2024 marks the 45th anniversary of the release of the Ridley Scott classic Alien, and the movie is now available to watch on the Peacock streaming service. To mark the occasion, the folks at Syfy Wire caught up with cast member Tom Skerritt, who plays ill-fated space tug captain Dallas to talk to him about his memories of working on the film. During their conversation, Skerritt revealed that he (and co-star Yaphet Kotto) already knew on set that they were making a classic. He said, “It was something that had never been done before and not over-thought as they were doing it. If you have to analyze things, you’re not gonna be successful. You’re right on the edge of something happening that’s gonna come and get you. It’s sort of like Texas Chainsaw Massacre, where you don’t see this awful, horrible person, but you just know he’s there. What is he gonna do? Who is he gonna take? What is going on here? So the audience has that thrill through the whole thing because it was intelligently done and original as could be.“

Skerritt added that there was a lot of laughter on the set of Alien, as “sometimes, scary moments give you more laughter.” He also reminisced about looking at Scott’s impressive storyboards, seeing Xenomorph performer Bolaji Badejo walking around without the alien head on his costume and tennis shoes on his feet, and the deleted scene that showed what happened to his character. Skerritt understood why the moment was cut, because “You don’t get into all of that when you know the [ship] is gonna blow up in a few seconds. You gotta get the hell out of there. And if you suddenly stop [the story cold], it’s just not the way you edit a film.“

Of course, the conversation also covered the unforgettable chestburster scene. Skerritt told Syfy Wire, “I knew we were gonna have a mess with that one, which we did. I was listening to everything that was going on to build this production and, in so doing, had knowledge of what was gonna happen. I didn’t know what it would look or how we would react. And when we reacted, it was real, because I hadn’t seen the dummy that came out. But I knew how they were gonna do that. It was effective. (Veronica Cartwright) almost passed out. When it happened, she just slid down the wall. She actually almost fainted.” The scares were so effective because “(Scott) was giving you the reality all the time.” To read more of the Skerritt interview, click over to the Syfy Wire link.

You probably don’t need a reminder, but just in case, here’s one: Scripted by Dan O’Bannon and Ronald Shusett, Alien follows the crew of the commercial space tug Nostromo, who, after coming across a mysterious derelict spaceship on an uncharted planetoid, find themselves up against a deadly and aggressive extraterrestrial loose in their vessel.

Are you a fan of Alien, and are you glad to know that Tom Skerritt always knew it was going to be a classic? Let us know by leaving a comment below.

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Actress Olivia Munn, who starred in projects like The Newsroom and The Predator, has come forward on her Instagram to announce to her followers and the public that she had been diagnosed with breast cancer and she has taken the necessary steps to seek treatment. Variety reports that the X-Men: Apocalypse star posted on her account, “I hope by sharing this it will help others find comfort, inspiration and support on their own journey.” Munn would admit that she hadn’t initially intended to get a check up for it until her doctor attempted to get ahead of the odds.

Munn explained in her statement, “I wouldn’t have found my cancer for another year – at my next scheduled mammogram – except that my OBGYN, Dr. Thaïs Aliabadi, decided to calculate my Breast Cancer Risk Assessment Score. The fact that she did saved my life. Dr. Aliabadi looked at factors like my age, familial breast cancer history, and the fact that I had my first child after the age of 30. She discovered my lifetime risk was at 37%. Because of that score I was sent to get an MRI, which led to an ultrasound, which then led to a biopsy. The biopsy showed I had Luminal B cancer in both breasts. Luminal B is an aggressive, fast moving cancer.”

She also revealed that she would undergo a double mastectomy 30 days after her biopsy. She shares more from her story, saying, “I went from feeling completely fine one day, to waking up in a hospital bed after a 10-hour surgery the next. I’m lucky. We caught it with enough time that I had options. I want the same for any woman who might have to face this one day. Ask your doctor to calculate your Breast Cancer Risk Assessment Score. Dr. Aliabadi says that If the number is greater than 20%, you need annual mammograms and breast MRIs starting at age 30.”

