What Do We Know About the upcoming DCU original series Lanterns? More thank you may think. The Max original series will be the first live-action project on television from James Gunn’s rebooted DC cinematic universe. With casting announcements, rumors, and more, we know a lot of what is to come. So, let’s jump in and discuss Lanterns.

We will see multiple Green Lanterns.

While we met several members of the Green Lantern Corps in the Ryan Reynolds-led feature film, this new series is intentionally plural, as we will meet more than just Hal Jordan. According to James Gunn, Lanterns will center on Jon Stewart, who briefly appeared in Zack Snyder’s Justice League in a non-speaking role. We also know that James Gunn’s longtime friend and collaborator Nathan Fillion is portraying Lanterns hero Guy Gardner in the upcoming Superman movie and will potentially appear.

Kyle Chandler is Hal Jordan, but it was almost Josh Brolin.

Over the last few weeks, many casting rumors have been bandied about, with the Mayor of Kingstown and Friday Night Lights star Kyle Chandler being officially linked to the role of Hal Jordan this week. We previously had heard that Josh Brolin was offered the role but turned it down. Rumors have also circled around Matthew McConaughey and Ewan McGregor for the Jordan role, which is expected to be that of an established Lantern rather than the origin story we saw in the 2011 film.

Aaron Pierre will play the role of Jon Stewart.

Jon Stewart was the next major character needing to be cast, and reports had it down to two contenders. Aaron Pierre, who recently starred in the Netflix action movie Rebel Ridge, and Stephan James, star of Homecoming, are both up for the lead role in Lanterns. Reports also had Snowfall actor Damon Idris in contention, but he has since been removed from the running for the role. In the comics, Stewart has become the most powerful Green Lantern ever, but the series looks poised to set him as a rookie in the Corps learning how to wield a Power Ring under the mentorship of Hal Jordan. With Pierre landing the role, it is only a matter of time for the rest of the ensemble to fall into place.

Damon Lindelof and Chris Mundy are showrunners.

Employing solid creative talent is the bedrock for a project like Lanterns, so James Gunn has enlisted two of the best. Chris Mundy, showrunner of Netflix’s acclaimed Ozark, is working on Lanterns alongside Damon Lindelof, the man behind HBO’s critically acclaimed Watchmen and The Leftovers and the iconic series Lost. Lindelof and Mundy, alongside Tom King, wrote the pilot for Lanterns and the series bible, setting the show for long-term success. This is the latest iteration of a Green Lantern series after Greg Berlanti’s previously announced show had been scrapped with Gunn’s DCU reboot.

Plot details are under wraps.

Gunn has not revealed much about Lanterns other than that it would be a mystery along the lines of True Detective. Following a couple of Lantern Corps members, the heroes would investigate an Earth-based mystery. While having a pair of space cops with rings that allow them to make amazing weapons seems like overkill for a police procedural, I would expect some fun twists to come from the new series. It would also allow the series to differentiate itself from the slew of other comic book properties coming from DC, which is aiming to diversify its catalog of properties. DC Studios co-leader Peter Safran has also revealed that the investigation in Lanterns will tie directly into the main storyline of the new DCU.

Lanterns will likely debut in 2026.

James Gunn has only confirmed release dates for Superman in 2025, Supergirl: Woman of Tomorrow, and The Batman: Part II on the big screen in 2026, along with the animated series Creature Commandos later this year. It does appear that the casting call underway is intended to have the series ready to shoot in early 2025 and wrapping by July. With heavy special effects needed, it seems unlikely we will see the Lanterns debut until 2026.

Stay tuned to JoBlo.com as we learn more about Lanterns and all of your other favorite shows. What do you expect to see in the upcoming Lanterns season? Let us know in the comments, click like, and subscribe to follow all our latest original videos.

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PLOT: A teenager who stops off to see his dealer to test a new drug before heading off for a night of partying. On the way home, he picks up an injured woman and the night takes a surreal turn.

