This camera, this camera, this camera – tell the people what you have going on! First We Feast’s Hot Ones has become a pop culture phenomenon, but one thing it doesn’t have going for it is The Rock. Hot Ones has well over 300 episodes at this point but one of the most high-profile guests they haven’t been able to land is Dwayne Johnson…and it comes down to one specific request.

As host Sean Evans told Bloomberg, a mixture of demands and things cooling off have kept Dwayne Johnson out of the hot seat. “We’ve been pitching [The Rock] obviously for years and one time I got a note back that was like, ‘would you be willing to do, instead of wings, grilled salmon strips?’ And in my head I was like, that had to come from his mouth … that’s as close as we’ve gotten. And then it fell through.”

While plenty of Hot Ones guests have gone with vegan chicken wings, like Natalie Portman, Paul Rudd and “Weird Al” Yankovic, that Johnson requested something completely out of the realm of one of the show’s key hooks puts him in a field of his own. While having Johnson on the show would no doubt result in a cool interview – and we’d love to see him suffer a bit during The Last Dab – it just wouldn’t be the same without chicken wings. And considering his diet would absolutely include that form of protein, it stands as a pretty odd request.

Hot Ones launched nearly a decade ago in March 2015 but has picked up a lot of steam over the past few years. Such an internet powerhouse it has become that Netflix has reportedly been in talks to have Sean Evans host a number of live episodes. Hey, if they’re showcasing hot dog-eating contests, why not some conversation over hot wings?

Recent Hot Ones guests include Vince Vaughn, Ariana Grande, SZA, Heidi Klum, and even Donald Duck, invited on as part of the cartoon’s 90th anniversary.

What are your thoughts on Dwayne Johnson’s demands in order to appear on Hot Ones? Should the show relent or stand their ground?

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The case against Sean “Diddy” Combs continues to astonish as lawsuits from 120 accusers intend to bring claims against the music industry mogul related to sexual assault, sex trafficking, and more. Today, Tony Buzbee, a lawyer for the accusers, said he represents 120 men and women who accuse Combs of sex-related crimes dating back to 1991. Several of those raising complaints about Combs were underage at the time they say the alleged incidents took place. Among the complaints, some say they were drugged and raped while in Combs’ company.

The situation worsens for Combs and his associates as more complaints emerge. Buzbee revealed that companies and associates aware of or profited from ignoring Combs’ alleged actions will come to light in the litigation. It’s been suspected that Combs did not act alone in the crimes he’s accused of, and soon, the public could learn dark truths about people who traveled in Combs’ inner circle. Among those expected to be named are Bad Boy Entertainment and its president, Harve Pierre, Universal Music Group, and Epic Records.

Combs is already facing 20 years in jail if found guilty of the crimes brought to authorities in mid-September. After Diddy’s lawyers proposed a bail of $50 million for the rapper’s release, the request was denied. With 120 new accusers telling their stories, the “All About the Benjamins” rapper could face even more jail time.

The lawyers said the accusers, equally split between men and women, are located in 25 states, with the majority residing in California, New York, Georgia, and Florida. “Some of this behavior occurred at well-known venues,” and at the “private residences of people we all know,” Buzbee added.

Disgustingly, the age of some victims is a growing concern, as the youngest accuser was nine years old, while another was 14 when they say the crimes occurred. According to Buzbee, 25 of the 120 accusers say they were minors when in Combs’ circle. Buzbee adds that the lawsuits range from claims of sexual assault to facilitated sex with a controlled substance, false imprisonment, compelling prostitution, dissemination of pornographic materials, and sexual abuse of minors.

Federal authorities arrested Combs at a New York City hotel after he was formally charged with racketeering, sex trafficking, and transportation to engage in prostitution. On Monday, September 16, Attorney Damian Williams unsealed the indictment against Sean “Diddy” Combs, which read:

“For decades, SEAN COMBS, a/k/a “Puff Daddy,” a/k/a “P. Diddy,” a/k/a “Diddy,” a/k/a “PD,” a/k/a “Love,” the defendant, abused, threatened, and coerced women and others around him to fulfill his sexual desires, protect his reputation, and conceal his conduct,” reads the unsealed indictment.