Munn’s also took the time in her statement to show her appreciation of the support from her friends and family. She stated that she’s “so thankful to my friends and family for loving me through this. I’m so thankful to John [Mulaney] for the nights he spent researching what every operation and medication meant and what side effects and recovery I could expect. For being there before I went into each surgery and being there when I woke up.”

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Early last month, a trailer for a bombshell docuseries was released that recounts the shocking behind-the-scenes behavior of Dan Schneider while he ran multiple shows at the Nickelodeon network. Schneider was a former TV star from the show Head of the Class, but he became a producing machine as he cranked out sitcoms for a younger audience on the cable channel. He was responsible for shows like All That, Kenan & Kel, Drake & Josh, iCarly, Zoey 101 and more. The docuseries Quiet on Set: The Dark Side of Kids TV is set to premiere across two nights on Investigation Discovery on March 17 and March 18.

At the end of the trailer, there was an ominous tease of an empty chair and an interviewer off-camera asking, “Have you ever told your story publicly before?” It has now been revealed that Drake Bell of The Amanda Show and Drake & Josh will be taking that seat in front of the camera. Variety reports that Bell is coming forward about being sexually assaulted by his acting coach Brian Peck, who is of no relation to his Drake & Josh co-star, Josh Peck.

Bell starts his appearance in the third episode of the series as he proclaims, “My name is Drake Bell and I came here today to tell my story.” Bell and his young co-stars would spend a lot of time with Brian Peck at his house and though there were many red flags, both kids and parents would dismiss their instincts and give Peck the benefit of the doubt since nothing had actually happened. Bell would then start to recall one morning when he was fifteen, everything had changed. “I was sleeping on the couch where I would usually sleep. I woke up to him — I opened my eyes, I woke up and he was sexually assaulting me. I froze and was in complete shock and had no idea what to do or how to react, and I have no idea how to get out of this situation.”

The episodes featuring Bell will tell how he was unable to come forward and how the experiences would influence his recent self-destructive behavior. The docuseries Quiet on Set: The Dark Side of Kids TV is a four-part series that will also interview female employees who worked on Schneider’s many shows. The docuseries is directed by Mary Robertson and Emma Schwartz.

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Author Stephen Graham Jones started his Indian Lake Trilogy with the novel My Heart Is a Chainsaw, which has an audiobook version that was read by Cara Gee, who may be best known for her work on the TV shows Strange Empire and The Expanse. The second novel in the series was Don’t Fear the Reaper, and the audiobook for that one had a full cast that included Isabella Star LaBlanc (Pet Sematary: Bloodlines) and Jane Levy (Evil Dead 2013). The Indian Lake Trilogy is set to wrap up with The Angel of Indian Lake, which will be published on March 26th – and our friends at Bloody Disgusting have learned that the audiobook for this one is also going to have a full cast, with one of the cast members being the legendary Stephen King! Pre-orders can be made at THIS LINK.

Isabella Star LaBlanc is back for The Angel of Indian Lake, and she and Stephen King are joined in the audiobook’s voice cast by Angela Goethals (Behind the Mask: The Rise of Leslie Vernon), Andrew J. Robinson (Hellraiser), and genre icon Barbara Crampton (Re-Animator).

The Angel of Indian Lake has the following description: It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront… until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

Have you been reading Stephen Graham Jones’ Indian Lake Trilogy, and will you be checking out the audiobook version of The Angel of Indian Lake? What do you think of Stephen King being part of the voice cast? Let us know by leaving a comment below.

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PLOT: Former tennis coaches Stan and Joy have sold their successful tennis academy and are ready to start what should be the golden years of their lives. While they look forward to spending time with their four adult children, everything changes when a wounded young woman knocks on Joy and Stan’s door, bringing the excitement they’ve been missing. But when Joy suddenly disappears, her children are forced to re-examine their parents’ so-called perfect marriage as their family’s darkest secrets begin to surface.

