Jeff Lieberman is one of my favorite directors that you don’t hear referenced often enough. He has directed several awesome movies that have dealt with subject matter like killer worms (Squirm), LSD freakouts (Blue Sunshine), homicidal mountain men (Just Before Dawn), brainwashing aliens (Remote Control), and a serial killer stalking the streets on Halloween (Satan’s Little Helper). Thankfully, legendary drive-in critic and movie host Joe Bob Briggs will be shining a spotlight on Lieberman during this year’s special Halloween presentation of his Shudder series The Last Drive-in with Joe Bob Briggs, a special that’s called Joe Bob’s Beelzebub Bash! The special is set to air on Friday, October 25th at 9pm ET on Shudder and AMC+ in the US & Canada.
Lieberman has confirmed that he’ll be a special guest on Joe Bob’s Beelzebub Bash – and if he’s the guest on a Halloween special, chances are good that Satan’s Little Helper is going to be one of the two movies Joe Bob will be showing. It has been revealed that Joe Bob and Darcy the Mail Girl will be interacting with two guests during the special, but Lieberman is the only one we know the identity of.
On The Last Drive-In, the world’s foremost drive-in movie critic hosts eclectic horror movies, talking about their merits, histories and significance to genre cinema.
Satan’s Little Helper has the following synopsis: On the afternoon of Halloween, Douglas Whooly dons his costume in expectation of a fun-filled night. But, when he hears that his beloved sister, Jenna, has found herself a boyfriend, he throws a tantrum and flees the house. Douglas befriends a man in a devil costume and helps him decorate his lawn with fake corpses. Unfortunately for Douglas and his family, the corpses — much like the murders that will punctuate the evening to come — are all too real. The film stars Alexander Brickel, Katheryn Winnick, Stephen Graham, and Amanda Plummer.
The Last Drive-In with Joe Bob Briggs is produced by Matt Manjourides and Justin Martell and directed by Austin Jennings. Joe Bob is joined on every episode by Diana Prince as Darcy the Mail Girl.
Are you a fan of Satan’s Little Helper and/or Jeff Lieberman, and will you be tuning in for Joe Bob’s Beelzebub Bash? Let us know by leaving a comment below.
The end of an era approaches as Netflix‘s Cobra Kai series prepares to take its final bow. To get fans ready for the show’s staggered Finale, the streamer unleashed a gallery of first-look images featuring the students of Miyagi-Do, Cobra Kai, and others awaiting the results of a contest determining who gains control of the Valley and more.
According to Netflix, Cobra Kai Season 6 Part 2 “brings us to the Sekai Taikai, where Miyagi-Do will face new challenges and old enemies as they fight to become world champions — can they stay united as internal rivalries bubble back to the surface?”
Speaking about the conclusion of the show’s final season, Hayden Schlossberg, who co-created Cobra Kai with Josh Heald and Jon Hurwitz, tells Netflix’s Tudum that… “the first thing that you’re going to notice is we’re not in the Valley anymore. It’s a totally different environment. The competitive space is different from previous All Valley tournaments. There’s no crowd watching. This is a karate temple that they’re going to, where the only people in attendance are black belts or karate masters.”
It was also announced today that Lewis Tan (Deadpool v. Wolverine, Mortal Kombat), Patrick Luwis (Rebel Moon), and newcomer Rayna Vallandinghamhave joined the cast. First appearing in Part Two, the three are part of a competing dojo at the Sekai Taikai. Tan plays Sensei Wolf in the final chapters of the series, while Luwis plays Axel Kovacevic, and Vallandingham plays Zara Malik.
Cobra Kai Season 6 Part debuts November 15, with Part 3/The Finale Event arriving in 2025.
Today’s Cobra Kai Season 6 Part 2 first-look images feature Lewis Tan in all of his ab-tastic glory, the students of Miyagi-Do preparing for war against Cobra Kai at the Sekai Taikai, friends and family cheering from the sidelines, and enemies coming face-to-face for a final confrontation.
While the staggered release of the final episodes is irksome, it doesn’t detract from the mounting tension for the next episodes. Cobra Kai has punched above its weight from the start to become something remarkable. The show took audiences by storm, with plans to extend the story beyond the core series. We’re excited to discover who wins, loses, and returns to prison. Seriously, John Kreese, what the hell are you doing there? I know you’re out of the country, but c’mon. Also, is that a knife in your hands? Are Kreese and Johnny about to have a knife fight? Oh, Cobra Kai, you crazy!