REVIEW: The gimmick of the one-take scene has gotten pretty out of control in recent years with varied success. Netflix’s Extraction action series utilizes various techniques to accomplish long, seemingly unbroken takes. And with the many setups that action movies require, the unbroken takes are all the more impressive. But it’s been diminished as less and less effort is made towards execution. Often digitally stitched together, the one-take-shot no longer has that same sense of wonder it did when Henry Hill walked through the back of the restaurant and finally reached his table. But if there’s anyone that can make something interesting again: it’s the French.

The story of MadS is pretty simple: Eighteen-year-old, Romain just wants to party and takes a mysterious new pill. But his trippy night takes a bad turn when he comes across an injured woman on the road. Romain has to figure out what is happening, while his mental faculties aren’t entirely present. MadS is a zombie film and like many from that subgenre, witnessing the zombie outbreak is a common occurrence. What this does so well is by following individual people during the chaos, we can see the outbreak at a more surface level. This feels like a much more personal story than the zombie films we’re used to, while still putting up a wall between the characters and the viewer that never truly allows them to feel real.

Since the story plays out in real-time, we can see this chaos unroll at the same time as our lead’s bad trip. I’m sure there’s some digital stitching going on with the edits, which is understandable given its nearly 90-minute runtime. This is a very dark movie, and I’m sure that really helped aid in some of the camera cuts. But it can be a bit nauseating with so much of the movie being visually indistinguishable. I could hardly even tell what was happening in some scenes. There were times when I desperately wanted the film to break from its one-take gimmick and just expand upon this interesting world. I’d love to see more of what’s happening, but it’s all so constrained by the storytelling method.

Right around an hour in, things start to get sloppy. To maintain the mystery of the events, despite being in real-time, MadS requires some ridiculously stupid character moments. I often struggle in movies when people ignore the obvious happening in front of them. There are some really dumb character moments like when Julia takes Ana on the motorcycle despite her clearly being messed up. It’s one of those idiotic movie moments where 99% of people would have stopped driving and pulled over. But we have a movie to finish so there’s no logic or reason allowed here.

MadS plays out like a bad trip. The one-take approach allows you to go down the journey into madness while still never quite understanding the parameters of the world shown. The zombies here are more like Evil Dead Demons than the typical shambling flesh-eaters. This makes them a bit more intriguing and allows a bit more personality to shine through. However, sometimes I wonder if the main direction given to the “zombie actors” was simply to act like Isabelle Adjani in Possession. Not that I’m complaining. It worked for Nell Tiger Free in The First Omen.

Like most gimmicky films, MadS isn’t going to be for everyone. While I found interest in even the mundane moments due to the journey of the characters, not everyone will be down for the ride. This is presented in a very different way than most audiences are used to and will therefore have a tough hill to climb. I found the narrative (or lack thereof) to be a bit frustrating as the film went on. Like any gimmick film, once that main draw starts to become tired, there sure better be other elements for the audience to attach themselves to. And sadly, MadS never really gets past the gimmick of the one-take-shot.

MADS IS STREAMING ON SHUDDER ON OCTOBER 18TH, 2024.

MadS

AVERAGE

6

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As we head into the late part of the fall, studios are starting to put out their awards-worthy fare, in addition to prestige blockbusters, which they hope will play well throughout the holiday movie season in late November, December and early January. One of the biggest movies coming out this fall, Gladiator II, got its first screenings this weekend, with raves all around for what many are calling director Ridley Scott’s best movie since Black Hawk Down. With October almost finished, we want to know what late fall release has you the most hyped! Take our poll below and let us know!

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Do you feel the need – the need for speed? Well, just make sure that speed is set at 33 ½ RPM because the soundtracks for two Tom Cruise classics, Top Gun and Days of Thunder, are coming to vinyl. But these aren’t any ordinary releases, as both are going to be available in their extended forms. 

As per Variety, the Top Gun and Days of Thunder vinyl releases will drop on this Friday, October 18th. While these soundtracks were previously released on CD, these are on 140 gram vinyl. They are also remarkably different from the original albums, as the 1986 Top Gun soundtrack featured only one track from composer Harold Faltemeyer (“Mighty Wings”), with the real selling point being Kenny Loggins’ “Danger Zone” and Berlin’s “Take My Breath Away”, which would win the Oscar for Best Original Song.