REVIEW: Liane Moriarty’s brand of mysteries has become popular in recent years. Starting with the HBO adaptation of Big Little Lies and followed by Hulu’s Nine Perfect Strangers, both featuring Nicole Kidman, Moriarty novels have been prime fodder for limited series on streaming platforms. With large ensemble casts ripe for melodramatic performances from big stars to rising talent, these stories fit neatly into a short run of episodes full of red herrings, sexy misdirections, and subplots aplenty. The latest novel from the author, Apples Never Fall, is now the newest adaptation hitting screens. With a great cast led by Sam Neill, Annette Bening, Jake Lacy, and Alison Brie, Apples Never Fall differs from Big Little Lies and Nine Perfect Strangers. With a smaller body count and a larger sense of humor, Apples Never Fall is an atrociously over-the-top story that feels more like material you would expect to debut on Lifetime. An embarrassingly silly story with a nonsensical twist, Apples Never Fall is the type of series that embodies the end of Peak TV.

Apples Never Fall introduces the Delaney family. Stan (Sam Neill) and his wife Joy (Annette Bening) live in Florida with their grown children nearby. The owners of a tennis academy and club, Stan and Joy have sold off their business and are entering retirement. Not sure what to do with their newfound time, the couple bicker and fight, much to the chagrin of their kids. Eldest Troy (Jake Lacy) is a successful businessman with an antagonistic relationship with his father. The second eldest, Amy (Alison Brie), is a hipster bouncing from job to job trying to find her calling. Logan (Conor Merrigan Turner) works at the club and the youngest, Brooke (Essie Randles), is a physical therapist. The siblings are all pretty close to one another and have different relationships with their parents. When a strange young woman named Savannah (Georgia Flood) arrives on the Delaney doorstep on the run from an abusive boyfriend, Joy and Stan take her in and find that having her in the house gives them some purpose. Then, Joy disappears and signs point to Stan as being the potential culprit.

The seven-episode series, of which I have seen the first five, flashes back and forth from the search for Joy to how Savannah’s presence altered the dynamic amongst the Delaneys. With a police investigation looking into Joy’s disappearance and Stan’s potential role in the various lies and secrets the family members have kept from one another, the central mystery remains just what happened to the matriarch of the clan. Each episode focuses on a different member of the family and gives us new perspectives regarding their involvement in the weeks and months before Joy vanished. What we learn is that not only are the Delaneys much more dysfunctional than meets the eye but there are more suspects than just Stan. Each episode reveals new drama in and out of the Delaney home including affairs, money changing hands, and unexpected deaths. What is most shocking is how blase much of the proceedings are and tinged with a sense of humor that ranges from awkward to uncomfortable. There are also multiple twists or attempts at twists that do not work nearly as well as the writers may have hoped. Some I spotted a mile away while others completely undermined the narrative as a whole.

The cast is a mixed bag as well. Annette Bening, hot off her Oscar-nominated turn in Nyad, does her best with minimal screen time while Sam Neill seems bored and barely raises his energy above lukewarm. Jake Lacy, who was excellent in Friend of the Family and The White Lotus, gets to chew the most scenery as the douchy older brother. Alison Brie delivers a performance as the ditzy sister who seems to make her decisions with no context whatsoever. Both Essie Randles and Conor Merrigan Turner have the best performances in this cast of more recognizable talent as does Georgia Flood who plays Savannah in a way that is fascinating, bizarre, and likely to upset many viewers. Overall, the cast seems to be having fun playing in a soap opera-esque tale that takes itself far more seriously than the material deserves, even when the scene seems to be played for laughs.

Directed by Chris Sweeney (The Tourist) and Dawn Shadforth (I Hate Suzie), Apples Never Fall struggles to make sense of source material that itself was wrought with lackluster reviews. A cursory glance at the novel’s reviews will reveal the same underwhelming response to the twists in Apples Never Fall that end up feeling like everything that came before it was a waste. Showrunner Melanie Marnich (Big Love) assembled a big writer’s room which includes six credited scribes across the series. None of these writers can satisfactorily tell the story, even with each episode taking a distinct point of view. The weakness of the novel leads to this series trying to be a mix of pulpy and melodramatic fluff but played seriously. On one hand, we have Katrina Lenk playing a sexy character with her husband played by comedic actor Timm Sharp. When the time comes for an intense plot turn with both actors, Sharp’s performance is meant to be serious but ends up laughable. This problem happens multiple times throughout the series. I have no problem with humor in a serious series, but when it is played like this, it feels haphazard and poorly constructed.