Are you excited about Cobra Kai Season 6 Part 2? Let us know in the comments section below.
After airing four show-stopping episodes of The Penguin, Max is teasing the remaining episodes of The Batman spinoff with a mid-season trailer that takes us into the heart of an all-out war between some of Gotham City’s worst criminals. After some startling revelations, the promo finds Oz Cobb and Sofia Falcone at odds, with Sofa vowing to pluck Oz’s feathers and seize control of a broken city. You can cut the tension with a knife as Oz’s world falls to pieces, with loved ones and associates threatened by the Falcone and Maroni families. If I were the Penguin, I’d get the hell out of Dodge, but as we all know, Oz isn’t one to back out of a fight.
Speaking with The Penguin showrunner Lauren LeFranc, ScreenRant asked if fans could expect another season of the hit DC TV show. While nothing is concrete, LeFranc says there are more stories to tell using the Penguin‘s platform.
“Gotham is ripe to tell so many stories, the comics have shown that through decades and decades,” LeFranc told ScreenRant. “I love this version of Gotham too. I love all the characters that we’ve gotten to explore in this world. I think there’s always room for more of that. If the story can be even better, absolutely.”
Max’s mid-season teaser trailer for The Penguin gives me chills. I’ve followed the show since the jump and positively love it. I agree wholeheartedly with Alex Maidy’s 10/10 review and am thrilled to see many others enjoying it. When Max announced The Penguin, I didn’t know what to think. The character had a relatively minor role in Matt Reeves’ The Batman, though Colin Farrell’s transformation into Oz Cobb was undeniably remarkable. The Penguin allows Farrell to spread his wings, and Cristin Milioti’s Sofia Falcone is a revelation. Farrell and Milioti are powerhouses in The Penguin, and I’ve no idea how their confrontation will end.
The Penguin‘s mid-season trailer positions the rest of the season as a roller coaster ride of emotion, altercation, and action. Fans of the series should be extremely excited about what’s to come, and I can’t wait to check it out alongside everyone else.
Last year, it was announced that the 1987 cult classic horror comedy Street Trash (buy it HERE) would be getting a remake from Ryan Kruger, the director of the 2020 body horror film Fried Barry! Kruger’s take on the concept, which moves the story from Brooklyn to South Africa, is now ready to make its way out into the world, as a premiere screening will be held tonight at the New Beverly Cinema. Cineverse holds the North American distribution rights and they’re planning to release the film through the Screambox streaming service sometime in November. In anticipation of the premiere screening, a trailer for the remake has arrived online and can be seen in the embed above.
The original Street Trash was directed by J. Michael Muro from a screenplay by Roy Frumkes. Fourteen years ago, Frumkes said he was working on the script for Street Trash 2… but that sequel never made it into production. Thankfully, Muro and Frumkes are both involved with the remake. They served as executive producers alongside Bad Dragon and Vinegar Syndrome.
The Street Trash remake follows a group of homeless misfits as they fight for survival when they discover a plot to exterminate every homeless person in the city. Variety assured that this new take on the concept “stays true to the original plot — which chronicles the disgusting decay of New York wanderers after ingesting bottles of toxic alcohol — but expounds the gore to create a metaphor for something much larger.”
When the project was first announced, Kruger provided the following statement: “Our reimagining of Street Trash takes place in Cape Town, South Africa where the growing divide between rich and poor has changed the world as we know it. I was a huge fan of the original Street Trash when I was a kid, and I couldn’t be more thrilled to introduce a whole new generation to the melted gonzo goodness that made the original such a classic. While our reimagining features new, exciting plot elements that give the film many bizarre twists and turns, the core of the film lies with our diverse and unique cast of characters. As a director, I am very character centric and I can’t wait to see our strange and hilarious ensemble on screen together as they navigate the hostile streets of Cape Town. Our version of Street Trash will be raw, hilarious, packed with vibrant characters and multi-colored explosions of gooey greatness.“
Fans of the Shudder series The Last Drive-In with Joe Bob Briggs might point out the fact that Fried Barry and the original Street Trash have both been screened on that show – and it’s no coincidence, as the Street Trash remake is being produced by The Last Drive-In producers Justin Martell and Matt Manjourides of Not the Funeral Home. Cineverse’s Chris McGurk, Brandon Hill, Brad Miska, and Yolanda Macias also serve as executive producers. Production in South Africa was handled by Protagonist Studios and Stage Five Films.