“To do so, COMBS relied on the employees, resources, and influence of the multi-faceted business empire that he led and controlled–creating a criminal enterprise whose members and associates engaged in, and attempted to engage in, among other crimes, sex trafficking, forced labor, kidnapping, arson, bribery, and obstruction of justice,” the filing from the U.S. Attorney Damian Williams’ office adds.

Sean Combs has entered a “Not Guilty” plea regarding the charges against him and has called the raid on his property a “witch hunt.”

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Beetlejuice Beetlejuice, the long-awaited sequel to director Tim Burton’s 1988 classic Beetlejuice (watch it HERE), reached theatres on September 6th (you can read our review at THIS LINK), and over the last three and half weeks the movie has managed to rack up almost $375 million at the global box office. Now it’s just about time for Beetlejuice Beetlejuice to come home, as Deadline reports that Warner Bros. will giving it a PVOD and digital release on October 8th. It will be available for purchase or rental on Amazon Prime Video, AppleTV, Google Play, Fandango at Home, and more on that date. The 4K UHD, Blu-ray, and DVD physical media release will follow on November 19th.

Beetlejuice Beetlejuice was in development hell for decades before it finally got made. In 1990, Jonathan Gems was hired to write a sequel that was going to be titled Beetlejuice Goes Hawaiian. Burton considered having Daniel Waters rewrite that script, Pamela Norris did rewrite it, and Warner Bros. offered Kevin Smith the chance to do another rewrite. He turned it down. Seth Grahame-Smith was hired to write and produce a new version of a sequel in 2011. Mike Vukadinovich was brought on to rewrite his script in 2017.

Alfred Gough and Miles Millar, co-creators and co-showrunners of Wednesday, have written the screenplay for Beetlejuice 2 that was actually filmed. Brad Pitt’s Plan B is producing the sequel, which filmed in London before moving to Vermont and Massachusetts.

Here’s the official synopsis: Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

Michael Keaton is back as Beetlejuice and is joined in the cast by Winona Ryder, reprising the role of Lydia Deetz (now the host of a TV series called Ghost House with Lydia Deetz); Catherine O’Hara, back as Lydia’s stepmother Delia; Jenna Ortega as Lydia’s daughter Astrid, Justin Theroux as Lydia’s boyfriend Rory,  Monica Bellucci as Beetlejuice’s ex-wife, and Willem Dafoe as a law enforcement officer in the afterlife. Arthur Conti is also in there, as a character named Jeremy Frazier.

The Beetlejuice Beetlejuice physical media release is expected have the following bonus features: – Commentary by director Tim Burton – The Juice is Loose! The Making of Beetlejuice Beetlejuice – The Ghost with the Most: Beetlejuice Returns – Meet the Deetz – Handbook for the Recently Deceased – Shrinkers, Shrinkers Everywhere! – An Animated Afterlife: The Stop-Motion Art of Beetlejuice Beetlejuice – ‘Til Death Do Us Park

Are you looking forward to the digital release and/or physical media release of Beetlejuice Beetlejuice? Let us know by leaving a comment below.

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The hits keep coming this week as word reaches the masses that John Amos, the beloved actor who played James Evans Sr. on Good Times, Cleo McDowell from Eddie Murphy’s 1988 comedy Coming to America, and much more, has passed away at 84.

Amos died on August 21 in Los Angeles of natural causes, his son, Kelly Christopher Amos, announced.

“It is with heartfelt sadness that I share with you that my father has transitioned,” he said in a statement. “He was a man with the kindest heart and a heart of gold… and he was loved the world over. Many fans consider him their TV father. He lived a good life. His legacy will live on in his outstanding works in television and film as an actor.”

With a promising football career ahead of him while playing at Colorado State University, Amos set his sights on training camp tryouts for the Denver Broncos and Kansas City Chiefs of the American Football League. While the gridiron life suited him, a career in film and television took precedence after scoring the role of WJN-TV weatherman Gordy Howard on The Mary Tyler Moore Show.

