Category Archive : FilmTV

Plot: Follows the elite students of Manchester College, a Washington, D.C.-adjacent university, where reputation means everything, fraternities and sororities are the gold standard, and two ruthless step-siblings, Caroline Merteuil and Lucien Belmont, will do anything to stay on top of the cutthroat social hierarchy. After a brutal hazing incident threatens the entire Greek Life system, they’ll do whatever is necessary to preserve their power and reputation – even if that means seducing Annie Grover, the daughter of the Vice President of the United States. Hearts will be broken, loyalties will be tested, and secrets will be revealed in this modern-day royal court that is Manchester College.

Review: Since the 1988 film version of Dangerous Liaisons starring Glenn Close, Michelle Pfieffer, John Malkovich, and Uma Thurman, there have been ten adaptations of the eighteenth-century bestseller by Pierre Choderlos de Laclos including a 2022 series that aired on Starz. The most popular take on the novel was 1999’s Cruel Intentions, which starred Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon, and Selma Blair. Notable for being the film that began the real-life relationship between Witherspoon and Phillippe, Cruel Intentions spawned a lackluster prequel and sequel film and a stage musical in 2015. A television series starring Gellar failed to get past a pilot in 2016. Still, now the contemporary teen-centric romantic update of the classic novel is back for a new generation with Prime Video’s Cruel Intentions. Featuring a cast of relative unknowns in the leads, this version of Cruel Intentions aims to capture the melodrama and eroticism of the films in a long-form series. The question is: were they able to capture the same sexual chemistry as the 1999 film?

The eight-episode first season boasts some changes from the film, notably the shift in setting from New York City to Washington, DC. The school remains the primary location for the new series, with private high school Manchester Prep turning into Manchester College. The aging up of the teenage characters from Roger Kumble’s film does remove some of the creepier underage elements, but with the cast all in their mid-to-late twenties, they all seem too old for their roles. The novelty of rich kids acting naughty is not exactly a new concept, with Gossip Girl and Pretty Little Liars mining this material for the last decade. Cruel Intentions pushed the envelope of the PG-13 rating back at the close of the twentieth century, and the reboot has no qualms about profanity or sexual content, with the premiere episode boasting everything you can show on screen short of nudity.

In both Dangerous Liaisons and Cruel Intentions films, the main thrust of the plot centers on a wager between step-siblings to see if the brother can seduce a new student at their school. With manipulation and trickery, the brother develops feelings for his conquest, to the chagrin of his step-sister. In the new series, there is still a psycho-sexual battle waged between the siblings, now named Caroline Merteuil (Sarah Catherine Hook playing the equivalent role played by Sarah Michelle Gellar) and Lucien Belmont (Zac Burgess in Ryan Phillippe’s role). Their conquest changes from Reese Witherspoon’s virgin headmaster’s daughter to Annie Grover (Sara Silva), the daughter of the Vice President. Some supporting roles are similar, with Lucien still having a gay friend, now called Blaise Powell (John Harlan Kim playing Joshua Jackson’s role), who seduces a dimwitted student, Scott Russell (Khobe Clarke). Selma Blair’s naive Cecile is now CeCe (Sara Silva), and rather than being Caroline’s enemy, she is her second-in-command at their sorority. Through the first season, the relationship between Caroline and Lucien shifts from an alliance to a rivalry and back again.

The eight-episode first season does not follow the original film outside of key plot points, with this adaptation being a wholly original look at the spoiled and wealthy behaving badly. While series like Succession offer solid writing and biting commentary, Cruel Intentions is just sex and revenge thrown together and repeated. There are callbacks to moments from the original film, along with the inclusion of Sean Patrick Thomas in the cast, albeit in a very different role than he played in 1999. Most of the series is focused on the youthful ensemble, with some, notably John Harlan Kim, Sara Silva, and Brooke Lena Johnson, standing out as more interesting than the rest. Zac Burgess is the least interesting character in this series and has virtually no charisma compared to those who have played the role before. The adult cast boasts some nice supporting roles for Claire Forlani, Jon Tenney, and Nikki Crawford, but