Enjoy the Ride – the label behind these releases – promoted the titles with the following write-up: “After decades of being locked in the vault, the iconic full scores were finally released to the public last year on limited edition CD by our friends at La-La Land Records, and we are excited to bring it to our favorite format for the first time! Both albums feature the original score, plus bonus tracks and additional audio, and are housed in a 2xLP gatefold jacket designed by the ETR Team and Dan Goldwasser.” They also showed off the available variants, with some being limited to just 100 units:

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Like Top Gun, the original Days of Thunder soundtrack release featured only one track from its composer, the great Hans Zimmer, but even that one (“The Last Note of Freedom”, performed by Whitesnake’s David Coverdale, with lyrics by Billy Idol) wasn’t from the score itself. Thankfully, Zimmer’s score can finally be heard on vinyl. As with Top Gun, the Days of Thunder release is capped at 1,000 overall pieces – now that’s a thunder you can’t outrun!

Will you be picking up these vinyl releases of Top Gun and Days of Thunder? Which do you think has the best score overall? Share your thoughts with us below.

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RLJE Films dropped the first teaser trailer for Ash at New York Comic-Con, a trippy sci-fi horror movie starring Eiza González (3 Body Problem) and Aaron Paul (Breaking Bad) from director Flying Lotus and screenwriter Jonni Remmler.

The official synopsis for Ash: “On the mysterious planet of Ash, Riya (González) awakens to find her crew slaughtered. When a man named Brion (Paul) arrives to rescue her, an ordeal of psychological and physical terror ensues while Riya and Brion must decide if they can trust one another to survive.” The film also stars Iko Uwais (The Raid), Beulah Koale (Next Goal Wins), and Kate Elliott (Wentworth). In addition to directing Ash, Flying Lotus also composed the score.

González has previously teased that you should expect the unexpected with Flying Lotus. “The way his brain works is quite special,” González says of Ash’s director. “He reminds me a lot of David Fincher, who also started in music videos, as someone who is quite interested in pushing boundaries and not being scared of diving into something. But this movie also required someone who had a really authentic and unique artistic take. We couldn’t have been more lucky, because his visual imagery and the way that he spoke to us about the movie really translated to the making of the film. It’s a movie that causes the audience to stay engaged consistently. I love movies that require you to keep thinking and trying to figure out what is actually happening.“

Paul added that music was very important to the production. “He was always playing music on set,” Paul said. “Not necessarily his own music, but just stuff that he dug that fit the vibe of where the characters were at. And then, just before rolling, he would start messing with some stuff that he’d been working on and playing it over the speakers, to get us in the mood. Then they’d yell ‘action!’ and we’d cut the music and go into it.“

Ash will be released in theaters in 2025, followed by a streaming debut on Shudder. What did you think of the teaser trailer for Ash?

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The days of Reno 911! on Comedy Central may feel like a thing of the past, but we may not need a time machine to visit Dangle, Wiegel, Garcia, Jones, Johnson, Williams, and Junior. When Reno 911! first went off the air in 2009, that seemed to lock up the mockumentary spoof. But it bounced back with support from everybody from Quibi to Paramount+, who invested in it through new episodes and even more movies. Nearly three years removed from the force’s final shift, there might be hope for more of Reno’s finest.

Speaking with MovieWeb, Thomas Lennon – who played short-short-sporting Lieutenant Dangle (pun most definitely intended) – said that he expects even more Reno 911! in the future, joking, “I can’t imagine we wouldn’t do more Reno 911! because we already have all the outfits, which is basically the hardest part. You can tell that we don’t really overthink it when we do it. If anything, we really underthink it quite a bit.”

Lennon also noted that Reno 911! is timeless in a way, due in part to just how ridiculous – and consistent (fashion-wise) – the team is. “What’s neat to me to see, is that…we never really reference politics. We never really reference time. Reno 911!, in some ways, is like The Simpson, which is, the characters never grow up. They never mature. They never get better, they never learn anything. Like, every Reno 911! starts exactly at zero again, which is one of the fun things about it…We literally are a cartoon. We’re animated characters, except we’re alive.”