Audiences quickly warmed to John Amos, recognizing his talent and uncanny ability to transform into his characters. He earned an Emmy nod for his role as Toby, the adult version of Junta Kinte, in the 1977 miniseries Roots. In 1974, Amos joined the cast of Good Times, playing James Evans Sr. With Florida actress Esther Rolle at his side, the duo endeared themselves to audiences. Good Times, a show about a family living in an inner-city Chicago apartment, resonated with viewers, cementing Amos’ legacy for generations through reruns and discounted box sets.

Amos played James Evans Sr. for three seasons before discomfort with the material inspired him to quit the iconic sitcom. Amos felt the storylines around James and Florida’s oldest son, J.J. (Jimmie Walker), were silly and stereotypical. After bringing his criticism to the public, plans began to write James out of the series. So, at the start of season four, James Evans Sr. died in a car accident in a two-part episode, ending Amos’ run on the show. Fans of the show were left gutted when the episodes aired in 1976.

Beyond Good Times, Mary Tyler Moore, and guest roles on shows like Murder, She Wrote, One Life to Live, Hunter, The Love Boat, and more, audiences remember Amos for his brilliant role as Cleo McDowell in 1988’s Coming to America. Cleo, the owner of McDowell’s, a fast-food restaurant not unlike McDonald’s, gives Murphy’s Akeem his first job after relocating to Queens. Amos’ performance in the film is warm, slightly weasely, and unforgettable. Let’s not dismiss his brilliant roles in The West Wing and Men in Trees. The list of Amos’ solid performances goes on and on.

John Amos’ acting credits include 121 roles in films, television shows, and other media. His last feature role is in Terry Loane’s 2023 drama The Great Escaper, where he plays Lincoln Jefferson Adams.

John Amos is survived by his son, K.C., and his daughter, Shannon. We at JoBlo wish Mr. Amos safe passage to the Great Hereafter and our sincere condolences to his family, friends, and fans.

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PLOT: Phillip (Jean-Claude Van Damme) comes face to face with a Russian-French terrorist who comes to exact vengeance on him for killing his brother.

REVIEW: It’s important to meet a film on the same level that it’s presenting itself to you. Going into an A24 movie and expecting a heartfelt family romp may not be the best choice. And going into a JCVD in 2024, you have to expect little story, rough acting, and plenty of action. Sure, can something surprising happen? Absolutely, and those days are glorious. But more often than not, the action is what matters and everything else is off to the wayside. And then there are times where nearly nothing works and it just leaves you going: how did this even get made? Sadly, that accurately describes Kill Em All 2.

The film picks up shortly after the first film, with the deceased villain’s brother, Vlad, on a mission to take out Van Damme’s Phillip. The majority of the story is just about various assassins trying to kill Phillip, and Vlad getting angry about it. Phillip is too busy hanging out with his daughter and trying to find a house in Europe to seemingly care. I love this old curmudgeon character that JCVD seems to play in just about everything post-2010. Despite his heart of gold, there’s always a look on his face that says “I’m too old for this sh*t.” While the narrative certainly revolves around his character, he’s not as active in the story as you’d think.

Phillips’s daughter Vanessa (Jacqueline Fernandez) acts as his sidekick and doesn’t bring much to film outside of awkward delivery. Villainous Vlad is the right amount of comically evil, with his girl licking up blood from his chest and killing lackeys for failure. His sole focus on revenge is really the only thing driving the story forward. Andrei Lenart looks shockingly similar to Yellowjackets star Warren Kole, so I suppose that’s something to glean entertainment from. Because otherwise you aren’t really getting it here. But the biggest disappointment is easily Peter Stormare, who is usually a highlight in any film he does. But it looks like this set was the last place he wanted to be and it results in a tepid character.

The acting is fairly rough, but I feel like most are accustomed to that with these kinds of Euro/American action movies. And I can be forgiving of this when the action and effort are there. But nearly everyone is phoning it in here. Sometimes actors feel like they’re in completely different spaces. There are times when it almost feels like lines have been translated into English. Unless I just missed when the phrase “Hey do you have some smoke?” became a thing. Apparently, ChatGPT still hasn’t quite gotten dialogue figured out.