The first season of Cruel Intentions, with episodes directed by Adam Arkin, Nick Copus, and Iain B. MacDonald, was created by Phoebe Fisher and Sara Goodman, with the duo writing three of the eight episodes. Roger Kumble, writer/director of the 1999 film, serves as executive producer, which may account for the similarity in the title font and the repeated use of The Verve’s “Bittersweet Symphony,” which was the theme song for the original film. Phoebe Fisher’s experience writing for Prime Video’s short-lived I Know What You Did Last Summer and Sara Goodman’s tenure writing for The Hardy Boys series show in the CW-caliber writing of this series. The characters are all atrocious and bad people, making it hard for the audience to root for anyone to win against the other nasty characters. The affluence on display is gross, but none of this series qualifies as satire or commentary and instead is just wealth porn.

The original Cruel Intentions was not entirely well-received by critics and has become a cult classic over the last twenty-five years. The film still remains a showcase for three actors with great potential. The new Cruel Intentions will share a similar critical consensus as it is nowhere near as good as the source material that inspired it. This series can only distinguish itself from its predecessor in the fact that the leads in this version do not boast anything close to the talent that the 1999 cast had. I am sure there will be an audience who enjoys watching overly thin actors get naked with each other and treat one another like sex toys, but there is a way to make a series erotic and entertaining rather than just nasty. This new series’s creators had the best intentions with their reimagining, but the results are just plain cruel.

Cruel Intentions premieres all eight episodes on November 21st on Prime Video.


Cruel Intentions

NOT GOOD

4

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The documentary George A. Romero's Resident Evil, about Romero's unmade video game adaptation, gets a January release

Before the Resident Evil franchise ended up in the hands of Paul W.S. Anderson, the filmmaker who was developing a cinematic adaptation of the zombie video game series was the one who first brought us the concept of flesh-eating zombies: Night of the Living Dead (and Dawn of the Dead and Day of the Dead) director George A. Romero. For decades, fans have been pondering what it would have been like if Romero had been able to bring his vision of Resident Evil to the screen – and that’s the subject of the upcoming documentary George A. Romero’s Resident Evil. We’ve been waiting for this one for a while, and now our friends at Bloody Disgusting have learned that it’s set to receive a Digital and On Demand release on January 7th!

Directed by Brandon Salisbury, George A. Romero’s Resident Evil is being produced by Key 13 Films in association with Point Five Films. During an interview with the Resident Evil Podcast, Salisbury revealed that he didn’t want George A. Romero’s Resident Evil to be your average “talking heads” documentary. So he had the idea to shoot interviews in an abandoned mansion that has been made up and lit to look like the mansion from the Resident Evil video game. He also got permission from the game rights owners at Capcom and the film rights owners at Constantin Film to film some scenes from Romero’s script that were based on iconic scenes from the game, but it’s not clear if they were able to shoot those.

George A. Romero’s Resident Evil received some input from Romero’s personal assistant Jason Bareford. As the story goes, Romero had an assistant play through Resident Evil so he could watch the gameplay while writing the adaptation – and Bareford was that assistant. When the project was first announced, Bareford said the mission with this documentary was to set the record straight on what really went on behind the scenes when Romero’s version of Resident Evil was in the works. He was in the room when decisions were being made, and when Romero was informed that Constantin Film no longer intended to make the movie with him.

Salisbury provided the following statement: “George Romero gave birth to modern horror, the modern zombie, and ultimately Resident Evil. I am honored to bring fans the untold story of his most important unmade project, to celebrate the legacy of the man that inspired me to pursue filmmaking as a career. I hope fans enjoy this ultimate experience in survival horror.

Will you be watching George A. Romero’s Resident Evil when Uncork’d Entertainment gives the documentary a Digital and On Demand release in January? Let us know by leaving a comment below.

George A. Romero's Resident Evil

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Mandy Nicolas Cage

Director Panos Cosmatos’ revenge film Mandy quickly gained a devoted cult following when it was released back in 2018 – and one member of the Mandy cult is singer/songwriter Miley Cyrus, who is such a fan of the movie that she not only named one of her dogs after it, but she even contacted Cosmatos about collaborating on a musical remake of the film! If this musical remake had gone forward, Cyrus was wanting to play the character who was first brought to life by Nicolas Cage.