Apples Never Fall is the weakest of Liane Moriarty’s books and has become the weakest adaptation to date. Once you learn the twist, the series has no way to recover any momentum and has you looking back trying to figure out why you just spent multiple hours invested in these characters. It is fun watching bad people get their comeuppance or good people behaving poorly, but there is no rescuing boring characters making incredulous decisions. This cast is far better than the material they are given and as much fun as they likely had to make this series, Apples Never Fall fails to live up to their abilities. If you are curious about what the big twist is, I recommend waiting until all seven episodes have aired and just watching the finale. You will not have missed much.

Apples Never Fall premieres on March 14th on Peacock.

Apples Never Fall

NOT GOOD

4

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I’ve been interviewing people for a long time, but as a child of the 80s, one of my bucket list interviews has always been Michael Keaton. Not only was he Batman and Beetlejuice, but he also starred in a whole bunch of childhood favourites of mine, including Johnny Dangerously (coming soon to The Best Movie You Never Saw), The Dream Team, Gung-Ho, and even a drama he did called Clean & Sober, which for some reason I enjoyed as a child. 

Keaton’s in the middle of a great career resurgence that began with Birdman. Fresh off his Batman stare-down at the Oscars, Keaton is in theaters this week with his film noir throwback Knox Goes Away. In it, he plays a hitman stricken with early-onset dementia. The fast-moving illness is set to destroy his memory (hence the title) completely, and as if that weren’t bad enough, his estranged son just killed someone and needs his father’s help to cover up the crime. 

I actually caught Knox Goes Away at TIFF (read my review) and admired how Keaton, who also directed the film, shoots it in a way that makes Knox an unreliable narrator. He’s confused, and the film is shot in a way that we never really know what’s real and what’s not. It’s really well done and features a standout role from James Marsden, who gets to be highly dramatic here. I was lucky enough to sit down with both Keaton and Marsden to discuss the film. Keaton, in particular, seemed very excited to have audiences discover a film that means a lot to him and told me all about how he got Al Pacino to costar in the film and how blown away he was by all the performances, even if the film, as he admits, was shot very quickly due to the limited budget.

Knox Goes Away comes out on Friday!

The post Knox Goes Away: We Interview the Legendary Michael Keaton & James Marsden appeared first on JoBlo.

I’ve been interviewing people for a long time, but as a child of the 80s, one of my bucket list interviews has always been Michael Keaton. Not only was he Batman and Beetlejuice, but he also starred in a whole bunch of childhood favourites of mine, including Johnny Dangerously (coming soon to The Best Movie You Never Saw), The Dream Team, Gung-Ho, and even a drama he did called Clean & Sober, which for some reason I enjoyed as a child. 

Keaton’s in the middle of a great career resurgence that began with Birdman. Fresh off his Batman stare-down at the Oscars, Keaton is in theaters this week with his film noir throwback Knox Goes Away. In it, he plays a hitman stricken with early-onset dementia. The fast-moving illness is set to destroy his memory (hence the title) completely, and as if that weren’t bad enough, his estranged son just killed someone and needs his father’s help to cover up the crime. 

I actually caught Knox Goes Away at TIFF (read my review) and admired how Keaton, who also directed the film, shoots it in a way that makes Knox an unreliable narrator. He’s confused, and the film is shot in a way that we never really know what’s real and what’s not. It’s really well done and features a standout role from James Marsden, who gets to be highly dramatic here. I was lucky enough to sit down with both Keaton and Marsden to discuss the film. Keaton, in particular, seemed very excited to have audiences discover a film that means a lot to him and told me all about how he got Al Pacino to costar in the film and how blown away he was by all the performances, even if the film, as he admits, was shot very quickly due to the limited budget.

Knox Goes Away comes out on Friday!

The post Knox Goes Away: We Interview the Legendary Michael Keaton & James Marsden appeared first on JoBlo.