I can forgive a lot of bad if the action is still competent but Kill Em All 2 seems to forget it’s an action movie half of the time. Using kinetic editing tricks and moving the camera around doesn’t make up for the lack of actual exciting action. They like to build up to scenes that are over in an instant. It’s like there’s a threat of action more than actually having something happen in the frame. And as much of a JCVD fan as I am, unless the scenes are well-directed, his age is definitely showing. And here he just looks like an old man doing a choreographed exchange with a stuntman. The man can still provide a great performance (as evidenced by Darkness of Man) but in this his action is rather limited. I’m not sure why they made a sequel to Kill Em All, and after watching it, I’m not sure the filmmakers knew why either.

KILL EM ALL 2 IS AVAILABLE DIGITALLY AND ON DEMAND NOW.

Kill ‘Em All

NOT GOOD

4

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We’re a few weeks away from hitting the dance floor with Tom Hardy’s salivating symbiote when Venom: The Last Dance waltzes into theaters. The anticipated threequel aims to make a splash when the dynamic duo, Eddie Brock (Tom Hardy) and Venom, attempt to thwart an oncoming invasion as a new villain lurks in the shadows. In addition to promoting Fandango’s advanced tickets and exclusive bundle for Venom: The Last Dance, we’ve learned the film’s runtime is 110 minutes. That’s almost two hours’ worth of blood, carnage, and surprises for the symbiote’s final bow.

Today, tickets are available on Fandango for Venom: The Last Dance, premiering in theaters on Friday, October 25. To make the film’s launch more exciting, Fandango offers audiences the “We Are Venom” bundle to kick the moviegoing experience up a notch for $99.80. The exclusive package includes two tickets to Venom: The Last Dance, an exclusive Venom Collector’s Cup, the Complete Venom Trilogy on Digital, and an exclusive poster.

Channel your inner saboteur and grab the “We Are Venom” package for your friends AND foes here!

“In Venom: The Last Dance, Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film in the trilogy. Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie’s last dance.”

Hardy is reprising the role of Eddie Brock and Venom for the sequel. Juno Temple (Ted Lasso), Clark Backo (Letterkenny), and Chiwetel Ejiofor (Doctor Strange in the Multiverse of Madness) also star as primary cast members. Official details on the new characters remain a mystery. Still, Ejiofor is not playing his Doctor Strange character, Baron Mordo, since the Venom movies are in a different universe than the Marvel Cinematic Universe films. The upcoming finale also features Knull, the King in Black, a villain created by Donny Cates and Ryan Stegman.

What do you think about Fandango’s “We Are Venom” package for Venom: The Last Dance? If you could find a friend to go to the movies with, it’s not a bad deal. Let us know if you plan to see Venom’s last dance in the comments below.

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Spyglass Media and Paramount Pictures once intended to make a Scream 7 that would have starred Scream (2022) and Scream VI leads Melissa Barrera and Jenna Ortega, with Freaky and Happy Death Day director Christopher Landon at the helm. But then Ortega allegedly asked for a substantial pay raise – and as we saw when Neve Campbell dropped out of Scream VI due to a pay dispute, these pay issues don’t tend to work out. Then Barrera was fired from the project after comments she made about the Israel-Hamas war didn’t go over well with executives at Spyglass. Landon dropped out the of the project soon after. So Scream 7 has been re-developed, Campbell has signed on to return as franchise heroine Sidney Prescott, back in the lead role – and with the film looking to be on track to go into production in December or January, Paramount feels confident enough to give it a release date. Scream 7 is now set to reach theatres on February 27, 2026. Campbell confirmed the news on social media:

View this post on Instagram

A post shared by Neve Campbell (@nevecampbell)

Deadline notes that Scream 7 is currently the only wide release set for that date. There is a Friday the 13th earlier in the month, always a good date for a horror movie release, but Scream 7 couldn’t grab that one because Disney is planning to release an untitled Marvel Studios movie that day. 2026 marks the 30th anniversary of the release of the original Scream, but that movie was released in December.