Set in the primal wilderness of an apocalyptic 1983, Mandy has the following synopsis: The quiet life of devoted couple Red (Nicolas Cage) and Mandy (Andrea Riseborough) takes a dark and bizarre turn when a nightmarish cult and their maniacal leader (Linus Roache) seek to possess Mandy… body and soul. A shocking assault on the innocent pair leads to a spiraling, surreal, bloody rampage of all out, mind-altering vengeance.

Speaking with Harper’s Bazaar, Miley Cyrus said that Mandy is one of the inspirations for the album she’s currently working on. She mentioned trying to get a musical remake off the ground and that “I wanted to play Nicolas Cage. “I love that it’s a romance revenge story. Romance and revenge—those are some of the greatest tragedies. I forever and always will be interested in those.

Cyrus got in contact with Cosmatos, and while they won’t be making that musical remake, he is heavily involved in the making of Cyrus’s new album, which is said to be as much visual as it is musical. Cosmatos said, “[The album is] more experimental than anything she’s ever done, but in a pop way that I love.

Cyrus added that the album is also inspired by Pink Floyd’s The Wall, particularly the 1982 film that was based on the album, a movie that she first saw on the big screen when she was a teenager. With a good friend and one of her brothers, she smoked some weed, rented a limo, put on ’70s-style fur coats, and went to see The Wall. “We really leaned in. And so I have this heart-first attachment to it. My idea was making The Wall, but with a better wardrobe and more glamorous and filled with pop culture.

So we have a Wall-inspired Cyrus and Cosmatos collaboration to look forward to, but the musical remake of Mandy appears to be off the table. What do you think of all this? Let us know by leaving a comment below.

The post Miley Cyrus wanted to star in a musical remake of Mandy appeared first on JoBlo.

Next year, Anthony Mackie’s feature debut as Captain America will finally hit theaters after a long, winding road. Deadline reports that the star of Captain America: Brave New World trekked to Singapore for the Disney APAC Content Showcase, where he revealed how he learned that he would don the shield with the star and stripes. Mackie said he had gone over to Chris Evans‘ house to watch a football game when Evans surprised him with the script pages of Avengers: Endgame that featured Steve Rogers passing the torch. “When I read it, we just hugged each other and jumped around in a circle,” said Mackie.

Mackie would also reveal that prior to being cast as Falcon in the Marvel Universe, he never actually read comic books. He confesses, “A lot of people might not like this, but I’ve never read comics. I’ve watched every cartoon, like everything from Tom and Jerry to Teen Titans — if you haven’t watched Teen Titans, that’s my favorite cartoon. Go online and search the ‘Booty Scooty’ [episode]. It’s amazing.” Even though he never read comics as a kid, he did say who his favorite superhero was growing up,

My favorite character of all time is the Incredible Hulk. I’ve always been a Hulk fan. When I was a kid, I used to watch the TV shows. I just always loved the Hulk.”

However, he added that he shared a common complaint with fans,

I always wondered, ‘How come everything came off except the pants?’ Everything — his shirt, his shoes — came off, but his pants stayed. I always thought that was weird.”

Mackie would also explain the interesting contrasts that his Sam Wilson would have compared with Steve Rogers when serving as Captain America, “It’s very different with the serum — you can fight anybody. When you don’t have the serum, you have to be smart and engineer different ways of defeating [enemies]. With Sam, him being a counselor, he uses more of his brains than brawn. He uses more of his wit than his fist. He’s more of a friend to everyone.” He also says, “Sam’s evolution is simple. He’s still a counselor. He’s still serving soldiers, but at the same time, now he’s a leader of his community in the country.”

The post Anthony Mackie reveals who his favorite superhero is…and it may not be who you may think appeared first on JoBlo.

A lot of the best art acts as a conduit for artists to unselfconsciously reveal vulnerabilities about themselves. And it’s not just a case of narcissistic oversharing, or being allowed to flout social and ethical boundaries with impunity – it’s about accepting your own fragility and employing your chosen art form to ask pertinent questions about yourself, ones which may not have direct answers.