What do you think of Street Trash getting a remake from the director of Fried Barry? Take a look at the trailer, then let us know by leaving a comment below.
Two years have gone by since we heard that director Steven C. Miller (Silent Night) was heading into production on a werewolf horror film that, at the time, was going by the title Year 2. That movie is now set to make its way out into the world under the title Werewolves, with Briarcliff Entertainment and The Solution Entertainment Group teaming up to give it a wide theatrical release in the United States on December 6th – and with that release date swiftly approaching, a trailer for the movie has now made its way online! You can check it out in the embed above.
Our friends at Bloody Disgusting got the first look at this trailer and also unveiled a poster, which can be seen at the bottom of this article. The poster is a Creepy Duck Design creation.
Starring Frank Grillo of the Purge and Captain America franchises, Werewolves will show us that a supermoon event triggered a latent gene in every human on the planet, turning anyone who entered the moonlight into a werewolf for that one night. Chaos ensued and close to a billion people died. Now, a year later, the Supermoon is back.
Grillo is joined in the cast by Katrina Law (NCIS), Ilfenesh Hadera (Godfather Of Harlem), James Michael Cummings (City On The Hill) and Lou Diamond Phillips (Young Guns). Miller directed from a screenplay by Matthew Kennedy (Inheritance).
Miller also produced Werewolves with Myles Nestel, The Solution’s Craig Chapman, Monty the Dog’s James Michael Cummings and Jim Cardwell, Pimiente Films’ Luillo Ruiz, and Sevier Crespo. Grillo serves as executive producer alongside Tom Ortenberg, The Solution’s Lisa Wilson, Rainmaker Films’ Clay Pecorin and Russell Geyser, Burke Management’s Victor Burke and Vanzil Burke, and Sherborne Media’s Gary Raskin and Alastair Burlingham.
Nestel, who is co-CEO of The Solution, provided the following statement: “We are super excited to be releasing Werewolves later this year, exclusively in theatres. Our cast is incredible, from the amazing Frank Grillo to powerhouse performances from Katrina Law and Ilfenesh Hadera. The use of practical werewolves designed and built by Alec Gillis and Tom Woodruff Jr (known from the Alien and Predator series) takes the genre back to its roots in a fresh and exciting way. We hope audiences will have as much fun experiencing the film in theatres as we had making it!“
Werewolves has secured an R rating for violence, some gore, and language.
What did you think of the Werewolves trailer? Are you looking forward to seeing this movie in December? Let us know by leaving a comment below.
Last year, when Damien Leone made the announcement that Art the Clown would be getting a Christmas-themed sequel releasing October 2024, I’m not sure any of us expected it to dethrone the Clown Prince of Crime at the box office. But that’s exactly what happened and now the franchise seems to be positioned to give horror fans everything they’ve ever wanted. By avoiding studio dollars, Leone’s vision is uncompromising. This means gore, gore, gore! But it also means a relationship built with fans where, by giving them something truly shocking, Terrifier is in a place that no horror film has been in decades: one of complete creative freedom. Which makes the future of the series more tantalizing than ever.
When I spoke to Damien last year for the Terrifier 2, he was antsy about a certain kill in 3. So now that we’re speaking again, I made sure to ask the Terrifier 3 director about which kill that happened to be. And it may surprise you. But it wasn’t just the writer/director I was lucky enough to speak to as Chris Jericho also joined in on the fun. As shown by his appearance at the end of 2, any expectation of a lengthy role would be a mistake. We got into just how last-minute Jericho’s scene happened as well as the process of getting prosthetics for his face made. I can only imagine how happy both are now that Terrifier 3 is the number-one film in the country. Terrifier fans should get a kick out of this behind-the-scenes insight on the third entry.
TERRIFIER 3 plot synopsis:
Art the Clown is set to unleash chaos on the unsuspecting residents of Miles County as they peacefully drift off to sleep on Christmas Eve.