Kevin Williamson, who wrote the screenplay for the original Scream, is set to direct this new sequel. In addition to writing the original Scream, Williamson has also written I Know What You Did Last Summer, Scream 2, The Faculty, and Halloween H20 (where his script contributions were uncredited). He wrote the initial drafts of Scream 3 and Scream 4, then those both received some major rewrites. For Scream 7, he’ll be working from a screenplay by 2022’s Scream and Scream VI writer Guy Busick, who crafted the story with his co-writer on the fifth and sixth films, James Vanderbilt. (Vanderbilt is also a producer on the most recent sequels.) Williamson made his directing debut with the 1999 thriller Teaching Mrs. Tingle. Twenty-five years later, Scream 7 will be his second directing credit.

So far, Neve Campbell is the only confirmed cast member. Courteney Cox has been in talks to reprise the role of reporter / author Gale Weathers since March, but she recently revealed that she hasn’t signed on yet. There have been rumors that Patrick Dempsey was being pursued to reprise his Scream 3 role of Detective Mark Kincaid, but that hasn’t been confirmed.

Are you looking forward to seeing Scream 7 in February of 2026? Share your thoughts on this one by leaving a comment below.

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Ken Page was best known as a stage actor, with Deadline referring to him as one of Broadway’s most familiar character actors, but he did earn several film credits over the decades as well, appearing in films like Torch Song Trilogy, The Kid Who Loved Christmas, I’ll Do Anything, and Dreamgirls, as well as TV shows like Gimme a Break!, Family Matters, Touched by an Angel, and more. Page also did a good amount of voice acting work – with his most popular credit coming when he provided the voice of Oogie Boogie in the Henry Selick / Tim Burton stop-motion classic The Nightmare Before Christmas. Page would go on to voice Oogie Boogie again for the Kingdom Hearts video games, the video game The Nightmare Before Christmas: Oogie’s Revenge, and the ride walk-through short Haunted Mansion Holiday. Sadly, it’s being reported that Page passed away in his sleep on September 30th at the age of 70.

Born on January 20, 1954 in St. Louis, Missouri, Page decided to start pursuing a stage acting career while he was in high school and ended up receiving a full scholarship in musical theater at Fontbonne College in Clayton, Missouri. He officially started his career in the chorus of the Muny outdoor theater in St. Louis, then make his Broadway debut in 1977 as part of the replacement cast for Cats. Five years later, he was cast in the Cats role that became his signature stage role, the wise Old Deuteronomy, “the elderly leader of the Jellicle cats who, along with Grizabella the Glamour Cat, is lifted to the Heaviside Layer and marked for rebirth at the musical’s end.”

Page racked up a lot of stage roles over the years, and we’ll go through some of them here. He played The Lion in The Wiz, Nicely-Nicely Johnson in Guys and Dolls, Ken in Ain’t Misbehavin’, The Cowardly Lion in The Wizard of Oz, Van Buren in Damn Yankees, The Lord in Randy Newman’s Faust, Old Max in Dr. Seuss’ How the Grinch Stole Christmas! The Musical, Joe Bell in Breakfast at Tiffany’s, Chuck in Grumpy Old Men: The Musical, Stewpot in South Pacific, Chaim in Fiddler on the Roof, Teen Angel in Grease, Colonel Pickering in My Fair Lady, Bellomy in The Fantasticks, King Herod in Jesus Christ Superstar, Maurice in Beauty and the Beast, Professor Marvel in The Wizard of Oz, Bumble in Oliver!, Monsieur Thénardier in Les Misérables, King Triton in The Little Mermaid, Audrey II in Little Shop of Horrors, Marty in Dreamgirls, Sultan in Aladdin, Doc in West Side Story, Porter in Tarzan, The Narrator in Into the Woods, Grandpa Prophater in Meet Me in St. Louis, Arvide Abernathy in Guys and Dolls, and The Bishop of Digne in Les Misérables, among other credits.