I will admit: I approached the new work by filmmaker Elizabeth Sankey with a smug sense of knowing what I was going to get. With her previous films, 2019’s Romantic Comedy and the 2022 TV doc Boobs, she set out her stall as a maker of witty, perspicacious essay collages which employed archival material to present a thesis tapping into ideas of representation, nostalgia and pop social history. But my preconceptions in this case were entirely false.

From the outset, Witches appears to follow a similar path to its forebears, bringing in snippets from all manner of visual media to reclaim hackneyed and misogynistic depictions of witches through the ages. These women have often been cast as tragic figures, and their outcast status is such that they can easily become the locus of all society’s various ills. Ritualistically burning them at the stake would seem like the only logical course of action.

Following a prologue in which Sankey provides a voiceover atop various melodically-edited clips, she then emerges from the safety of the recording booth to take her place in front of camera and then proceeds to relay a traumatic episode in her life which, initially, seems to take the theme and tone of the film to a very different place.

As Sankey’s harrowing anecdote unfolds – and in her poetic recall of detail, it’s an anecdote that you instantly feel she has spoken aloud many times and to many people – it is revealed that following the birth of her son, Bertie, she began to suffer extreme bouts of depression and confusion. Following various kind dismissals from medical professionals essentially telling her to “calm down dear”, she was eventually diagnosed with post-partum psychosis and placed into a secure unit with her newborn son.

Though Sankey now has the gift of hindsight and reflection, she seems haunted by the fact that if one link in the chain of events had snapped, then there’s a chance she might not be with us right now, such were the uncharacteristic impulses she was experiencing at the time. The archive clips are still there, but slink into the backdrop for a bit as various fellow travellers are invited to tell their own stories, painting a vivid and hopeful picture of the care available to women who find themselves in this sorry situation.

So the film mutates a little bit from playful essay to necessary advocacy doc, yet in its final passages Sankey also manages to ingeniously thread the needle between her two subjects. She does so by expanding her purview to draw in feminist thinkers and historians to make the point that the tenets of witchcraft in ancient times had much in common with the behavioural tropes of post-partum psychosis, suggesting that that this isn’t just some new-fangled “problem” that’s been invented by modern women as some kind of dereliction of maternal duties, but something that has been at best misunderstood and at worst entirely ignored.

Little White Lies is committed to championing great movies and the talented people who make them.

By becoming a member you can support our independent journalism and receive exclusive essays, prints, film recommendations and more.


ANTICIPATION.

Love Sankey’s work in the essay film domain, but is this perhaps more of the same?
3

ENJOYMENT.

The film’s perfectly-judged personal framing elevates it to great heights.
4

IN RETROSPECT.


Leaves you wowed, wounded and also – most importantly – educated on a subject about which very little is known.

4


Directed by



Elizabeth Sankey

Starring



N/A

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Isabel May

Spyglass Media and Paramount Pictures once intended to make a Scream 7 that would have starred Scream (2022) and Scream VI leads Melissa Barrera and Jenna Ortega, with Freaky and Happy Death Day director Christopher Landon at the helm. But then Ortega allegedly asked for a substantial pay raise – and as we saw when Neve Campbell dropped out of Scream VI due to a pay dispute, these pay issues don’t tend to work out. Then Barrera was fired from the project after comments she made about the Israel-Hamas war didn’t go over well with executives at Spyglass. Landon dropped out the of the project soon after. So Scream 7 has been re-developed, Campbell has signed on to return as franchise heroine Sidney Prescott, back in the lead role – and The Hollywood Reporter has broken the news that Isabel May of the Yellowstone prequel 1883 is in talks to play Sidney’s daughter!

Rumors had been swirling online in recent weeks that Mckenna Grace of the Ghostbusters franchise was close to getting the role of Sidney’s daughter, but it appears that Isabel May pulled ahead of her at the finish line (if Grace was actually in the running; you never know with online rumors).