Last month, the Motion Picture Association ratings board announced that they had given the psychological horror film Immaculate, which reunites Sydney Sweeney with Michael Mohan, who directed her in the erotic thriller The Voyeurs and the Netflix series Everything Sucks!, an R rating for strong and bloody violent content, grisly images, nudity and some language. Now, in an interview with Variety, Mohan has promised that the film gets extreme, just like that rating explanation indicated.

Scripted by Andrew Lobel, Immaculate sees Sweeney taking on the role of Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Her warm welcome to the picture-perfect Italian countryside is soon interrupted as it becomes clearer to Cecilia that her new home harbors some dark and horrifying secrets.

Simona Tabasco (The White Lotus), Alvaro Morte (Money Heist), Benedetta Porcaroli (Baby), and Dora Romano (The Hand of God) are also in the cast.

During his Variety interview, Mohan also revealed that this is a project that Sweeney first auditioned for a decade ago. He said, “It’s the first film I’ve directed that I did not write myself. Andrew Lobel wrote this script about 18 years ago, and in the mid-2010s it was about to be made with a studio. Sydney, when she was 15 or 16, auditioned for the lead role. The character wasn’t a nun back then — it was a high schooler — and she was one of the last two people up for the role. Then it just sort of evaporated. Andrew stepped away from the business at that point. He was fed up and went and worked in video games for a while. Years later, Sydney does Euphoria Season 2, and all of her fans are going, ‘You need to do a horror movie.’ She wanted to get into producing too, and so they were reading every single script around town, just trying to find something that resonated. And she said, ‘You know what? The best horror script I ever read was this thing I auditioned for. I wonder if I can resurrect it.’ Imagine you’re Andrew Lobel, you get a phone call, and it’s Sydney Sweeney on the other end, saying, ‘Hey, I auditioned for your script 10 years ago. Do you think I could make it?’ And she did. She sent the script to me, and when I read it… it takes a lot to shock me. When I saw the different reveals that happen in the script, I genuinely didn’t see them coming, and I’m someone who writes movies with lots of twist endings.“

Mohan said he drew inspiration from classics like Rosemary’s Baby, Don’t Look Now, and The Exorcist will working on Immaculate, film where, “you feel intimate with the main characters, yet they are cinematic. Even though the stories are told in these elegant and classy ways, they have this sense of danger. In The Exorcist, there are images in that film that movies today have not topped, in terms of how disturbing they are. So that’s what I wanted to do: make the boldest film I possibly could that will, hopefully, stand the test of time and get under your skin. … I think this horror movie is a popcorn movie first and foremost. It’s a roller coaster ride, but the ending is fucking extreme. People are going to walk away having an extreme reaction to it, and that’s all her. She wants to push the envelope, but she wants to do it thoughtfully. I know she loves the movie, and I’m proud of us for not pulling our punches.“

The director also disagreed with the recent study that found that Gen Z is less interested in seeing sex and sensuality depicted onscreen, as he feels, “They’re watching it, they’re just not admitting to watching it.” He also feels that it’s necessary for sex and sensuality to be onscreen, describing it as “a spice that is missing in our current cinematic landscape that we absolutely need.” He added that there was a scene in the Immaculate script where Cecilia and a friend (Porcaroli’s character) have a heart-to-heart conversation, and he chose to have the characters have that talk while in a bathtub, wearing gowns that are “a little bit sheer.” He said, “The fact that it’s sexy is not a bad thing. It is OK to make movies that are sexy. And if that’s something that you’re not into, don’t watch. That’s not the audience I’m going for.“

Sweeney produced the film through her company Fifty-Fifty Films, alongside Jonathan Davino. Also producing are Teddy Schwarzman and Michael Heimler of Black Bear and Middle Child Pictures’ David Bernad, who developed the project with Sweeney after they worked together on the Emmy-winning series The White Lotus. Will Greenfield and Black Bear’s John Friedberg and Christopher Casanova serve as executive producers. Black Bear provided the financing.

Immaculate is set to reach theatres on March 22nd. Will you be catching this one on the big screen? Let us know by leaving a comment below.