Many fans hear Page’s performance as Oogie Boogie in repeat viewings of The Nightmare Before Christmas every year, from October through December, and it’s a shame that he won’t be able to join in on the Halloween/Christmas festivities any longer. Our sincere condolences go out to Ken Page’s family, friends, and fans.

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Doing the right thing can be challenging. We want to think that we’d take the higher ground when faced with tragedy, but when push comes to shove, we tend to save ourselves when staring down the barrel of a grim fate. In Clint Eastwood’s Juror #2 trailer, Justin Kemp (Nicholas Hoult) must decide what kind of person he is when coming face-to-face with the possibility of being guilty of another man’s crime. The high ground suddenly feels insurmountable, and the choice between freedom and incarceration looms. What would you do?

Clint Eastwood directs Juror #2 from a script by Jonathan A. Abrams (Escape Plan, Destination Wedding). The intense thriller focuses on a family man named Justin Kemp, who struggles with a severe moral dilemma while serving as a juror in a high-profile trial. He could sway the jury with what he thinks he knows, potentially clearing an innocent man, but the information comes at a cost. Justin must decide if doing the right thing is worth destroying his life or if he should remain silent.

Juror #2 stars Nicholas Hoult (Renfield, Superman), Toni Collette (Raising Arizona, Hereditary), J.K. Simmons (Whiplash, Red One), Chris Messina (Air, Based on a True Story), Gabriel Basso (The Night Agent), Zoey Deutch (The Politician, Zombieland: Double Tap), Cedric Yarbrough (Unfrosted), Leslie Bibb (Palm Royale, The Lost Husband), and Kiefer Sutherland (The Lost Boys, Dark City), with Amy Aquino (Bosch), Adrienne C. Moore (Orange is the New Black).

Eastwood, Tim Moore, Jessica Meier, Adam Goodman, and Matt Skiena produced the film, which was executive produced by David M. Bernstein, Ellen Goldsmith-Vein, and Jeremy Bell. Eastwood’s creative team includes such frequent collaborators as director of photography Yves Bélanger, production designer Ron Reiss; Oscar-winning editor Joel Cox (Unforgiven) and editor David Cox; BAFTA-nominated costume designer Deborah Hopper (Changeling); Mark Mancina created the original score.

Eastwood’s Juror #2 trailer presents a moral dilemma with lives hanging in the balance. If Justin remains silent, who he thinks could be an innocent man would be labeled a killer, his life snatched away with the clack of a gavel. However, if he reveals what he knows, Justin risks sabotaging a life he’s strived to achieve, leaving his family in the throes of judgment and uncertainty. What would you do in this situation?

Juror #2 will have a limited release from Warner Bros. Pictures in select theaters in North America on November 1, 2024.

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The third season of the MGM+ series From debuted this week, and fans know that what happened changes the series’ dynamic while deepening the mythology. Taking a cue from Lost, From follows an ensemble of characters trapped in a mysterious location that may have a significance they are not aware of. Lines are drawn, factions created, and deaths are abundant as the audience and characters follow the same journey to discover what is happening in the creepy Township. Starting on Epix and now streaming on MGM+, From is a scary thriller that has returned just in time for Halloween.

Over the first two seasons of From, we have gotten to know various characters, including self-appointed sheriff Boyd Stevens (Harold Perrineau), the Matthews family, including Tabitha (Catalina Sandino Moreno) and Jim (Eion Bailey), wealthy software developer Jade Herrera (David Alpay), the eerie Victor (Scott McCord), Boyd’s deputy Kenny (Ricky He), and many more. Characters have joined the cast, and others have been killed off, with the safety of everyone at risk from episode to episode. From is an intense serial that drops cliffhangers almost weekly and keeps you guessing what will come next.

I chatted with star and executive producer Harold Perrineau about his role in the series. Having appeared on Lost in a supporting capacity, I asked him what it was like stepping into the leader role and what lessons from Lost have carried over into this series. We also discussed the freedom of gore and profanity that comes with no longer airing on network television and we also chatted about a powerful scene early in the third season. Check out the full interview in the embed above.

From is now streaming with new episodes Sundays on MGM+.

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