Kevin Williamson, who wrote the screenplay for the original Scream, is set to direct this new sequel. In addition to writing the original Scream, Williamson has also written I Know What You Did Last Summer, Scream 2, The Faculty, and Halloween H20 (where his script contributions were uncredited). He wrote the initial drafts of Scream 3 and Scream 4, then those both received some major rewrites. For Scream 7, he’ll be working from a screenplay by 2022’s Scream and Scream VI writer Guy Busick, who crafted the story with his co-writer on the fifth and sixth films, James Vanderbilt. (Vanderbilt is also a producer on the most recent sequels.) Williamson made his directing debut with the 1999 thriller Teaching Mrs. Tingle. Twenty-five years later, Scream 7 will be his second directing credit.

Until the Isabel May casting announcement, Neve Campbell was the only confirmed Scream 7 cast member. Courteney Cox has been in talks to reprise the role of reporter / author Gale Weathers since March, but she recently revealed that she hasn’t signed on yet. Patrick Dempsey has had discussions about reprising his Scream 3 role of Detective Mark Kincaid, but he’s waiting to see the script.

What do you think of Isabel May being cast as Sidney Prescott’s daughter in Scream 7? Let us know by leaving a comment below.

Scream 7 is set to reach theatres on February 27, 2026.

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The streets are abuzz and with the burning of a Guy Fawkes-esque effigy, Glinda the Good Witch (Ariana Grande), brings news that the Wicked Witch, Elphaba (Cynthia Erivo), is dead. As she is about to float away, a citizen asks about her past in the company of the notorious villain, and we are sent soaring back into Glinda’s schooltime reveries.

This Wizard of Oz prequel arrives on the back of a lengthy theatre run and has been the subject of the biggest For The Girls™ marketing campaign this side of Barbie, with pink and green adorning everything from lip balms to the Arc de Triomphe, so expectations are high.

Born with green skin, Elphaba (Cynthia Erivo) is treated with scorn by peers, and her anger manifests in uncontrolled levitation. As she escorts her wheelchair-user sister Nessarose (Marissa Bode) to Shiz University, her power unleashes itself, catching the eye of Madame Morrible (Michelle Yeoh), a sorcery professor who takes Elphaba under her wing. Galinda, a spoiled, preppy girl, watches with jealousy, and as the polar opposite students become roommates, a rivalry begins.

Reverting to her theatre kid youth, Ariana Grande sings Wicked’s songs magnificently. Yet her abilities as an impressionist can be her downfall: she sounds almost eerily like stage predecessor Kristin Chenoweth with the song ‘Popular’, but her comedy skills leave a little more to be desired. A vision in pale pink, she trills, flounces and preens, matchmaking and makeovering her way into a rich movie legacy of iconic high school blondes. Even as she runs away in fear in one scene, she tosses her hair, and she embodies a shallow altruistic, #woke personality that seldom fails to entertain.

The filmmaking enhances every move Grande makes, from the expressions of sidekick Bowen Yang to the clever split screening during ‘What Is This Feeling?’. Likewise, co-star Jonathan Bailey thrives as a roguish flirt, especially in ‘Dancing Through Life’, as he bounds through a clocktower library, twirling everyone in his vicinity. Juxtaposed with quiet moments of cutting through Elphaba’s defensiveness, Bailey opens out the layers of Prince Fiyero’s personality like an onion.

Cynthia Erivo puts her heart and soul into every solo and that effort is evident in every scene. She makes the trickiest numbers look like a breeze, reminding viewers why she is halfway to an EGOT. Her chemistry with Grande is unmatched as they gaze loathingly and lovingly into each other’s eyes. Together they rise to the challenge of inhabiting such beloved characters.

From Step Up 2: The Streets, to In the Heights, director Jon M Chu was born ready for the uphill task of understanding the dynamism needed to flit between intimate moments in each number, to filling the screen with impressive choreography. The end credits are filled with pages and pages of dancers. Nessarose’s wheelchair dancing with Boq and Elphaba’s entrancing bird-like interpretive dance during a scene set at a ball are particularly triumphant.

Though the run time may seem excessive (two hours and 40 minutes?!), it is a testament to Cho and his team’s care that each musical number is carefully built up and celebrated with elaborate set pieces. And, most importantly, each is given a pause thereafter to allow the emotional impact to sink in. Animal characters played by Peter Dinklage and Sharon D Clarke both provide a comforting presence during the downtime, while also adding to the grief at the heart of Wicked’s conspiracy.