Personally, I’m down for as much Reno 911! as they’re willing to produce. Maybe the 2021 and 2022 movies – The Hunt for QAnon and It’s a Wonderful Heist – didn’t fully stick, but these characters are just too much damn fun to turn away from. Comedy Central is a bit of a shell of what it used to be, but if someone wants to fully run with at least one more season, you can count myself and Reno 911’s legion of fans as in.

Are you ready for more episodes of Reno 911!? Do you think there is still an audience for the show?

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Plot: After his younger second wife leaves him and enters a 90-day rehab program, Los Angeles art dealer Andy Goodrich seeks out his adult pregnant daughter Grace for help with raising his nine-year-old twins.

Review: I love Michael Keaton movies. In the 1980s and 1990s, Keaton was the ubiquitous leading man in everything from comedies and dramas to his game-changing turn in Tim Burton’s Batman. In the early 2000s, Keaton’s roles dried up a bit, aside from voice roles in the Cars and Toy Story franchises. After his awards-worthy role in 2014’s Birdman, Keaton had a resurgence with acclaimed films like The Founder, Spotlight, and The Trial of the Chicago 7 to a very different comic book character in Spider-Man: Homecoming. After reprising his Batman role in last year’s The Flash and making his directorial debut with Knox Goes Away, he resurrected his iconic Beetlejuice this year and is following it up with Goodrich. Goodrich is not a remake or a sequel but does harken back to Keaton’s popular 1983 film Mr. Mom, in which he played a dad experiencing the life of a stay-at-home parent while his wife gets a high-powered job. Goodrich shifts the perspective to a man in his seventies experiencing a similar responsibility under different circumstances but benefits from Keaton’s wit, presence, and charisma despite a somewhat cliche script.

Goodrich centers on Michael Keaton as the title character. This sixty-something is awakened in the middle of the night to learn that his wife, Naomi (Laura Benanti), has entered a rehab program due to an addiction to pills, something that Andy overlooked. Naomi also tells her husband she is leaving him, sending Andy into a whirlwind of coordinating school drop-offs, pick-ups, playdates, parent-teacher conferences, and more. Andy tries to enlist help from his adult daughter, Grace (Mila Kunis), who is pregnant with her first child with her husband, Pete (Danny Deferrari). Andy must also contend with a massive downturn in profits at his namesake art gallery while navigating single parenthood at an age when most are retiring to spend time with their families. As typically happens with films like this, Andy comes to terms with his failures as a parent and a spouse while trying to find a path forward in his new world. Like writer-director Hallie Meyers-Shyer’s previous film, Home Again, Goodrich mines schmaltz and sentimentality to deliver a story from the Nancy Meyers playbook, which is apt as the Father of the Bride and The Parent Trap director is her mother.

As with many films that fall into this genre of comedy-dramas, Goodrich shows how out of his element Andy is with all of the parental responsibilities that he pawned off on both of his spouses. At the same time, he focused on running his art gallery. Now that he has no one to lean on, Andy realizes what he missed in the last four decades. Much of this is told to him directly by Grace, who feels mixed emotions seeing her absentee father, now a doting dad for her two much younger half-siblings. Andy also forges a friendship with Terry (Michael Urie), the father of his twin children, Mose (Jacob Kopera) and Billie (Vivien Lyra Blair). At first, Andy tries to muddle through the way he always does, and the precocious Billie calls him out at every turn. He relies on a babysitter, Tali (Noa Fisher) and Grace, but eventually, Andy must step up to be the dad he needs to be. At the same time, Andy tries to persuade Lola (Carmen Ejogo), the daughter of a famous artist, to allow him to show her mother’s art in a last-ditch effort to save his gallery. At first, the film seems to be trying to set up a romantic element for the film, but soon, the plot melds into a more formulaic tale of a guy realizing what he has missed and resetting his personal expectations and goals.

