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Deadpool, Ryan Reynolds, Hugh Jackman, Wolverine

Deadpool 3 is officially wrapping up production, and Ryan Reynolds is celebrating the occasion with a picture of his crotch! Move over, Jareth, there’s a new codpiece in town! The superhero threequel has fought an uphill battle since cameras started rolling, with unpredictable weather, Hollywood strikes, and Hugh Jackman gumming up the works. As the only Marvel Studios film releasing in 2024, a lot is riding on the Merc With a Mouth’s next round of silver-screen shenanigans.

The good news is that fans are climbing the walls for the next Deadpool movie. The sequel carries an air of mystery as Jackman’s involvement means Wade and Logan will finally lock horns on the big screen. Rumors suggest Deadpool 3 includes aspects of multiversal madness, too, leading to surprising cameos and nods to bygone eras of Marvel’s cinematic offerings. Expect the X-Men to get roasted beyond recognition, True Believers.

“The suit hides blood. Also sweat… But today, with Deadpool wrapping, it’s mostly tears. A giant and forever thanks to the cast and crew of our film who battled wind, rain, strikes and @thehughjackman… all under the stalwart leadership of @slevydirect,” Reynolds wrote in an Instagram post.

“I got to make a movie with my closest pals and that doesn’t happen very often. See ya July 26th,” he added.

“Our movie is raw, audacious, very much R-rated and we went to great lengths to not shoot it on sound stages with digital environments,” Deadpool 3 director Shawn Levy told Deadline at the Toronto International Film Festival last year. “We wanted something that felt, grounded, real…You put Hugh Jackman in his most iconic character alongside Ryan Reynolds in his most iconic character; it’s more of a descendant of Midnight Run, and 48 Hours, and Planes, Trains and Automobiles more than it’s a descendant of Airplane.”

The upcoming Deadpool sequel will see the return of Morena Baccarin as Vanessa, Leslie Uggams as Blind Al, Karan Soni as Dopinder, Brianna Hildebrand as Negasonic Teenage Warhead, Shioli Kutsuna as Yukio, Stefan Kapičić as the voice of Colossus, and Rob Delaney as Peter. Deadpool 3 will also star Emma Corrin, who is expected to play the villain, and Matthew Macfadyen in an undisclosed role. The film also finds Jennifer Garner returning as Elektra for a “cameo-like” appearance. In addition to Garner’s Elektra, rumors say Ben Affleck was spotted on the Deadpool 3 set, leading fans to believe he’ll cameo alongside Garner as Daredevil. That said, Affleck’s participation is not confirmed.

How excited are you about Deadpool 3? Do you think it will be the best Deadpool movie yet? Let us know in the comments section below!

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A year and a half ago, it was announcedthat Sydney Sweeney – whose credits include Euphoria, the recent romantic comedy release Anyone but You, and the upcoming Sony Marvel movie Madame Web – was going to re-team with Michael Mohan, who directed her in the erotic thriller The Voyeurs, for the psychological horror film Immaculate. Last month, NEON acquired the U.S. distribution rights to the film and let it be known they’re planning to give it a theatrical release. Now we know that Immaculate will be reaching theatres on March 22nd. With just two months to go until that date arrives, a poster has been unveiled, and you can check it out at the bottom of this article. The trailer will be making its way online tomorrow.

Scripted by Andrew Lobel, Immaculate sees Sweeney taking on the role of Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Her warm welcome to the picture-perfect Italian countryside is soon interrupted as it becomes clearer to Cecilia that her new home harbors some dark and horrifying secrets.

Simona Tabasco (The White Lotus), Alvaro Morte (Money Heist), Benedetta Porcaroli (Baby), and Dora Romano (The Hand of God) are also in the cast.

Sweeney produced the film through her company Fifty-Fifty Films, alongside Jonathan Davino. Also producing are Teddy Schwarzman and Michael Heimler of Black Bear and Middle Child Pictures’ David Bernad, who developed the project with Sweeney after they worked together on the Emmy-winning series The White Lotus. Will Greenfield and Black Bear’s John Friedberg and Christopher Casanova serve as executive producers. Black Bear provided the financing.

How does Immaculate sound to you? Are you a fan of Sydney Sweeney’s work, and are you glad to hear she’s working with the director of The Voyeurs again? Take a look at the poster, then share your thoughts on this one by leaving a comment below.

Other projects on the Sydney Sweeney line-up include a reboot of Barbarella, where she’ll be playing the title character; the thriller The Registration for producer Bradley Fuller and the writers of the Hellraiser reboot, Ron Howard’s survival thriller Eden, the Apple drama Echo Valley, and the Platinum Dunes production The Caretaker

Immaculate

The post Immaculate poster unveiled for Sydney Sweeney horror film, trailer coming tomorrow appeared first on JoBlo.