The production design, especially of the Venetian palace that is the university (which seems to be entirely wheelchair accessible, perhaps the spiral staircases are ramps?) is gorgeous, with tiny details like hummingbirds ringing bells that all add up to a stunning little world. Likewise, the costume design features some fabulous skirts that look like party dress petals and the dresses in Emerald City are akin to concertina Christmas baubles.

However, the film suffers from a slightly washed out 2020s CGI Blockbuster aesthetic that dulls its shine. There is plenty of colour, but while the Broadway costumes feature sparkles galore and pay homage to its ’00s origins with camp flamboyance, this modern iteration is pared back. Though the calligraphy of the title credits hark back to the older film’s Technicolor time, that vibrancy doesn’t quite hit the same.

Yet there is much to love about Wicked, with the promise of innovation in Part II, which is shorter and quite rushed in the play. Yeoh redeems herself after a similar role in Paul Feig’s 2022 fantasy film, School for Good and Evil, and every solid aspect of the great dialogue from the play is given its due diligence. It has been a long production journey, but reaching the end of this winding yellow brick road has yielded movie gold.

Little White Lies is committed to championing great movies and the talented people who make them.

By becoming a member you can support our independent journalism and receive exclusive essays, prints, film recommendations and more.


ANTICIPATION.

Musical theatre and pop fans are generally feral and the higher the stakes, the worse my trepidation.
3

ENJOYMENT.

The big screen spectacle and the audience energy swept me away.
4

IN RETROSPECT.


Cinema employees ask me to leave because it’s “not out yet” but I’m simply too seated for Part II.

4


Directed by



Jon M Chu

Starring



Ariana Grande,


Cynthia Erivo,


Jonathan Bailey

The post Wicked review – Grande and Eviro’s chemistry is unmatched appeared first on Little White Lies.

We have apparently seen the end of the Indiana Jones franchise, as Harrison Ford has stated that The Dial Of Destiny is the last time he’ll don the fedora and whip. Well, it will be the action and adventure franchise’s end unless Disney decides to squeeze every last drop they can out of it, which is never out of the question. Film fans always need something else to fill in their viewing void, so what are the best adventure movies like Indiana Jones for fans of the Indiana Jones series to check out?

Best Indiana Jones Alternatives

U​ncharted (2022)

T​his is oddly a full-circle film when it comes to Indiana Jones. Uncharted is based on the video game of the same name, which was admittedly based on the Indiana Jones films. Nathan Drake (played by Tom Holland) teams up with a seasoned treasure hunter in Sully (Mark Wahlberg) to find a lost treasure rumored to be worth $5 billion. Meanwhile, the sinister Santiago Moncada (Antonio Banderas) also wants to get his hands on the famed bounty because he feels it belongs to his family. The race is on, and this globe-trotting adventure is action packed and full of intrigue.

Best Indiana Jones Alternatives

The Lost City (2022)

T​his falls more into the comedy category, but it has all the hallmarks of the Indiana Jones franchise. Puzzles, a lost treasure, and jungles galore. Romance author Loretta Sage (Sandra Bullock) has written about a lost city and an unfound treasure. Now a billionaire (Daniel Radcliffe) thinks she might have to key to finding an ancient treasure and kidnaps her to make her lead him to it. The cover model for all her books (Channing Tatum) goes after her to prove he’s more than just a pretty face. They all get lost in the jungle and discover the lost city is real.

Best Indiana Jones Alternatives

King Solomon’s Mines (1985)

T​his Cannon action adventure movie was made to ride the coattails of Raiders of the Lost Ark and Temple of Doom and draw in fans of the Indiana Jones films, but of course, in the Cannon way, it cost way less to make. Fortune hunter Allan Quatermain (Richard Chamberlain) is hired by a desperate woman (Sharon Stone) to find her father. He went in search of the legendary diamond mines of King Solomon. She is afraid he has been captured and needs rescuing. The duo head to South Africa and quickly run afoul of Quatermain’s rival Dogati, played by Indiana Jones actor John Rhys-Davies. The race is on to find the lost adventurer and to discover if King Solomon’s mines are real. Even if it’s supposed to be a rip-off, it still works as one of the best movies like Indiana Jones, but avoid the sequel, Alan Quatermain and the Lost City of Gold like the plague.