It’s always cool when we have the chance to watch action heroes venture into horror territory. We’ve seen Arnold Schwarzenegger take on the Predator, battle Satan (in End of Days), and raise a zombie daughter (in Maggie). Sylvester Stallone has taken on psycho killers in Cobra and Eye See You (and we’re still waiting for him to get around to making that creature feature Hunter, which he once considered turning into a Rambo sequel). Charles Bronson tracked a serial killer in 10 to Midnight. Dolph Lundgren faced off with an alien drug dealer in I Come in Peace. Jean-Claude Van Damme played both a serial killer and the killer’s heroic clone in Replicant. Steven Seagal killed vampires in Against the Dark. The list goes on… but two separate action horror projects we tragically missed out on would have given us the sight of both Van Damme and Seagal fighting Yetis, a.k.a. Abominable Snowmen!
Back in 1995, Universal Pictures purchased a screenplay by Troy Neighbors and Steven Fienberg that told the story of a United Nations task force investigating the mysterious disappearance of Red Cross workers in the Himalayas. Needless to say, they encounter more than soldiers from the People’s Republic of China. Titled Abominable, this project was described as “Predator in the snow” and was going to be produced by Moshe Diamant. Peter Hyams, who worked with Van Damme on Timecop and Sudden Death, was considered for the directing job, and so was Cliffhanger’s Renny Harlin. Van Damme was on board to play a UN task force member who would end up having to fight a Yeti, or Yetis. Unfortunately, he had other projects to get to before production could start on Abominable, and eventually Universal lost interest in making a Van Damme vs. the Abombinable Snowman movie. The fools.
Seagal’s own Yeti project, titled Snow Blind, was set up at Warner Bros. Speaking on a podcast, screenwriter Ethan Dettenmaier recently revealed exactly how Snow Blind came about. Dettenmaier went to Seagal’s house to meet with him about a different project that Seagal ended up turning down because “some people he knew in the black ops community” would be upset with him if he made the movie. Instead, he wanted to make a horror movie and told Dettenmaier, “If you can write like I write, then you should have a script to me in about 24 hours.”
On the podcast, Dettenmaier says Seagal “got wind that we knew some of the members of the group En Vogue and he really wanted to rope them into some kind of co-starring role, which was really awkward. I go, ‘I’m not getting you a script in 24 hours, but I’ll get you some ideas.’ Two or three days later, he calls me and goes, ‘So what do you have for me?’ And I go down this list of ideas, start with the strong ones, they’re all horror-based ideas, Corman-esque. I get to the last one, and it’s probably the weakest. When you’re trying to round out a list of content, you’re gonna have the powerful ones up front and you’re gonna want to sound extensive, so you start getting weaker and weaker and weaker as the list progresses. I get to the last, item number 25: Diplomatic flight in the Himalayas goes down, Empire Strikes Back type Yeti comes up, pops in and out of the frame like Jaws, tears it apart, you’re the Special Forces guy that’s gotta go in, and we’ll call it Snow Blind. ‘That’s the one we’ll do!’ And he goes like this, ‘Those creatures do exist and the reason nobody sees them is because they have the ability to transcend dimensions.’”
So, for a while, Seagal was on board to fight dimension-transcending Yetis in Snow Blind. But, like Universal with Abominable, Warner Bros. did not end up sending the project into production.
How do Abominable and Snow Blind sound to you? Do you wish we had gotten these Jean-Claude Van Damme and Steven Seagal vs. Yetis movies? Let us know by leaving a comment below.
Life imitates art as the location used for the Temple of the Holy Grail in the 1989 Steven Spielberg film Indiana Jones and the Last Crusade, starring Harrison Ford, has an amazing secret that’s been recently uncovered. The location of the fictional temple is a stunning building that is carved into a sandstone cliff called The Treasury, which is located in Petra, Jordan. Archeologists have long attempted to find a conclusive answer of what the building was used for. However, a popular theory is that it was a mausoleum that was built for the final resting place of an important ruler during its era.
According to The Washington Post, a group of researchers had recently discovered “a chamber buried underneath the Treasury, also known as al-Khazneh, that contains the remains of 12 people and other items they say could finally reveal the structure’s secrets and shed some light on the origins of Petra.” Back in 1985, this location had been designated a UNESCO World Heritage site. The leader of the dig, Pearce Paul Creasman, executive director of the American Center of Research, would state, “This work will shed light on The Treasury itself, particularly its construction and date. The material recovered from our excavation has great potential to inform us about the early history of Petra and, possibly, the origins of the Nabataeans, too.”