PLOT: An undead monster is resurrected in the remote wilderness and goes on a rampage.

REVIEW: Stop me if any of this sounds familiar: an undead monster wearing a mask, partying teens getting slashed, and creepy urban legends coming to life. Indeed, director Chris Nash’s In A Violent Nature is unabashedly a slasher film, but it’s distinguished by its unique perspective. Basically, the entire film is shown from the killer’s point of view. The camera very rarely leaves his POV from the time he is resurrected, showing him walking confusedly through the woods, finding victims, killing them grotesquely, and moving on.

Through it all, Nash mixes techniques, shooting the film in a minimalist art-house style (complete with the now pretentious 1:33:1 aspect ratio) until switching to maximalist gore for some (but not all) of the kills. That means the film often has minimal dialogue as we spend a not insignificant amount of time following the killer as he walks through the woods towards whatever noises he hears in the distance. One could imagine the intention might have been to answer a question like “What would it look like if Terrence Malick directed a horror film?” but at times, it was almost like watching a video game. The way we observe the monster (from the back) is just like in a video game, and the style occasionally grows tedious.

Another drawback to the style is that In A Violent Nature is never scary. The reason is that by putting the audience in the shoes of the killer, we know exactly when and where he’s going to strike. Nash compensates for this by making some of the kills extra gnarly, with one extreme evisceration on a clifftop being especially potent.

The Sundance premiere In a Violent Nature is a slasher that focuses on the killer rather than the potential victims

Like in other slasher movies, the kills lack impact due to the fact that we never really get to know the victims, as we’re never in their perspective. They’re all deliberately written thinly, with our “final girl” (Andrea Pavlovic) in a toxic relationship with the bullying Troy (Liam Leone), while her friend Colt (Cameron Love) pines for her. There’s also a park ranger (Reece Presley) who has some experience with the monster and tries to save the day – again it’s an intentionally familiar trope. But, the real star of the movie is Ry Barrett’s silent slasher, who’s hulking and, occasionally, gets some grace notes that tease a certain degree of innocence from a monster who, like many others, doesn’t understand his own bloodlust.

Through it all, Nash keeps the film stylish with excellent cinematography by DP Pierce Derks, who uses the Northern Ontario Wilderness to great effect. It has an interesting use of music, with it all being diegetic, in keeping with the vibe. It’s also proudly Canadian, which is doubly effective as many of the great slashers from the early eighties, such as Prom Night and My Bloody Valentine came from here. 

In the end, Nash has made an arthouse slasher film, which is an interesting contrast to the old-school blood and guts of the Terrifier series. It’ll be interesting to see how hardcore genre fans react once it makes its debut on Shudder, although it’s probably more effective on the big screen, given how immersive an experience Nash is aiming for. It doesn’t always work, but it’s still an interesting watch. 

The Sundance premiere In a Violent Nature is a slasher that focuses on the killer rather than the potential victims


Sundance

AVERAGE

6

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If you know JoBlo, you know that we love us some 80s action. And it’s hard to even think of the genre without thinking of Mr. Dolph Lundgren. I can’t even see Dolph without having the mental image of the man saying, “I must break you,” come to the forefront of my mind. He’s an absolute legend, so it’s nice to see him get back behind the camera for Wanted Man. While the movie feels a bit familiar, I appreciated how much Dolph was willing to make his character look ugly. He’s got plenty of flaws, and that’s something that’s usually missing from the leads of these action ventures.

But we didn’t just talk Wanted Man, as I’m a huge It’s Always Sunny In Philadelphia fan and, anyone who watches the show knows that Dolph is something of a legend on it. He even appeared in a brief role in Season 14. So I, of course, HAD to ask about his experience and if he was aware before appearing on the show himself. In regards to the Drago spinoff, Dolph seems rather optimistic. We went over where that project is currently at and the path he’d like to see Ivan go down. This was a great talk, so be sure to check it out!

Wanted Man plot synopsis:

Johansen (Lundgren) is an aging detective, whose outdated policing methods have given the department a recent public relations problem. To save his job, he is sent to Mexico to extradite a female witness (Villa) to the murders of two DEA agents. Once there, he finds not only his old opinions challenged, but that bad hombres on both sides of the border are now gunning for him and his witness.

WANTED MAN IS IN THEATERS AND ON DEMAND/DIGITAL ON JANUARY 19TH, 2023.

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