Best Indiana Jones Alternatives

S​ahara (2005)

Based on the Clive Cussler novels, this has more of a Temple Of Doom feel to it, with oppressed people trying to fight back against an evil warlord. Former Navy Seal Dirk Pitt (Matthew McConaughey) and his sidekick Al (Steve Zahn) are looking for a legendary lost Civil War battleship. It was rumored to have crossed the Atlantic and entered the Niger River in Africa. While searching, they encounter an evil warlord and a kidnapped WHO scientist Eva Rojas (Penelope Cruz). She warns them that the warlord is about to unleash a toxic spill into the ocean that would cause a worldwide disaster. This wasn’t the first Clive Cussler Dirk Pitt adaptation. There was also the infamous Raise the Titanic from 1980, but outside of a great score by John Barry, it’s deadly dull.

Best Indiana Jones Alternatives

T​omb Raider (2018)

Another full circle film as this video game adaptation also took inspiration from the Indiana Jones films. Some films were made in the early 2000s, but this recent version feels more connected to the Indiana Jones mythos than the others. Lara Croft has been going through life with no real direction since her dad disappeared on an expedition many years before. No one else seems to believe he is still alive but her. She sets out to find him and solve the mystery of his disappearance. His last known whereabouts were a mythical island off of Japan. Upon arrival, she discovers more than she bargained for and is captured by a corporation that wants the tomb her father was searching for. She has to fight back to stop them.

Best Indiana Jones Alternatives

T​he Mummy (1999)

The real successor to the Indiana Jones franchise begins here, complete with the supernatural element. Brendan Fraser stars as Rick O’Connell, who helps out a young archeologist. She wants to start a dig at an ancient city but finds out that someone beat her to it. The group accidentally releases a cursed high priest. Now he has returned and wants to unleash a series of plagues upon Egypt as revenge for his death. Rick has to stop him and send him back to his grave. The series is a lot of fun and brings back some fun adventures along with some bad CGI. Even with the sketchy special effects, it’s still one of the best movies like Indiana Jones.

Best Indiana Jones Alternatives

T​he Librarian: Quest For The Spear (2004)

A brainiac gets thrown off an archaeological dig but is invited to join the Metropolitan Library. He learns that the job isn’t about maintaining books when he accepts. It’s about finding historical artifacts and keeping them out of the hands of those that would use them for evil. His first assignment is to locate the Spear Of Destiny. It has been broken up into three parts and hidden around the world. He has to retrieve these pieces and return them to the library before anyone else finds them. If put back together, it would create a devastating weapon that could destroy anything it’s pointed at.

Best Indiana Jones Alternatives

T​he Adventures Of Tintin (2011)

In this Steven Spielberg film, young Tintin buys a model ship from the market, but the sinister Mr. Sakharine immediately wants it. He kidnaps Tintin and sets sail on a cargo ship. Once Tintin escapes with his trusty dog Snowy and the ship captain Haddock, he learns that his model contains one of three pieces of a puzzle that gives the location of a hidden treasure. It turns out Mr. Sakharine also has one piece, and now Tintin has to find the third piece and keep anyone else from finding the location.

Best Indiana Jones Alternatives

R​omancing The Stone (1984)

A romance novelist (Kathleen Turner) receives an old map in the mail, followed by a frantic call from her sister. She has been kidnapped, and they want to exchange her for the map. Now she has to travel to Columbia to make the trade and runs into adventurer Jack Colton (Michael Douglas), who she gets to agree to escort her through the dangerous jungle. It’s soon discovered that the kidnappers are looking for a large emerald. They try to save her sister while also finding the jewel for themselves. This and its sequel, The Jewel of the Nile, are among the best movies like Indiana Jones.