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Sliver is a movie most of us probably haven’t thought about since we last saw it in the dollar bin. But here we are more than 30 years later discussing Sharon Stone, William Baldwin and their steamy sex scene…As it turns out, there is a pretty awful backstory to it, with Stone recently naming producer Robert Evans as the one who tried to coax her into having actual sex with Baldwin in order to improve his performance. And we all saw how that turned out…Now, Baldwin is attacking Stone, saying she must still have the hots for him if she’s digging up old dirt.

Taking to X following Stone’s Sliver revelation, Baldwin wrote, “Not sure why Sharon Stone keep talking about me all these years later? Does she still have a crush on me or is she still hurt after all these years because I shunned her advances? Did she say to her gal pal Janice Dickinson the day after I screen tested and ran into them on our MGM Grand flight back to New York… “I’m gonna make him fall so hard for me, it’s gonna make his head spin.” ??? I have so much dirt on her it would make her head spin but I’ve kept quiet.”

Baldwin continued going after Stone, building on the story behind the aforementioned scene in Sliver. “The story of the meeting I had with Bob Evans imploring him allow me to choreograph the final sex scene in the photo below so I wouldn’t have to kiss Sharon is absolute legend. Wonder if I should write a book and tell the many, many disturbing, kinky and unprofessional tales about Sharon? That might be fun.”

For her part, Stone would suggest that she worked with far better actors (see: Douglas, Michael) who didn’t need any sort of special assignments to deliver a good performance. She also supposedly had final say on who would be the male lead in Sliver but was overstepped by Hollywood legend Evans.

Sliver was part of Joe Eszterhas’ run of adult-geared thrillers (particularly of the erotic kind), hitting a high mark with Basic Instinct – which has its own sketchy behind-the-scenes stories – the sale of which made him the highest-paid screenwriter in the business.

Where does Sliver rank in your favorite Joe Eszterhas movies? Pick your fav in the comments section below.

The post William Baldwin attacks Sharon Stone over Sliver sex claims appeared first on JoBlo.

Sliver is a movie most of us probably haven’t thought about since we last saw it in the dollar bin. But here we are more than 30 years later discussing Sharon Stone, William Baldwin and their steamy sex scene…As it turns out, there is a pretty awful backstory to it, with Stone recently naming producer Robert Evans as the one who tried to coax her into having actual sex with Baldwin in order to improve his performance. And we all saw how that turned out…Now, Baldwin is attacking Stone, saying she must still have the hots for him if she’s digging up old dirt.

Taking to X following Stone’s Sliver revelation, Baldwin wrote, “Not sure why Sharon Stone keep talking about me all these years later? Does she still have a crush on me or is she still hurt after all these years because I shunned her advances? Did she say to her gal pal Janice Dickinson the day after I screen tested and ran into them on our MGM Grand flight back to New York… “I’m gonna make him fall so hard for me, it’s gonna make his head spin.” ??? I have so much dirt on her it would make her head spin but I’ve kept quiet.”

Baldwin continued going after Stone, building on the story behind the aforementioned scene in Sliver. “The story of the meeting I had with Bob Evans imploring him allow me to choreograph the final sex scene in the photo below so I wouldn’t have to kiss Sharon is absolute legend. Wonder if I should write a book and tell the many, many disturbing, kinky and unprofessional tales about Sharon? That might be fun.”

For her part, Stone would suggest that she worked with far better actors (see: Douglas, Michael) who didn’t need any sort of special assignments to deliver a good performance. She also supposedly had final say on who would be the male lead in Sliver but was overstepped by Hollywood legend Evans.

Sliver was part of Joe Eszterhas’ run of adult-geared thrillers (particularly of the erotic kind), hitting a high mark with Basic Instinct – which has its own sketchy behind-the-scenes stories – the sale of which made him the highest-paid screenwriter in the business.

Where does Sliver rank in your favorite Joe Eszterhas movies? Pick your fav in the comments section below.

The post William Baldwin attacks Sharon Stone over Sliver sex claims appeared first on JoBlo.