Make no mistake that Goodrich is intentionally designed to tug at the heartstrings. There are funny moments throughout the film, but Goodrich depends on the sentimentality of parents and grandparents as they reflect on their lives. This is absolutely the type of movie that screams mid-life crisis cinema while delivering a satisfying story. Yes, it is cliche, and yes, it is melodramatic, but it also rests on the shoulders of Michael Keaton and Mila Kunis. While Kunis’ role is far smaller than the trailers may have you believe, she is solid in all of her screen time, delivering several key monologues that call her character’s father out on his actions. Michael Keaton has always delivered roles like this, going back to films like Clean and Sober, My Life, and the aforementioned Mr. Mom. Keaton does not play Andy as a bad guy or someone with any malicious intent but who is truly a decent person inside that made some poor choices along the way. Goodrich also provides for a nice Multiplicity reunion thanks to Andie MacDowell briefly appearing as Andy’s first wife and Grace’s mother.

Writer-director Hallie Meyers-Shyer brings a maturity to Goodrich that goes far beyond her thirty-seven years. It evokes a solid portrait of a man later in his life coping with some life-altering milestones. Goodrich hits many expected beats we have seen countless times before, signaling some of the more emotional moments. However, they still hit thanks to the authenticity of Michael Keaton and Mila Kunis’ performances. I would be lying if I said I didn’t get a little choked up at the ending despite knowing exactly what the filmmakers were trying to do. But that is what makes movies like this enjoyable to watch: they hit your emotional pressure points, and you cannot stop yourself from feeling for the characters. I also applaud that despite Goodrich‘s happy ending, it does not get there through happiness.

Goodrich is a movie that would have played way bigger in theaters twenty years ago and is bound to find great success on streaming after it runs in theaters. Michael Keaton continues to show that he has the breadth to play a likable guy stuck in an unenviable position. There are no broad moments in this film that rival the vacuum cleaner scene in Mr. Mom or any of his big moments in films like Gung Ho, but even in his seventies, Keaton has a presence that makes you take notice. This emotionally-centered film is nowhere near the caliber or quality of Keaton’s more acclaimed films. Still, it is a solid and enjoyable movie that deserves a watch.

Goodrich is now playing in theaters.

Goodrich

GOOD

7

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Some cliche somewhere said that ‘a picture is worth a thousand words.’ This has proven to be the case for me and especially when it comes to fan art. I have always sought out great fan art and have wanted to share it with as many people as possible. “Awesome Art We’ve Found Around The Net” is the outlet for that passion. In this column, I will showcase the kick-ass artwork of some great artists, with the hopes that these artists get the attention they deserve. That’s the aim. If you have any questions or comments, or even suggestions of art or other great artists, feel free to contact me at any time at theodorebond@joblo.com.

Black Myth: Wukong by Geeky Ninja

He-Man by Carlos Valenzuela

Kingpin by Bryan Johnson

Logan’s Run by John Dunn

Pan’s Labyrinth by Christopher Higginson

Poor Things by Sarah Atwa

The Shining by Victor Barreto

The Substance by Luis López

Terrifier by Forksaken Folklore

Transformers One by Alan Dav

The post Awesome Art We’ve Found Around The Net: He-Man, Poor Things, The Shining, The Substance, Terrifier, Transformers One appeared first on JoBlo.

Over the past few months, buzz has steadily been building for Ridley Scott’s Gladiator II. While various news stories mentioned that the budget for Scott’s Roman epic had spiralled out of control, word from early test screenings suggested that whatever it cost, it might be worth it, with Paramount having enough confidence in the movie that they’re positioning it for awards season with a prime November release date. And now, the studio has finally started showing the film, and critics in attendance raved about what they saw, with many saying it’s Ridley Scott’s best film in many years.

In it, Paul Mescal plays the now-grown Lucius (the son of Russell Crowe’s Maximus from the original), who finds himself forced to fight as a gladiator for Denzel Washington’s Macrinus, a former slave plotting to take control of Rome. Pedro Pascal co-stars as Marcus Acacius, a Roman general Lucius fights in the Colosseum. 