Best Indiana Jones Alternatives

National Treasure (2004)

Benjamin Franklin Gates (Nicolas Cage) has been a treasure hunter his whole life. He believes that the United States’ founding fathers hid a large stash of valuables and left clues of where to find it. No one else believes his theory, but he sets out to prove them wrong. He’s finally putting the clues together and will do anything to reveal where this treasure is hiding. Even stealing the Declaration Of Independence. A fun trip through U.S. history as Gates tracks down what clues the founding fathers left behind to the ultimate prize. Of course, he’s not alone, and a rival hunter is on his heels. Who will get there first? The first movie is pretty good, but the sequel and spin-off TV series aren’t great.

W​hat do you think are the best Indiana Jones alternatives? Let us know in the comments.

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Sylvester Stallone, Tulsa King, season 3, season 4

The first two seasons of Sylvester Stallone’s Tulsa King have been a massive success for Paramount+. Although the series hasn’t been officially renewed yet, Deadline says Stallone is in the midst of making a new deal that will lead to season 3 and season 4 of the crime drama. This doesn’t necessarily mean that the series will conclude with season 4, as Deadline states that it could go beyond and even spawn spinoffs like Taylor Sheridan’s Yellowstone franchise.

The report also states that Stallone will likely be getting a raise for the new seasons. He was paid roughly $750,000 per episode for the first season, which was bumped up to $1.5 million per episode for the second.

The actor actually let it slip that the team was already working on Tulsa King season 3 shortly after the second season’s debut. “I am elated and so proud of our cast because our show has gone up 75% over last year which is unheard of, and Season 2 got 100% on ROTTEN TOMATOES!” Stallone said. “Also it’s the Second most popular show in the WORLD across all streaming services! Thank you so much and we are working on the third season at this moment.

The official synopsis for Tulsa King season 2: “Dwight (Stallone) and his crew continue to build up and defend their growing empire in Tulsa, but just as they get their bearings, they realize that they’re not the only ones who want to stake their claim. With looming threats from the Kansas City mob and a very powerful local businessman, Dwight struggles to keep his family and crew safe while keeping track of all his affairs. Plus, he still has unfinished business back in New York.

Our own Alex Maidy is a fan of the new season, saying it’s “as good if not better” than the first. “This new season further distinguishes itself from other Taylor Sheridan-created series rather than getting lumped in as another show from the guy who made Yellowstone,” Maidy wrote. “Tulsa King is violent, funny, and the best mob series to hit the air since The Sopranos.” You can check out the rest of his review right here.

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Robert Pattinson, Christopher Nolan, Tenet

Christopher Nolan is once again assembling a formidable cast for his new movie, and Robert Pattinson is the latest actor to join up.

The film is already set to star Matt Damon, Tom Holland, Lupita Nyong’o, Anne Hathaway, and Zendaya. Production is expected to kick off in early 2025, with Universal already slating the film for an IMAX release on July 17, 2026. In addition to directing and writing the film, Nolan will also produce with Emma Thomas under their Syncopy banner. Plot details are being kept under wraps, but there have been plenty of rumours swirling around, ranging from a period vampire thriller to a helicopter action thriller, but insiders say “nothing has come close to nailing Nolan’s real idea.

Pattinson previously starred alongside John David Washington in Nolan’s Tenet.

Nolan’s new movie will almost certainly be a big production, as the director has previously stated that he has no intention of returning to small-scale movies, not while studios will still give him whatever he wants. “I’m drawn to working at a large scale because I know how fragile the opportunity to marshal those resources is,” Nolan said. “I know that there are so many filmmakers out there in the world who would give their eye teeth to have the resources I put together, and I feel I have the responsibility to use them in the most productive and interesting way.

Pattinson will next be seen in Bong Joon-ho’s highly anticipated sci-fi movie Mickey 17. The official synopsis reads: “From the Academy Award-winning writer/director of “Parasite,” Bong Joon Ho, comes his next groundbreaking cinematic experience, “Mickey 17.” The unlikely hero, Mickey Barnes (Robert Pattinson) has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.” In addition to Pattinson as the various Mickeys, the film also stars Steve Yeun, Mark Ruffalo, Toni Collette, and Naomi Ackie. The release of the film was recently pushed back by several months and will now hit theaters on April 18, 2025.

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