Josh Gates, the host of the Warner Bros. television series Expedition Unknown, would cover the story of this discovery in a two-part episode last week. Gates said in a statement, “We were absolutely stunned by the revelation of this hidden chamber. Since nearly all of the tombs at Petra have been found empty, this is perhaps the most significant tomb ever found at Petra and a discovery of historic proportions. The breakthrough could not only reveal the secrets of The Treasury above, it could also offer an extraordinary glimpse into the lives of the early Nabataeans who built Petra.” Creasman is confident this opens up opportunities of learning about how the citizens of Petra lived and thrived in this geographical area, “Today, Petra, the Rose City, is parched, but it was once a comparatively lush place. I am hopeful we can learn from the past and use it to improve our collective future.”
Plot: Skilled in the art of killing, a young assassin defies her mentor to save a boy from a ruthless crime syndicate — and she’ll destroy anyone in her path.
Review: Indonesia has long had a strong film industry that has gotten more and more global exposure thanks to streaming and the success of Gareth Evans’ 2011 film The Raid. In the years since, we have seen many impressive action and horror films from Southeast Asia, many of them by director Timo Tjahjanto. Whether as a solo writer-director or part of the duo known as The Mo Brothers, Tjahjanto is known for his complex action choreography and brutally violent gore. Today sees the release of the director’s latest movie, the epic The Shadow Strays. Clocking in at two-and-a-half hours, The Shadow Strays is big in every way. From the numerous action set-pieces across Asia, the film is an impressive feast for genre fans as Tjahjanto raises the bar on how creative he can kill thugs and mercenaries. With a lot of time to fill, The Shadow Strays works more than it doesn’t but still suffers from an imbalance in the non-action sequences.
Combining the excess of John Woo’s heyday with buckets of blood usually reserved for horror films, The Shadow Strays looks and feels like a big-budget studio action movie, albeit one with very over-the-top histrionic exposition. Opening with a sequence set in Japan, we are introduced to the concept of “Shadows,” assassins trained for anonymity. During a brutal massacre of a Yakuza clan, a Shadow trainee code-named 13 (Aurora Ribero) is chastised by her teacher, Umbra (Hana Malasan), after she loses focus when a civilian is caught in her crossfire. Relegated to the bench where she must continue taking emotion-regulating medication, 13 returns home to Jakarta and stumbles across a young boy named Monji (Sebastian Sero), whose mother is killed by a gang, leaving him an orphan. Feeling parallels to her own past, 13 takes Monji under her wing. When he is kidnapped by the criminals who killed his mother, 13 seeks to rescue him and takes down every person in her path.
A lot is going on in The Shadow Strays, much of which does not make much sense. There is an attempt by Tjahjanto to make the Shadows a blend of super-soldiers and righteous warriors, but we spend so little time seeing them on mission that it feels unnecessary. The bulk of the story centers on 13 using her training to exact merciless vengeance upon the criminals who kidnap Monji, and that is more than enough for this movie to make sense. Equally, the villains spend a lot of time monologuing about their dastardly plans, which include rape, murder, and political ambition. The crooked cops and gangsters are working together to rule Jakarta, but 13 and Monji are in their way. There is a subplot halfway through The Shadow Strays that tries to shift the focus and give 13 a detour, but it mostly adds another substantial action sequence to the already overlong running time. Because The Shadow Strays is deliberately melodramatic, the exposition scenes border on comical, which some viewers may find detracts from the pacing of the film, delaying us from getting to more bone-crushing violence.
While some elements of The Shadow Strays feel a bit outdated, namely the fact that a female assassin shocks some of the male characters, most of it is grisly, over-the-top fun. From the first scene, the CGI blood pours in abundance, with every weapon you can think of being used, from guns, knives, swords, and household objects. When weapons don’t do it, teeth and fingers rip at flesh as the bodies hit the floor. Aurora Ribero and Hana Malasan are excellent as they blend the mentor/mentee relationship with an understated familial bond that never slides into anything formulaic. The majority of the weakness in this movie falls to the villains. Every bad guy in this movie is a stereotype from a Jean Claude Van Damme or Steven Seagal movie. Yes, it is fun to watch them die, but when they try to wax philosophical, it just drags down the pacing of the entire film.
