in the form of version 2.0 It adds a cornucopia of new content for trailblazers to explore, including a continuation of the main quest, new characters, and the new Penacony area. I’ve only spent a short amount of time with version 2.0 but things are looking…
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