Clayton Davis, the awards editor at Variety (and a key tastemaker during Oscar season) is calling the movie Ridley Scott’s best since Black Hawk Down, writing on X, “I found Paul Mescal’s work as Lucius to be one of the film’s most honest surprises. This is Denzel Washington, having the time of his life in one of his most killer roles yet. A third Oscar could very well come his way. Sound, visuals, costumes, you name it, this movie’s got it. Another blockbuster the Academy can most definitely embrace.”

Influencer Matt Ramos was even more vehement in his praise, not only pegging it as the best film of the year but possibly (in his words) one of the best of all time! He writes, “It’s one of those films that will reinvigorate your love for cinema. It defies expectations, the performances are outstanding (Denzel just locked in another Oscar), the score is just as great as the original, the writing is incredible, & there’s a lot of action on such a massive scale; it’s unreal. I could go on and on but prepare to witness greatness this November.”

Drew Taylor of The Wrap writes, “Rest easy, Romans. #Gladiator2 is the kind of large-scale filmmaking excellence that only Ridley Scott could corral. Everything about it just works. Big #Maverick vibes in its ability to conjure the past while adding something new. Bold, muscular filmmaking from a legendary talent.”

And finally, Scott Mantz of KTLA writes, “GLADIATOR II is indeed the REAL DEAL! An epic sequel worthy of its Oscar-winning predecessor — great action, amazing visual effects, stellar performances across the board (esp. PAUL MESCAL & DENZEL WASHINGTON)! A return to form for director RIDLEY SCOTT! I was ENTERTAINED!”

Indeed, X is loaded with raves from the screening, so it sounds like even if it took Scott nearly a quarter of a century to make a sequel to Gladiator, it might have been well worth the wait!

Gladiator II hits theaters on November 22nd. 

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The audience at New York Comic Con got a special treat during the Sony Pictures panel: the first trailer for Karate Kid: Legends. The crowd got the exclusive first look at this highly anticipated project, which blends the Cobra Kai universe and the reboot universe. Unfortunately, the trailer hasn’t been made available online (yet), but we do have a description courtesy of Variety and Deadline.

The Karate Kid: Legends trailer naturally focuses on the three leads (Ben Wang, Ralph Macchio, and Jackie Chan). It begins with Chan’s character (Mr. Han) recruiting Wang’s character (Li Fong) at a martial arts academy. We’re reintroduced to Macchio’s character (Daniel LaRusso), who teams up with Mr. Han to help mentor Li Fong, but their training styles don’t always mesh. We also see a glimpse of a portrait of Mr. Miyagi, as well as some fight scenes and martial arts matches. As Li Fong faces off against some bullies, we hear Mr. Han say, “In life, you only have one question: Is it worth fighting for or not?“

The film stars Ben Wang (American Born Chinese) as a young teenager from China who finds identity and strength in martial arts. During his journey of self-discovery, Wang’s character meets a disciplined martial arts master. Jackie Chan and Ralph Macchio reprising their roles of Mr. Han and Daniel LaRusso. Joshua Jackson (Fatal Attraction) and Ming-Na Wen (The Mandalorian) also appear in the movie, alongside Sadie Stanley (Cruel Summer) as the romantic lead. Jonathan Entwistle (The End of the F***ing World) directed the movie from a script by Rob Lieber (Alexander and the Terrible, Horrible, No Good Very Bad Day).

Getting to work with Jackie Chan was a huge honour for Ralph Macchio. “Jackie Chan is a legend, just to have that opportunity was exciting. He was wonderful,” said Macchio earlier this summer. “Lot of heart, lot of soul and caring, I will say that about Jackie. He loves being on set and it was like his first day every day. I love seeing that at his age and time of his career because I like to try to bring that as well, but a great young cast on that one, and we’ll see where it goes.“

The first five episodes of the sixth and final season of Cobra Kai debuted on Netflix this summer. Part 2 will follow on November 15th, and Part 3 will conclude the series next year. Nothing is official, but creators Hayden Schlossberg, Josh Heald and Jon Hurwitz have been entertaining the idea of more spinoffs, including a prequel series centered on Mr. Miyagi.

Karate Kid: Legends will hit theaters on May 30, 2025.

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