Timo Tjahjanto has proven his style relies on going up to the line and sometimes crossing it spectacularly. As a director, he has given us some truly scary moments, notably in The ABCs of Death and both V/H/S/2 and V/H/S/94, but his work on May The Devil Take You and as part of The Mo Brothers with Headshot, Tjahjanto feels both like an inspiration for the trend of John Wick-inspired films. That is likely why Tjahjanto recently wrapped production Nobody 2 with Bob Odenkirk, which will hopefully boast some of this signature violence. Tjahjanto is a filmmaker who feels destined for Hollywood greatness if he had come in twenty years ago when studios were more willing to grant budget dollars to R-rated fare. This is a solid production from a logistical and creative standpoint, even if the script suffers from cliche dialogue and overwrought dramatics.
The Shadow Strays is brutal, bloody, and badass as an action film, with over an hour of running time easily wasted. I found myself almost fast-forwarding through dialogue to get back to the action, something I am sure most audiences will be tempted to do. You can easily skip to the fights and still understand most of what is going on, which is the biggest problem with The Shadow Strays as a movie. Netflix is notorious for having films that overstay their welcome a bit too much. Still, this movie is so good in the action department that you will not want to risk missing a single roundhouse kick or decapitation. The Shadow Strays is one of the better action movies to come out this year and will have your jaw repeatedly dropping as each sequence outdoes the previous one.
Back in 1987, writer/director Rick Roessler and producer Jerry Encoe teamed up to bring the world the slasher film Slaughterhouse (watch it HERE) – a movie that has been a favorite of mine ever since I rented it on VHS at a very young age. Roessler always had thoughts of making a sequel, but the project never made it into production… Until earlier this year. Slaughterhouse 2: Death Metal was filmed in and around the Motor Transport Museum and old feldspar mill in Campo, California, and now it’s ready to have its world theatrical premiere as part of the Popcorn Reef screening series at the Regal Mira Mesa theatre in San Diego, California. The premiere is scheduled to take place on October 23rd, and with that date swiftly approaching, we’re proud to feature an EXCLUSIVE look at the film’s trailer! You can check it out in the embed above.
Roessler was inspired to finally get Slaughterhouse 2 rolling after Quentin Tarantino held a screening of the first film at his New Beverly Cinema in Los Angeles and the screening drew in a full house. The original Slaughterhouse starred Don Barrett and Joe Barton as Lester Bacon and his pig-like son Buddy, who turn to murder in an effort to save their family slaughterhouse. The sequel has the following synopsis: 37 years later, the original team behind the cult classic Slaughterhouse are back to serve you a second helping of special surprises. Slaughterhouse 2: Death Metal centers on Les Bacon’s third son, Cleavon, who left the pig farm for a better life and was merely hinted at in the first movie. Like his father, Cleavon has a mute son, RemDog, who produces “Wonder Jerky” to sell around town. Wonder Jerky has a little extra something in it that you should already be able to figure out. Pt. Loma-OB Monthly adds that the father and son team make beef jerky inside the Motor Transport Museum, an old feldspar mill surrounded by hundreds of decaying trucks. That’s where they add the secret ingredient: human flesh.
As mentioned, Cleavon’s son is named RemDog, and he uses a flamethrower to dry out the meat for their Wonder Jerky. Wonder Jerky sales help pay the museum’s bills, with the people who buy and eat the jerky having no idea that they’re consuming treats made from the ground-up body parts of ill-fated hikers who are snatched from the Pacific Crest Trail.
Slaughterhouse 2: Death Metal was made on a budget of $250,000. Motor Transport Museum owner Bryan Butler stars as Cleavon, with local high schooler Remington Tully playing Rem Dog. Another local high schooler, Mary Grondona, plays a character named Ashley, and Lance Garmo – who runs the general store The Green Store – appears as the town storekeeper. The metal band Hemlock also makes an appearance. Returning from the first film is Sherry Leigh, who played heroine / sheriff’s daughter Liz Borden. Now the character has grown up to become the sheriff herself. Leigh’s husband Jim Larimore plays a “rich developer who covets the transport museum land.” The Hemlock track “Nobody Knows What a Killer Looks Like” serves as the title song for the film.
Slaughterhouse 2: Death Metal doesn’t have a release date just yet, but hopefully we’ll have more information on that soon after the premiere. In the meantime, take a look at the trailer, then let us know if you’re a Slaughterhouse fan by leaving a comment below. It’s a shame Buddy Bacon never got to come back for a sequel (Barton passed away in 2010), but I’m glad Roessler and Encoe are finally taking us back to the world of Slaughterhouse.
